curriculum vitae 2009
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CURRICULUM VITAE 2009

Emily Dickinson's Garden of Verses (December 23, 2009 - January 6, 2010)
a visual interpretation of Emily Dickinson's nature poems in artworks by Cindy Ruskin
chashama Times Square Art Space, 112 West 44th Street
cindy@cindyruskin.com | www.cindyruskin.com
www.girlsclub.org

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Emily Dickinson's Garden of Verses
a visual interpretation of Emily Dickinson's nature poems in artworks by Cindy Ruskin and members of the Lower Eastside Girls Club

December 23, 2009 - January 6, 2010
Hours: Mon, Wed, Fri, 3-7p (except New Year's Day)

cindy@cindyruskin.com | www.cindyruskin.com | www.girlsclub.org

Ruskin created small oil paintings to reflect the intimacy of Dickinson's work, exploring the relationship between paint and the written word. Like Dickinson's poetry, the paintings use a concrete form to capture fleeting images, abstract ideas, and intangible emotions. To create Emily's  poetry garden,  Ruskin ran mixed media art workshops at the Lower Eastside Girls Club. The five- to ten-year-old girls made  Emily and Me  paper dolls, poetry posies, birdhouses, butterflies, flowers, and drawings inspired by Dickinson's poems. The teenage girls made accordion books based on poems, using pressed flowers as illustrations.

Ruskin will be working in the chashama space, cutting poems into paper that will be assembled into the kind of white dress that Dickenson wore during much of her life. Visitors are welcome to talk with the artist as she creates the dress on Mondays, Wednesdays and Fridays (except New Year's Day) from 3PM to 7PM. On Tuesday, January 5th, at 4:30 PM, the Lower Eastside Girls Club will visit the chashama space to sing some Dickinson poems set to music, and Ruskin will host an Emily Dickinson tea party. The young artists will bring the  flower  dolls that they made in Ruskin's workshop.

The complete installation will celebrate Emily Dickinson as both writer and gardener, showcasing the innovative vision of the 19th century Massachusetts poet who is still inspiring Ruskin and the young girls on the Lower East Side.
details
Cindy Ruskin's work has been shown since the late 1980s in California and New York. Recently she won Second Place at the Pen And Brush show, In Your Dreams, and her work was included in the East Village Invitational at Umbrella Arts Gallery. She had a solo exhibition at the Matthew Marks Gallery in 2006 to benefit the Duk Lost Boys Clinic in Sudan.

After growing up in South Africa, and getting an undergraduate degree in art history from Harvard, Ruskin studied painting at the San Francisco Art Academy and the Art Students League in New York.

Ruskin is passionate about bringing art programs to the children of low-income families in New York City. Since 1999, Ruskin has run art classes at the Andrew Glover Youth Program, an alternative-to-prison program for juvenile offenders. She is the art director of the Lower East Side Kids Art Bike Parade. As a consultant to Artworks, a Learning Leaders program, Ruskin created the curriculum for guided tours of the Brooklyn Museum -- and updated the Met tours -- for public elementary school students. Ruskin's art classes at the Lower Eastside Girls Club have culminated in several shows and installations: Cindy and the Cinderellas (2008), Biker Chicks (2008), Park(ing Day) and Parking Day redux (2008) and Phenomenal Art/Phenomenal Women (2007).
about CINDY RUSKIN
The Lower Eastside Girls Club, based at 56 East 1st Street in Manhattan, is dedicated to providing a place where girls and young women 8-23 can grow, learn, have fun, and develop confidence in themselves and their ability to make a difference in the world. By delivering strong and innovative arts, athletic, cultural, life-skills and career oriented programming, the club provides girls with the vision to plan -- and the tools to build -- their future.

On December 10th, 2009, the Lower Eastside Girls Club celebrated Emily Dickinson's birthday by student readings of over 1000 Emily Dickinson poems at multiple schools throughout the Lower East Side. The event culminated in a staged reading of select Emily Dickinson poetry by youth and special guest poets, such as Bob Holman and PoezThePoet, at the Bowery Poetry Club.

All the Lower Eastside Girls Club Emily Dickinson events are part of the NEA's  Big Read  Initiative. The Big Read is an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest.
about Lower Eastside Girls Club

"Xmas" (December 21, 2009 - January 1, 2010)
a video and sculpture installation by Donna Cheng
chashama Window Space, 266 West 37th Street
facebook.com/donna.cheng.nyc
flickr.com/photos/donnacheng/
emotra@gmail.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

"Xmas"
a video and sculpture installation by Donna Cheng

December 21, 2009 - January 1, 2010
Installation on view: Monday - Friday
12:00p to 5:00p
(CLOSED Christmas Day, December 25)

The video and sculpture installation, "Xmas", pokes fun at the holiday onslaught of commercial advertising. Light and paper sculptures are cheery and cheesy with a dark twist. Traditional Christmas song lyrics are modified to reflect our recessionary reality as we ring in a new decade. The public is invited to hum along, or to stop for a little longer and learn these  new classics . Providing a break from the traditional holiday window display, Donna Cheng's multi-racial Santa sculpture will inhabit chashama's storefront window surrounded by projections of anti-consumerism messages. Passerby are invited to interact with the sculpture – to let it know if they've  been good this year.  Fun for the entire family.

FREE and open to the public
details
Parody caroling lyrics co-written with Astro Twin

Performed by Melissa Munn
Melissa@FaceArtByMelissa.com

"Have Yourself a Merry, Merry Christmas" audio recording
Arrangement by John McMahon
Sung by Melissa Munn

"Let There Be Peace On Earth" audio recording
Arranged by John McMahon
Performed by RUB
http://www.myspace.com/rubsings
credits
Donna Cheng is an artist who has worked in video, sound, and interactive technologies as well as the traditional plastic arts of sculpture and painting. Her work has evolved into creating environmental installations that incorporates these media. She is intent on exploring social and historical themes in her site-specific public art pieces. Her last exhibit was a video projection inside a warehouse ruin at the Dumbo Arts Festival, 2009 about the neighborhood's history and the gentrification of the waterfront. She has a B.A. from Scripps College in Studio Arts, and recently graduated with a M.P.A. from Baruch College. She has also studied at the School of Visual Arts in computer art and at City Tech in entertainment technology for the live performance.

emotra@gmail.com | www.facebook.com/donna.cheng.nyc | www.flickr.com/photos/donnacheng/
about Donna Cheng

Seasonal Music (December 18, 2009 - January 15, 2010)
a new free music program featuring celebrated Soprano Malesha Jessie
Anita's Way at One Bryant Park (throughway between West 42nd-43rd Sts & 6th Ave/Bway)
www.maleshajessie.com | malesha@maleshajessie.com
www.durst.org

Anita's Way at One Bryant Park (throughway between Broadway & Sixth Avenue, 42nd & 43rd Streets / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Seasonal Music
a new free music program featuring celebrated Soprano Malesha Jessie

Performances:
Mondays-Wednesdays-Fridays, 3 - 6p
December 18 - 23, 2009
and January 4 - 15, 2010

The Durst Organization and chashama announce that celebrated Soprano Malesha Jessie will sing seasonal music every Monday, Wednesday and Friday from 3:00pm to 6:00pm from December 18th to the 23rd and from January 4th to the 14th in Anita's Way at the Bank of America Tower at One Bryant Park. Anita's Way is the mid-block passage that connects 42nd to 43rd Streets between 6th Avenue and Broadway and is anchored at the north end by Henry Miller's Theatre and on the south end by Aureole Restaurant.
details
"One Bryant Park stands in the midst of one of the richest cultural neighborhoods in the world," said Jody Durst, Co-President of The Durst Organization. "We are proud to contribute to this cultural legacy by programming Anita's Way with free and enriching musical, dramatic and artistic exhibitions and performances. We hope our neighbors and visitors enjoy the beautiful music of Malesha Jessie and we look forward to doing more programming in the future."

"For many years, chashama operated a gallery and performance space on the site of Anita's Way," said Anita Durst, Artistic Director of chashama. "It is tremendously fulfilling to see the arts return to the midblock of 42nd Street between 6th Avenue and Broadway. chashama looks forward to more exciting artistic programming in 2010."
about the space
Noted for her rich vocal color and striking dramatic presence, Malesha Jessie is a performer of both the operatic and concert stages. Her engagements include the Boston Pops Orchestra, Hollywood Bowl Orchestra, Pacific Symphony Orchestra, and Bakersfield Symphony Orchestra. Malesha has been Artist in Residence with the Los Angeles Opera with roles in Don Carlo's, Manon, Porgy and Bess and in Puccini's Suor Angelica. Ms. Jessie received her Master of Music degree in Vocal Arts from the Flora L. Thornton School of Music at the University of Southern California, Los Angeles. She received a Bachelor of Music degree in Vocal Performance from California State University, Fullerton.

www.maleshajessie.com | malesha@maleshajessie.com
about Malesha Jessie

"Semi Boneless" (December 14, 2009 - January 12, 2010)
An Interactive Art Installation by Artist Robert Stratton
chashama 141, 141 East 33rd Street @Lexington Avenue
www.madbutter.com
Interactive Technology provided by Sensacell Inc.
contact@sensacell.com | www.sensacell.com
Exhibition space generously provided by Stonehenge Partners, Inc.
www.stonehengeny.com

chashama's newest venue!
chashama 141, 141 East 33rd Street


corner of 33rd Street & Lexington Avenue: 6 train to 33rd Street
M34 bus to Lexington Ave | M98, M101, M102, M103 buses to 34th Street

"semi boneless"
An Interactive Art Installation by Artist Robert Stratton

December 14, 2009 - January 12, 2010
Viewable 24 hours a day

The artwork entitled "semi boneless" transforms the storefront window into an electronic interactive canvas that senses hand movements through the window glass, allowing the viewer to interact and influence the behavior of the piece- art that begs to be touched.

Robert Stratton's work explores algorithmically generated patterns, forms and colors influenced by the hands and gestures of passers-by. "I am fascinated by the concept of rigid, mathematically generated processes being randomly influenced by random, organic happenstance" says Stratton. "The Sensacell interactive system allows me to transcend the boundaries of the traditional art installation; this piece truly becomes part of the neighborhood."

Robert Stratton received a BA in Art and Communication from Oberlin College, and a MFA in Computer Art from School of Visual Arts. Robert was one of the founding partners of Rare Medium, a web development company started in 1995 that grew to over 1000 employees with 10 offices around the world. Robert continues to pursue ventures in art, interactive media and technology.
www.madbutter.com

Interactive Technology provided by Sensacell Inc.
Contact: contact@sensacell.com | www.sensacell.com

Exhibition space generously provided by Stonehenge Partners, Inc. | www.stonehengeny.com
details

You Can't Die of a Broken Heart (December 12, 2009 - February 13, 2010)
a new gallery exhibit of artworks by Al Johnson, Jr., and other chashama artists-in-residence
chashama 30 West, 30 West 8th Street @MacDougal
Contact: xframes@gmail.com
www.aljohnsonartstudio.com
xframes Flickr set

chashama's newest venue!
chashama 30, 30 West 8th Street
in Manhattan, NY

corner of MacDougal Street: A,B,C,D,E,F,V to West 4th station (exit at rear of station), 1 to Christopher Street station, walk down Greenwich Avenue to West 8th.

You Can't Die of a Broken Heart
a new gallery exhibit of artworks curated by Al Johnson, Jr., and featuring his works and those of chashama artists-in-residence, Lisa Ingram, Caleb Nussear, and Ademola Olugebefola.

December 12, 2009 - February 10, 2010
Reception: Saturday, December 19, 4 - 8p
Open to the public:
Tuesday - Saturday, 11a - 7p
Sunday, 1 - 6p

www.aljohnsonartstudio.com | xframes@gmail.com
details

Workforce/Forced Work (December 10 - 20, 2009)
the 1st of three of chashama's Residencies for 2009-2010
featuring Panoply Performance Laboratory
chashama 217 Art Space, 217 East 42nd Street
www.panoplylab.org | panoplylab@gmail.com
This project is supported in part by an award from the National Endowment for the Arts as well as by an award from the New York State Council on the Arts, and also by the Lower Manhattan Cultural Council's Swing Space program, which was created with lead support from the September 11th Fund.

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

Panoply Performance laboratory's
Workforce/Forced Work

December 10 - 13 & 17 - 20, 2009, 7p

Ticket price is sliding scale: $5-15.
Reservations: panoplylab@gmail.com with the subject line TICKETS (we're sorry, but tickets MUST be paid for at the door)

The Panoply Performance Laboratory (PPL) will present their 70 minute documentary performance Workforce/Forced Work as part of the Residency @ chashama. Opening December 10, the piece contains live performance, clay animation, and an intricate, sample-driven soundscape and live music.

Workforce/Forced Work documents the emotional and physical patterns of American workers and uses them to map connections between private, personal experience and public, political structures. Using multi-layered rhythms of crude video, stop motion clay animation, music, sampled sound, and live performance, the piece pulls the everyday grind into the realm of sur-reality and excruciatingly sincere emotional reaction.

Text, direction, and design by Esther Neff
Composition and sound design by Brian McCorkle
Performed by: Meredith Kitz, Herbie Go, and Chelsea O'Connor
Additional video by Meredith Kitz

This piece was made possible by the Lower Manhattan Cultural Council's Swing Space program, which was created with lead support from the September 11th Fund.

Four songs funded by 'The Work Office'.

Company website: www.panoplylab.org
details

"Photo with Santa Days" (December 9 - 31, 2009)
at Bideawee's Holiday Home on Third:
chashama 679 Window Space, 679 Third Avenue
www.bideawee.org

"Photo with Santa Days"

Bideawee, Inc., a leading pet adoption and animal welfare organization serving the New York metropolitan area, will host its annual "Photo with Santa Days" for kids, families and pets on three days in Manhattan at Bideawee's Holiday Home on Third:
chashama 679 Window Space, 679 Third Avenue

1 block east of Grand Central, corner of 43rd Street & 3rd Avenue; 4,5,6,7 and shuttle train to Grand Central | M101, M102, M103 to 42nd Street

December 9 - 31, 2009

Photo Days:
Friday, December 11, 11am - 2pm
Saturday, December 12, 11:30am - 4pm


Venue open to the public: Wednesdays - Saturdays through December

Bideawee friends and families are welcome to sit on Santa Claw's lap for a holiday photo and special gift. Bideawee Pet Therapy dogs will also be on hand to pose for photos.

All participants can enter the drawing for a $50.00 gift card good towards the purchase of pet supplies. Guests can enjoy hot chocolate and special holiday treats.

Donations of unopened food, bedding, toys and other items for Bideawee pets residing in its shelter will be accepted on site during the event.

Bideawee Holiday Home on Third will be open to the public on Wednesdays through Saturdays every week during the month of December 2009. Bideawee Holiday Home on Third is a special project "made possible in part by chashama, inc."

For more information, call 212-532-4455, ext 239; or visit: www.bideawee.org

There is a $10 fee per photo to help support Bideawee animals in its care and ongoing and educational programs.
details
Bideawee, which means "stay awhile" in Scottish, is one of the country's oldest and most respected animal welfare and pet adoption organizations. Founded in 1903 by Mrs. Flora Kibbe, Bideawee has been providing shelter, care and compassion to homeless animals in helping them to find their forever homes for over 100 years.

Bideawee is a not-for-profit 501(c) 3 humane organization and 100% of Bideawee’s funding comes from private sources. For more information visit: www.bideawee.org
About Bideawee

ann and alexx make dances - Greatest Hits! (December 9 – 20, 2009)
a performance installation by Ann Robideaux & Alexandra Shilling
chashama Times Square Art Space, 112 West 44th Street
Interactive Light Installation by Lightexture: www.lightexture.com
www.alexxmakesdances.com | annandalexx@gmail.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

ann and alexx make dances - Greatest Hits!
a combination of performance, dance on film, original sound score, photography and light installation

Installation viewable from the street 24 hours a day: December 9 – 20, 2009
Performances:
Saturday - December 12, 6 - 9p
Sunday - December 13, 2009, 5 - 8p
Friday - December 18, 2009, 6 - 9p
Saturday - December 19, 6 - 9p

Admission: By donation

For a retrospective of five years of choreography, chashama's store front is turned into one big dance event by ann and alexx make dances. An homage to the great Merce Cunningham, choreographers Ann Robideaux and Alexandra Shilling take dance material from five years of dance making, cut it up and combine it by chance to make one new site-specific dance event at chashama 112.

ann and alexx make dances Greatest Hits event includes:

Live Dance Performance: Amir Levi, Kate Patchett, Alexandra Shilling, Devika Wickremisinghe, Mimi Yin and several guest artists dance while audience members are encouraged to take photos and videos of the performance. Audience members may submit photos/video as a part of ann and alexx make dances' next multi-media work.

Interactive Light Installation by Lightexture: architect Yael Erel and lighting designer Avner Ben Natan collaborate to intersect light, shadow and choreography. See more at www.lightexture.com/gallery (click on Light intersecting movement)

Dance on Film: created by ann and alexx make dances screen in a back room.
performance details
Friday 12.11: 2pm-5pm, meet the artists Ann Robideaux and Alexandra Shilling
Monday 12.14: 12-7, meet the artists Yael Erel and Avner Ben Natan;
**& Movement class from 2-4pm with Alexandra Shilling**
Tuesday 12.15: 12-6, meet the artists Yael Erel and Avner Ben Natan
Wednesday 12.16: 1-7, meet the artists Yael Erel and Avner Ben Natan
Thursday 12.17: 12-6, meet the artists Yael Erel and Avner Ben Natan
Friday 12.18: 12-3, meet the artists Ann Robideaux and Alexandra Shilling
Sunday 12.20: 12-7, meet the artists Yael Erel and Avner Ben Natan
Open House/Open Gallery hours

Bio{luminescent}Sphere (December 6 - 11, 2009)
a transformative, site-specific installation & interactive performance by
aricoco & Natalia Zubko
chashama Window Space, 266 West 37th Street
www.aricoco.com | princessaricoco@hotmail.com
www.nataliazubko.com | nzubko33@yahoo.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Bio{luminescent}Sphere
a transformative, site-specific installation & interactive performance by aricoco & Natalia Zubko

December 6 - 11, 2009
Installation on view daily
Opening: Sunday December 6, 4-7p
Interactive Performance at 5p
Additional Performance, Thursday, December 10, 4-6p

The combination of the warm, glowing installation, and the performance of the "firefly's" blinking, lighting their own path - searching for a place to play and rest, will beckon passerby's to join in the search and become fireflies themselves.

Natalia Zubko explores ideas of light and perception, redefining/creating a space for the fireflies that is calm, quite, and almost spiritual. The emergence of this environment's existence in the mid-town location, its flood of cold artificial lights that can often feel harsh and almost threatening, will create a counterpoint: a softly illuminated, peaceful resting point.

Subtle pulsating lights in the installation will summon the blinking Firefly, aricoco. The audience/participants will be invited to become "fireflies" and respond to her lights as well as light their own path as they search for a place to play and rest within the glowing, interactive installation.

FREE and open to the public

www.aricoco.com | www.nataliazubko.com
details
Natalia Zubko is a sculpture/installation artist from California who currently lives and works in New York City. She has BA's in Anthropology and Art History from Brandeis University as well as a post-baccalaureate certificate (Brandeis) and MFA (Parsons) in Fine Arts, Sculpture. Natalia's work has ranged from small, intimate light sculptures built out of everyday materials to large, outdoor installations. She has worked on numerous interdisciplinary, multi-media, collaborative commissions and projects around NYC from envisioning and building an installation to house photos and interviews from the "FishBird" project (exploring the experience of being multi-racial) to designing and constructing props for an experimental theater piece. Natalia's latest project was a large, public, weather-interactive, sculpture/installation, "Luminous Accumulation," for the Art Lot, Brooklyn.

nzubko33@yahoo.com | www.nataliazubko.com
about Natalia Zubko
aricoco was born and raised in Tokyo, and currently works with Smack Mellon Residency Program in Brooklyn, NY. She received MFA from University of Connecticut in sculpture and video performance art in May 2007. Participated in several residencies including: Vermont Studio Center and LMCC Swing Space in 2008. Awarded the A.I.R. Gallery Fellowship 2008-2009.

princessaricoco@hotmail.com | www.aricoco.com
about aricoco

John Cichon (December 2, 2009 - January 3, 2010)
photography exhibit
chashama Harlem Studios Gallery, 461 West 126th Street
Contact: jjc03@mac.com
Sponsors: Northern Manhattan Arts Alliance(NoMAA), The Upper Manhattan Empowerment Zone(UMEZ), and The JPMorgan Chase Foundation

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

John Cichon
a photographic series of puddles captured on the streets of Chicago and New York

December 2, 2009 - January 3, 2010
Open Reception: Sunday, December 13, 2 - 5p

Hours: Wednesday - Thursday 1-6p, Saturday - Sunday 12-5p

jjc03@mac.com

Sponsors: Northern Manhattan Arts Alliance(NoMAA), The Upper Manhattan Empowerment Zone(UMEZ), and The JPMorgan Chase Foundation
details
John Cichon was born in Hammond, Indiana in 1973. Living in Northwest Indiana, he grew up with the contrasting urban decay of the steel industry alongside the beauty of the Lake Michigan coastline. Nature, culture and the environment have always been latent or blatant concepts. His continual questioning of the environment around him is evident in much of his work.

In this series, Landscapes, he explores the surface of the urban environment through the reflected image of puddles. Approaching his subject as a work of art, he creates an image or abstraction that captures the fleeting phenomenon of accumulated water and detritus. These images are about transition and place. They capture those fleeting moments in time when thought and awareness seem to coalesce.

John graduated from Indiana University in Gary, Indiana with his Bachelors in Art and the University of Illinois in Champaign-Urbana with his MFA. He currently lives and works in New York, NY.
bio

Faces (November 19 - December 6, 2009)
an exhibition of collages by Todd Monaghan
chashama Times Square Art Space, 112 West 44th Street
www.tmnorthwood.com
tminism@gmail.com
This project is supported in part by an award from the New York City Department of Cultural Affairs.

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

tminisms – times square
Faces
an exhibition of collages by Todd Monaghan
November 19 - December 6, 2009

Reception:
Thursday, November 19th 7-9pm
Hours: TBA

The exhibition marks Todd's return to Times Square where the collage, "America, Her History of the United States" was created at the galleries opening in the summer of 2005.

Todd Monaghan's collages, created from sequenced as well as found images, are visual bursts and patterns of images that tell various intertwining stories. Just as a story has a basic text and subtext so do each and every one of Mr. Monaghan's collages. The basic images evolve so that, with each new viewing, underlying images and storylines (i.e. sequences) "pop-out" of the collage. With each new viewing the collages take on new meaning as one looks deeper and deeper into them. Through this process Mr. Monaghan strive to create an exciting distillation of our political, spiritual and out-of-control pop culture colliding in the 21st Century. This is an ever-evolving process.

www.tmnorthwood.com | tminism@gmail.com
details

SPARK student exhibit reception (November 11, 2009)
organized by Rosa Gonzales and students of the Art and Design High School, 1075 2nd Avenue
chashama 217 Art Space, 217 East 42nd Street
DOE website: schools.nyc.gov/schoolportals/02/M630/
indepedent website: www.artanddesignhs.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

SPARK student exhibit
by Rosa Gonzales

November 11, 2009 4-8p

Reception for students and parents

Located in the heart of New York City’s cultural center, the Art and Design High School is a community of learners dedicated to fostering the creative and academic talents of all our gifted art students. We are nationally known for our design programs in architecture, fashion design, graphic design, illustration and media technology. For 70 years Art and Design High School has nurtured talented students through its extensive art program to become creative problem solvers. Graduates from our school are leaders both in the art fields and other professions.

http://schools.nyc.gov/schoolportals/02/M630/ | www.artanddesignhs.com
details

Queens Women's Collective (November 7 - December 15, 2009)
featuring artworks of Kate Lacour, Tishawn Gonsalves, & Jennifer Andrews
curated by Samantha Lewis
presented by chashama and Greater Jamaica Development Corporation
chashama, 90-26 161st Street, Jamaica, Queens
www.gjdc.org

chashama Jamaica Studios, 90-26 161st Street, Jamaica, Queens

Between 90th Street and Jamaica Avenue, E to Jamaica Center, F to Parsons Boulevard

Jamaica Station on the LIRR.

By car: Take Long Island Expressway (I-495 E) to exit 22A-E to Grand Central Parkway East. Remain on Grand Central Parkway until exit 16 (164th St-Parsons Blvd.) Turn right onto Parsons Boulevard, left onto Jamaica Avenue, then left onto 161st Street. Our building is on the left side of the block.

chashama and Greater Jamaica Development Corporation present
an exhibit of works by the Queens Women's Collective
featuring artworks of Kate Lacour, Tishawn Gonsalves, & Jennifer Andrews

November 7 - December 15, 2009

Opening Reception, Saturday, November 7, 6 - 9p

FREE and open to the public

Sponsored in part by the Greater Jamaica Development Corporation
details
The Queens Women's Collective features emerging and established female artists who live and work throughout the Borough of Queens. Through comics, illustration and mixed media collage the artists explore the ways in which the physical landscape of the city shapes the social and emotional urban experience. Whether critical, irreverent, or introspective, the artists in the Collective capture the relationship between the human patterns impressed upon the layers of our natural environment and the ways we individually and collectively construct knowledge. The artists wrestle with complex topics such as the veracity of poverty, the nature of imagination, subjective versus objective truth, and the capacity of common objects and spectacles to create powerful narratives about urban life. Queens Women's Collective
Kate Lacour was born in New York and has traveled widely. Most recently, she visited Romania and is initiating a community art project with Gypsy (Roma) street children. She studied art and biology in college and recently earned a Master's Degree in Creative Arts Therapy from the School of Visual Arts. Kate is currently one of the few professionals in the field studying the effects of art therapy on children with autism.

"In the backyard of the old house where I lived as a teenager, there was an area where the last owners had buried their rubbish, most of it dating back to the turn of the century. I spent a lot of time digging up old bottles, rusty silverware, broken watches, and most of a rust-eaten wood burning stove. My pristine and orderly home seemed sterile and joyless. In the backyard, in the dirt, the underground junk was like a little cache of secret stories that seemed more real, more special, than the world indoors.

"Occasionally, I would uncover shapeless glass blobs of different colors and sizes, which must have been formed when an especially hot fire melted them down, maybe a house fire. Here was a little story, the long-ago fire, that was exciting and private, because I had discovered it from the hundred-year-old garbage. In itself, this kind of event is uninteresting, but discovered and owned, it can be willed into a story, with a life and value of its own.

"My drawings are an attempt to inject this imagined life into arrangements and ideas that, in and of themselves, have little value. Science, a recurring subject in my comics, is a generally unemotional topic, but can become special, intimate and strange when its facts and objects are recruited as part of an imagined narrative. Comics are a perfect medium for manipulating time, space and sound to make, with the viewer's collusion, an imagined world that is self-contained and private. By virtue of being stories, these stories have meaning."
Kate Lacour
Currently attending Pratt Institute, Tishawn Gonsalves is a student of the arts, seeking to capture the beauty within poverty. Her work blends the ideas and methods of readymade art to convey visual conceptual interpretations of society. By using found objects, collage and a limited palette of colors she depicts the grim realities of urban poverty and questions the traditional idea of visual art. For her art is not the ability to paint pictures, but the power to speak through its mediums, immersing the viewer into one's own reality. Tishawn Gonsalves
NYC based painter Jennifer Andrews was born in Buffalo NY and holds a BFA in painting from Hartford Art School. Working in thin layers of oil paint and beeswax, Andrews' paintings investigate the structure of memory, myth and our connection to the natural world. She has previously worked on location in countries including the Netherlands, Vietnam and Costa Rica. In addition to painting, Jennifer works as part of the collaborative team AndrewsLeFevre Studios, which creates site-specific commissions. Her public work seeks to unearth the untold or forgotten histories of an area – including the native species, peoples and myths that disappear as concrete and pavement take over a landscape. Working in collaboration with communities across the US, the studio's bronze relief sculptures layer these stories with contemporary life.

Queens often provides her with the material to achieve this richness and depth. She sketches the neighborhoods along her daily walk from Astoria to her studio in Long Island City and loves the details she discovers. "I love the patterns of the elevated subway lines; the arched train underpasses; the puzzle of colored rooftops; and the business signs and graffiti scattered across industrial buildings in everylanguage".
Jennifer Andrews

Literati: From The Page to the Stage (November 7, 2009)
presented by CARIB with GIGI JAMES & Assoc.
hosted by DONNA FLEMING
chashama 217 Art Space, 217 East 42nd Street
www.gigijames.com
www.caribny.org

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

CARIB with GIGI JAMES & ASSOCIATES and chashama present
Literati: From The Page to the Stage
hosted by DONNA FLEMING

Saturday, November 7, 2009
7p
FREE!

AFTER PARTY at 10 PM: $10 ADMISSION
featuring the sounds of DJ MIKE KISS
Sponsored by ACE OF SPADES TOURS

Featuring literary works and performances by:

T.V. comedy writer GIGI JAMES: I Didn't Sign Up For This!
With the fashion designs of YESENIA DELGADO & GEOVANNI CACHOLA
The sultry poetry of GLORIA ESTER FONTANEZ: Unspoken Canto
with Singer JESSIE ROSE & Visual Art by ANGIE MERCADO
The cooling collaborations of ANTON NIMBLETT: Sections of an Orange
With dancer DEEARAH WRIGHT, and
Reggae lyricist/poet ROD PTAHSEN-SHABAZZ: Black to the Roots
And Singer JAHSTIX

THANK YOU FOR SUPPORTING CARIB COMMUNITY & EVENTS:

Meet the authors for book sales & signings immediately after the show!

Signature Sangria Drinks & Refreshments Available at Suggested Donation Prices

For more information visit us at: www.gigijames.com or www.caribny.org
details

"Mother Earth, Sister Moon" (November 4 - 21, 2009)
by Christian Tomaszewski in collaboration with video and performance artist Joanna Malinowska
chashama 679 Window Space, 679 Third Avenue
Buy tickets
http://performa-arts.org

chashama 679 Window Space, 679 Third Avenue

1 block east of Grand Central, corner of 43rd Street & 3rd Avenue; 4,5,6,7 and shuttle train to Grand Central | M101, M102, M103 to 42nd Street

Performa Arts and chashama present
"Mother Earth, Sister Moon"

by Christian Tomaszewski in collaboration with video and performance artist Joanna Malinowska

November 4 - 21, 2009


Installation on view:
Tuesday - Saturday 12 - 6p FREE

Performances:
November 6, 6p & 8p
November 14, 6p & 8p
November 21, 6p & 8p

Performance Tickets: $12 / $10 Performa Members

http://www.brownpapertickets.com/event/84622 | http://performa-arts.org/
details
For Performa 09, Polish artist Christian Tomaszewski, in collaboration with video and performance artist Joanna Malinowska, considers how the future was imagined by the Communist regimes of the former Soviet Bloc. "Mother Earth Sister Moon" explores this theme by examining the fashion and style elements related to a diverse range of Eastern Bloc phenomena, including the Soviet space program, sci-fi film and literature of the era, and the cults surrounding the mysterious 1908 explosion over the Tunguska River Valley in central Siberia. This research will manifest itself as a giant reconstruction of the suit worn by the first woman in space—Russian astronaut Valentina Tereshkova—that also pays tribute to the sculpture "Hon-en Katedral" ("She-a Cathedral"), an enormous female figure conceived and built by Niki de Saint Phalle with Jean Tinguely in 1966.

Visitors to the sculpture will be able to walk inside it and—at designated "performance" times—view a fashion show, with music by Masami Tomihisa, featuring both reconstructions of actual garments and new designs that evoke the Soviet space program and science-fiction films. In this way, the live show will act as a curated design exhibition in motion.

Produced in association with the Polish Cultural Institute and Open Art Projects. Supported by the Trust for Mutual Understanding and Performa Producer's Circle member Illya Szilak.
about "Mother Earth, Sister Moon"
Christian Tomaszewski was born in Gdansk, Poland and currently lives and works in New York. He has been predominantly working in multi-media installation exploring various aspects of cinema, architecture and experiments with reconstruction or deconstruction of a narrative. In his work, he has been also interested in adapting different roles and definitions of an artist, balancing between making things out of sincere or self-induced obsession and critical calculation. His work has been exhibited widely in the United States and Europe. He is a graduate of the Academy of Fine Arts in Poznan, Poland and past participant in several prestigious residency programs including the American Academy in Rome, the Irish Museum of Modern Art in Dublin, the International Studio and Curatorial Program in New York City and recently Artpace in San Antonio. Tomaszewski is the recipient of numerous grants and awards including past support form the Pollock-Krasner Foundation 2008 fellowship from the John Simon Guggenheim Memorial Foundation and 2009 Travel Grant from the Jerome Foundation. He teaches at Princeton University. about Christian Tomaszewski
Joanna Malinowska is a Polish-born and New York based artist working in video, sculpture, sound and performance. A graduate of Rutgers University's BFA program and Yale University's MFA program, she has exhibited her work in the United States and internationally. She participated in the 1st Moscow Biennale of Contemporary Art in Moscow, Russia and the International Biennale of Contemporary Art in Prague, Czech Republic and shown her work at such venues as Kunstmuseum Bern, Switzerland; Zamek Ujazdowski Contemporary Art Center in Warsaw, Poland; Sculpture Center, Smack Mellon,Momenta Art and Art in General in New York, NY; Boston Center for the Arts; Midway Contemporary Art in Minneapolis, MN; Real Art Ways in Hartford, CT. Her solo and two person exhibitions took place at Canada and Venetia Kapernekas galleries in New York City. She participated in residences at Skowhegan School of Painting and Sculpture and Smack Mellon Studio Program. She is a 2009 recipient of John Simon Guggenheim Memorial Fellowship in Visual Arts. about Joanna Malinowska

A Moral Aquarium on 37th Street (November 4 - 17, 2009)
a storefront diorama by Dillon de Give
chashama Window Space, 266 West 37th Street
implausibot@yahoo.com | www.implausibot.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

A Moral Aquarium on 37th Street
by Dillon de Give

Hours: November 4th - 10th, 8a-2p
November 11th - 17th, 1-8p


A Moral Aquarium on 37th Street is a storefront diorama where real life dramas proposed by regular everyday people will be used to create a presentation of NYC pedestrian life transposed onto a cast of undersea characters.

The project unfolds in two phases. In the construction performance, worker polyp and zooplankton volunteers help build the coral reef, assemble undersea costumes, and collect street stories from passersby. As the reef nears completion and stories are compiled, a program of presentations will begin. The schedule of narratives, scenes, dances etc. will be posted in the window and online each day. The Moral Aquarium will keep regular hours with a morality tale highlight each evening. The space will also serve as a venue for aquarium themed performances by guest artists.

Dillon de Give creates site-specific situations and elementary school style plays. His work has been shown at the Center for Contemporary Art Santa Fe, the Transmodern Festival Baltimore, Select Media Chicago, and various NYC parks. Dillon lives in Brooklyn, studied film at Northwestern University, and grew up in New Mexico.

implausibot@yahoo.com | www.implausibot.com
details

Death of a Minstrel (November 3 - 5, 2009)
by Valentine Amartey
chashama 217 Art Space, 217 East 42nd Street
myspace.com/deathofaminstrel
www.valentineamartey.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

Death of a Minstrel
by Valentine Amartey

November 3 - 5, 2009 8p

Admission: $10

starring Valentine Amartey, Kayla Sarian, Paul Alves, and Tabetha Lorina-Baker

COME EARLY! LIMITED SEATING!
D.O.M. NEEDS YOU!

www.valentineamartey.com/ | http://www.myspace.com/deathofaminstrel
details

Halloween Fall Feast (October 31, 2009)
presented by chashama and Reconstruct Art in association with the
Greater Jamaica Development Corporation
chashama, 90-26 161st Street, Jamaica, Queens
www.gjdc.org

chashama Jamaica Studios, 90-26 161st Street, Jamaica, Queens

Between 90th Street and Jamaica Avenue, E to Jamaica Center, F to Parsons Boulevard

Jamaica Station on the LIRR.

By car: Take Long Island Expressway (I-495 E) to exit 22A-E to Grand Central Parkway East. Remain on Grand Central Parkway until exit 16 (164th St-Parsons Blvd.) Turn right onto Parsons Boulevard, left onto Jamaica Avenue, then left onto 161st Street. Our building is on the left side of the block.

chashama and Reconstruct Art present
Halloween Fall Feast
October 31, 2009, 3 - 9p

free and healthy foods, open studios, music and arts activities including 'tag wall', face painting, tattoos, cookie creations, pumpkin carving!

FREE and open to the public

Sponsored in part by the Greater Jamaica Development Corporation
details

Just Bring Your Clothes (October 28 - November 13, 2009)
a new performance/installation work by olek
chashama Times Square Art Space, 112 West 44th Street
www.agataolek.com
crochetedolek@gmail.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Just Bring Your Clothes
a new performance/installation work by olek
October 28 - November 13, 2009

Gallery will be open the following dates from 3pm-8pm:
October 28th - 30th | November 1st - 4th | November 9th - 13th

www.agataolek.com | crochetedolek@gmail.com

You are invited to participate in this performance/installation.

Actions:
To enter gallery from Oct 28th thru November 9th, you must bring a donation of clothes, fabric, sheets, or small objects to be utilized in the piece.

Donated materials will be recycled through artistic transformation into new objects.

Certified Donors will be able to purchase objects from the installation beginning November 2nd at a price of $99 each.

Non-Donors will be allowed access to the gallery beginning November 10th and will be able to purchase objects at a price of $199 each.

Please, join me there as the piece needs you and your clothes!

If you are interested in performing for Olek, please visit her blog: www.agataolek.com/blog/ or write to her at olek@agataolek.com.

This project is supported in part by an award from the National Endowment for the Arts
details
Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness. She received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale. For more info: www.agataolek.com bio

A Day of the Dead / El Dia de los Muertos (October 28 - November 1, 2009)
Altar & Visual Arts Display curated by Mia Roman Hernandez
chashama Window Space, 266 West 37th Street

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Art By Mia presents
A Day of the Dead / El Dia de los Muertos

Altar & Visual Arts Display curated by Mia Roman Hernandez

Contributing artists:
Juan Carlo Suazo, Olga Ayala, Maria Sanchez, Yoli Manzo, Kathy Cano-Murillo, Cyndi Garcia

October 28 - November 1, 2009

El Dia de los Muertos embodies the greatest expression of hope and faith. People construct altars in homes and graveyards in order to feed the souls of the dead. The feast for the dead originated as a form of ancestor worship. Celebrations begin with the cleaning of the graves and the construction of the ofrenda, or altar. It is a time of remembrance, and the sorrow of the departure of loved ones is caught up in a celebration of the continuance of life.

Sponsored by CARIB: Caribbean Association for Resource, Information & Building
details

An Artist's DNA (October 23 - November 15, 2009)
paintings, drawings, sculptures by artist-in-residence Al Johnson
curated by Michael Bradley
chashama Harlem Studios Gallery, 461 West 126th Street
aljohnsonartstudio@gmail.com
www.aljohnsonartstudio.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

An Artist's DNA
paintings, drawings, sculptures by artist-in-residence Al Johnson
curated by Michael Bradley

October 23 - November 15, 2009

Private Reception: October 23, 6 - 9p
Musical Selections: Boo Boo Cousins

Silent Auction and Artwork for Purchase


Open Reception: October 30, 6 - 9p
Musical Selections: Traciana Graves

Hours: TBA

www.aljohnsonartstudio.com | aljohnsonartstudio@gmail.com

Sponsors: JTE Spirits LLC, Andrew's Color Management & Fine Art Printing Services LLC
details

Through the Calm Eyes of the Window (October 23 - 25, 2009)
organized by Christie Newman
chashama Window Space, 266 West 37th Street

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Through the Calm Eyes of the Window

Choreographic collaborators: Shannon Perlotto-Kammer, and Christie Newman

performed by Shannon Perlotto-Kammer, and Christie Newman

Friday, October 23 - Sunday, October 25, 2009


Performances:
Friday, October 23rd:
7:00, 7:30, 8:00pm

Saturday, October 24th & Sunday, October 25th:
3:00, 3:30, 4:00, 4:30, 5:00pm


FREE and open to the public

Using Billy Collin's poem "Days" as a point of inspiration, this piece is meant to be viewed as a moving sculpture progressing through the nuances and gradations of a fall day. With subtle gestures next to grand explosions of movement, "Through the Calm Eye of the Window" is a celebration of vibrant colors, intricacies, and seasons.
details

chashama Film Festival 2009 (October 22 - 26, 2009)
FESTIVAL OF THE WORLDS
organized by Rick Kariolic
chashama 217 Art Space, 217 East 42nd Street
rick@chafilmfest.com
cFF 2009 schedule

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

chashama Film Festival 2009
FESTIVAL OF THE WORLDS

Thursday, October 22nd - Monday October 26, 2009

featuring dozens of films, short & full-length, from all over the world

For more information contact: rick@chafilmfest.com

For complete schedule go to: http://chafilmfest.com/2009/schedule.html
details
The Festival of the Worlds provides a forum for global expression through filmmaking. It is a platform for a spectrum of political, cultural and philosophical ideologies presented in an environment designed to foster creative and intellectual expansion. Our goal is to explore both the differences and the similarities of the international community in order to become a more educated population, one that is more capable of avoiding negative historical cycles and more willing to push us into a sustainable future.

We expect this year's festival to reach an audience of over 1000 people in venues that embrace today's global nature, including museums and international theaters (which we are currently seeking). The festival is designed to cultivate a community of filmmakers who can share, network, and help to build each other's vision. chashama Film Festival is dedicated to the art of film and the existence of uncensored outlets.
about cFF

The Intimacies Project (October 20 - 30, 2007)
a collaboration between Red Dress Films and Marinov Dance
Port Authority, 625 8th Avenue @41st Street
bill@reddressfilms.com
Port Authority website: www.panynj.gov
This presentation is made possible in part by chashama, The Port Authority, The Times Square Alliance and The Fashion BID.

chashama 266 Window Space, 266 West 37th Street

41st Street 8th Avenues, A/C/E/1/2/3 to 42nd Street, 7 to Times Square; M104, M42 buses to 8th Ave, M11, M16, M27 to 42nd St.

The Intimacies Project
a collaboration between Red Dress Films and
Marinov Dance

Port Authority
41st Street & 8th Avenue

October 20 - 29, 2009, 12 - 7p
daily

Dance performance times: 1p & 6p daily

THE INTIMACIES PROJECT at 41st Street & 8th Avenue is a daring multi-media event about relationships and the impossibility of love. This visual art installation and live performance is a rare look at the danger of intimacy expressed through dance, music, film, images, and audience participation. The installation incites individuals to focus on emotion while they are in motion. Commuters and passersby are invited to participate by sharing their thoughts and feelings in response to questions about relationships and love.

bill@reddressfilms.com

This presentation is made possible in part by chashama, The Port Authority, The Times Square Alliance and The Fashion BID.

FREE and open to the public
details

More Than What You Feel You Are (October 17, 2009)
a reading & cd release party by Blis
chashama 217 Art Space, 217 East 42nd Street
poetikblis@aol.com
sponsored in part by Poets & Writers: www.pw.org

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

More Than What You Feel You Are
cd release party for Blis

Saturday, October 17th, 2009 7 - 10p

Open Mic: 7:30 - 8p
Showtime: 8p

$10
at the door

For more information contact: poetikblis@aol.com

sponsored in part by Poets & Writers: http://www.pw.org
details

in statu nascendi (October 13 - 18, 2009)
by Alison Collins
chashama Window Space, 266 West 37th Street

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

in statu nascendi
by Alison Collins

October 13 - 18, 2009

Viewing Hours: Tuesday, October 13th – Saturday, October 17th, 12:30-6p
Artist Reception: Sunday, October 18th, 2-5p

The installation in statu nascendi of 100 steel nests is a response to Ovid's Metamorphoses. The nest forms embrace recurrent themes of the natural and the decorative but also conjure ideas of a dwelling, a shelter, a place where life begins, a place of nurturing, and a place of abandonment.

FREE and open to the public
details
Alison Collins lives and works in New York City. Her sculpture and installations have been shown in the northeast and the south most notably at The Contemporary Art Center in New Orleans, The South Carolina State Museum and the Bronx River Arts Center. She holds degrees from Tulane University and Louisiana State University. She has taught sculpture at Tulane University, Louisiana State University, the College of Charleston, and the Penland School of Crafts. She currently teaches Art History at Bronx Community College/CUNY. She lives in the Bronx with husband Greg Fuchs and son Lucas. About the Artist

RESIDENCE (October 10 & 11, 2009)
a chashama Open Studios exhibit in association with artHarlem's H.O.A.S.T.
featuring artists-in-residence of
chashama Harlem Studios Gallery, 461 West 126th Street

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

RESIDENCE
a chashama Open Studios exhibit in association with artHarlem's H.O.A.S.T.

Saturday, October 10 & Sunday, October 11, 2009
12 - 6p
details
Pat Arnao
Aleathia Brown
Marcela Carvalho
Elvira Clayton
Katherine Daniels
Elaine Defibaugh
Diane Davis
Flambeaux
Cheryl Flanagan
Vickie Fremont
Florencio Gelabert
Leslie Frank Hampton
Lisa Ingram
Al Johnson
Les Joynes
charl landvreugd
Erik Suter Lindman
Sofia Maldonado
Summer McClinton
Caleb Nussear
Ademola Olugebefola
Tara Parsons
Stefen Reed
Roy Secord
Sandra Spannan
Christopher Trujillo
Marina T Tsesarskaya
Richard Wager
Gina Fuentes Walker
Walford Williams
participating artists

Day Job (October 6 - 10, 2009)
A performance installation by Elizabeth Otten
chashama Window Space, 266 West 37th Street

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Day Job

A performance installation by Elizabeth Otten

October 6-10, 2009

Performance Times: Tuesday October 6 - Friday October 9, 6:45-8:45p
Saturday October 10, 9a-6p


FREE and open to the public

Day Job is both an improvisational performance and an exorcism. Elizabeth Otten will commemorate the first anniversary of her ongoing role of "Desk Jockey" by distilling her experience into an interactive event. The artist will perform her role of "Administrative Assistant" in a make-shift office space decorated with a photographic diary of her week at work. As the floundering economy has pushed more artists into office-related "day jobs," the performative nature of office professionalism and its monotony have become increasingly relevant subjects. In Day Job, the viewer is invited to participate in the work by influencing the performer's actions. Passers-by are instructed to describe their personal experiences and feelings regarding "day jobs" on Post-It notes. The artist will actively respond to each suggestion by leaving her desk and performing her interpretation of these notes. In this, Day Job endeavors to expose, and perhaps even alleviate, the self-alienating rituals of work through the communion of shared experience.
details
Elizabeth Otten received her BFA in Fine Art and Art Education from the University of Cincinnati (2004) and her MFA from the School of Visual Arts in New York (2008). Since 2001, she has participated in a variety of gallery exhibitions and has co-founded two multi-media collaboratives. In 2004, the focus of her work shifted from painting to video, installation and performance. Her awards include the Golden Key Visual & Performing Arts Scholarship, the Three Arts Fund Longacre Award, and the College of DAAP's Director's Choice Award and Wolfstein Summer Travel Fellowship. Born in Cincinnati, Ohio, Otten currently lives and works in New York. About the Artist

"...son of a nobody..." (October 5 - 15, 2009)
Visual and Digital Arts by Pamela Enz
chashama 217 Art Space, 217 East 42nd Street
Sponsors: VisCap | Bad Rep | Frogbiscuit Media
sonofanobody@yahoo.com
www.sonofanobody.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

"...son of a nobody..."
Visual and Digital Arts by Pamela Enz

October 5 - 15, 2009

Opening Reception:
Thursday October 8, 6 - 9p

Hours: 2 - 7p daily

presentation & discussion of "Visionary"
by Alex Salzman
Tuesday, October 13, 6:30p

Visionary is a socially responsible art incubator offering collectors and investors access to premiere contemporary art, and art related new media ventures, while providing a platform for emerging artists and participatory art.   Alex Salzman, serial social entrepreneur, and founder of Visionary Capital will present the plan for Visionary and how supporters can immediately get involved towards that official launch in 2010.  Join us for discussion and refreshments beginning at 6:30p.

"Princess", a performance by
Aimee Lutkin & Jeneva Zentz
Thursday, October 15, 7p

Exploring the cultural ideal of beauty, the quest for perfecction, and the profound sense of loss and relief when that quest fails thorugh dance, reenactment, and the text of Frances Hodgson Burnett's classic tale, "The Little Princess".

VisCap | Bad Rep | Frogbiscuit Media

sonofanobody@yahoo.com | www.sonofanobody.com
details

Etapa New York (October 4, 2009)
A talent show featuring singers, musicians, bands, models, dancers, actors, TV personalities, comedians, sports announcers and more, coordinated by Silvana Magda
chashama 217 Art Space, 217 East 42nd Street
www.talentobrasil.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

A Talento Brasil presentation:
Etapa New York
coordinated by Silvana Magda (917-528-8151)

Sunday, October 4th, 2009 5p

$10 in advance | $15 at the door

A talent show featuring singers, musicians, bands, models, dancers, actors, TV personalities, comedians, sports announcers and more.

www.talentobrasil.com
details

so much depends upon [a red wheel barrow] (October 3 - 25, 2009)
by the art.party.theater.company
chashama Times Square Art Space, 112 West 44th Street
www.artpartytheatercompany.com
artpartytheatercompany@gmail.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

twenty-three original public performances in Times Square

October 3 - 25, 2009
a new performance every night: 6 to 8pm

www.artpartytheatercompany.com | artpartytheatercompany@gmail.com

This October, art.party.theater.company puts contemporary social debates into a new perspective— with the help of a wheelbarrow. In association with chashama's celebrated WINDOWS program, art.party.theater.company will breathe life into William Carlos Williams' mysterious poem The Red Wheel Barrow through a daily performance project that aims to answer the question of what depends upon a red wheelbarrow in our modern society.

art.party.theater.company's team of directors, performers, and designers will construct new performances every night— tackling issues from the economy to television, from healthcare to Starbucks—armed with only performers, a wheelbarrow, and maybe some live chickens. Passers-by of the Times Square storefront will discover how Williams' poem relates to some of the most challenging issues in today's headlines in surprising, audacious, and thought-provoking performances.

Artistic Director: Mary Birnbaum
Executive Producer: Leticia Frazao
Conceived and Curated by Jess Burkle
details
Founded in 2008 by Mary Birnbaum, (Artistic Director), art.party.theater.company seeks to create surprising, irreverent, physical theater that activates the audience. In February 2009, art.party's first mainstage production, SCHOOLED: or m. moliere's the learned ladies, directed by Birnbaum, was set in the salons of New York City luxury apartments. Audience members wandered through five rooms of simultaneous action, secret scenes, and an insight into a fictional family's dysfunctional home. Recently, Birnbaum and Jess Burkle (Associate Artistic Director) co-conceived the original Bryant in the Park in cooperation with the Bryant Park Corporation. The piece featured fourteen actors clad in white, playing croquet on the Bryant Park lawn while spouting the poetry of the park's namesake, William Cullen Bryant, in a sultry and stirring celebration of summer. Future projects include Duchess in the Dark a restaging of Webster's Jacobean tragedy staged in total darkness, lit only by flashlights in the hands of audience members. about art.party.theater.company

the 3rd annual tipmycup quickie (October 3, 2009)
a 24-hour theatre festival
chashama 217 Art Space, 217 East 42nd Street
www.tipmycup.org
www.fracturedatlas.org

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

the 3rd annual
tipmycup quickie
a 24-hour theatre festival

October 3rd, 2009 6p

$12 @ smarttix.com | $15 at the door

start with unsuspecting actors, add some genius writers, plus a dash of innovative direction, mix in a top secret subject, give them less than a day to mingle and what do you get? the tipmycup quickie: a 24-hour theatre festival brings together groups of actors, writers, and directors and gives them exactly one day to create an original play to be performed for a live audience.

the tipmycup quickie is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of the tipmycup quickie may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

www.tipmycup.org | www.fracturedatlas.org
details

"How to Enjoy Traffic Cones" (September 30 - October 4, 2009)
A collaborative exhibition instigated by Erik Sanner
chashama Window Space, 266 West 37th Street
eriksanner@gmail.com | www.eriksanner.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

"How to Enjoy Traffic Cones"

A collaborative exhibition instigated by
Erik Sanner

Wednesday, September 30th through Sunday, October 4th, 2009
12 noon to 6p

Opening Reception:
Friday, October 2nd, 6-8p

Traffic cones are almost art. Like paintings, their primary function is to be looked at. How to Enjoy Traffic Cones is an exhibition of contemporary new media art celebrating the aesthetic practice of traffic cone viewing. Works include "Conescape," an interactive piece by JudsoN and Erik Sanner, and "Eight Views of a Traffic Cone, Eight Times Removed," a new media installation by Jeffrey Chuang, Isaiah King, and Erik Sanner. Additionally, a limited edition brochure suggesting ways to engage in traffic cone appreciation is available at the gallery. How to Enjoy Traffic Cones is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by the Lower Manhattan Cultural Council.

FREE and open to the public
details
Jeffrey Chuang is an art director, illustrator, designer, painter, father, tennis player, and, like many people, deeply conflicted.

Jason Wilder Evans has shared stages with Steve Azar and the Nashville Star Tour. With his wife Dawn-Lee, he is walking every street in Manhattan. Jason is currently working on a creative writing and video project called HIV: USA that will take place in every state.

JudsoN has been programming interactive artwork since 1996. His work has been featured in MoMA's web art collection, the Kennedy Center in Washington DC, and the Kitchen in NYC, among others. He recently contributed to The Handbook on Computational Arts and Creative Infomatics.

Isaiah King's prints, paintings and drawings pursue an ongoing study of the human form in all its complex emotive facets while his design work is committed to the idea of encouraging public discourse on social and political issues.

Erik Sanner integrates traditional media with technology to create dynamic installations he calls "paintings that move." He has been treating traffic cones as aesthetic phenomena for about fifteen years.
About the Artists

SAVE THE BEES (September 25, 2009)
an experimental opera/couture fashion show by "Mr. & Mr."
chashama Harlem Studios Gallery, 461 West 126th Street

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

"The art of living well requires an acute attention to what we have." --- Mr. & Mr.

SAVE THE BEES
an experimental opera/couture fashion show by Mr. & Mr.

chashama 461 Harlem Gallery Space, 461 West 126th Street
Friday, September 25, 2009

1st performance: 6:00pm
2nd performance: 8:00pm

Presented by chashama with contributions from generous supporters Blackwash Televised Art Gallery, Count Us In Productions, Donna Karan, Harlem Brewing Company, Peace Keeper Cosmetics and Surrounding Flowers and Events.

A portion of the proceeds from this event will be donated to the American Beekeeping Federation.
details
SAVE THE BEES, the premiere collaboration between Michael Jerome Francis and Scenic Designer Christopher Thomas Trujillo, is set in whimsical urban garden made entirely from reclaimed materials. The audience is transported to a world where economic and environmental concerns have driven a renaissance in the art of fashion and accessory design. "It's as if we are removing the paintings from the gallery walls and embracing the audience with all the colors, sounds and textures."

Michael Jerome Francis aka Mr. has adopted techniques rooted in haute couture and punk traditions – the result: garments that are both raw and romantic. The twosome has combined their artistry to produce breathtaking hand-made accessories that celebrate the tradition of the old world, while speaking to a new era in the art of fashion that is both environmental conscious and lush. As if that weren't enough, Christopher Thomas Trujillo aka Mr. has sharpened their story by transforming the white walls of the chashama Gallery into a world that harmoniously houses their big idea.

Anyone who loves fashion, art and performance will want to make a beeline!

michaeljeromefrancis@gmail.com
christopherthomastrujillo@gmail.com
about SAVE THE BEES

chashama Fall Gala 2009 (September 21, 2009)
Anita's Way, NYC 10036 (walkthrough between One Bryant Park & 4 Times Square)
Honoring Gary M. Rosenberg, Esq.
Jr. Honoree: Gavin Steinberg
Catering by Aureole

//on the site of chashama's original West Side theater space//
(between Broadway & Sixth Ave.
Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square.
Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

chashama Fall Gala 2009
Anita's Way, NYC 10036
(walkthrough between One Bryant Park & 4 Times Square)

September 21, 2009, 6-9p; after party: 9p-12mid

Honoring Gary M. Rosenberg, Esq.
Jr. Honoree: Gavin Steinberg

Catering by Aureole

Featuring a performance extravaganza with over 30 unique artists and visual and interactive installations.
details
Lishan Chang
   Roadkill Taxidermy: art installation in coatcheck and on stage of mannequins with various taxidermy sculptures
Sid Chidiac
   chocolate art - Sid paints a person w/dark skin (Anthony N. Oll-Adikankwu, Jr.) in white chocolate and a person w/light skin (Diane Yost) in dark chocolate.
Adrienne Hecker
   character work: Leda in the swan, and a singing fox
Zhenesse Staniec Heinemann
   A living flower arrangement, who offers her bouquet to guests to pick and place on themselves as corsages and boutaneers
Malesha Jessie
   opera singer: classical arias and songs
Hayley McCulloch
   hat designs: performers wear hats with a dangling carrot which just out of reach; the effort of trying to eat the carrot leads them into movement; another performer eats a never ending bowl of soup
Julie Muz
   Burlesque artist creates "beauty and the beast" tale
Keith Nelson
   Bindlestiff Family Cirkus' Kinko the Clown juggles and flies a very small kite
Brook Notary and Andrea Lauer
   hair sculptures: guests get their hair styled into one-of-a kind hair sculptures with a variety of materials weaved into their coifs
Olek
   crocheted armor – 4 people crocheted into original costumes, representing "knights of the yarn"
Andrea Palesh
   Eyes of a Blue Dog Dance Theater: various contemporary dances performed throughout the night w/o sound
Jody Redhage
   Cellist performs classical music 6-9pm
Scrapworm
   Installation made out of found materials, visible through the upper windows
Debbie Stamos and Toby Billowitz
   Various improvisations & movement games, also working with Hayley's hats
Adam Tendler
   Dumb Piano: a silent concerto played for visual impact
Genevieve White / Benjamin Heller
   Adam and Eve Story – interactive piece based on the classic garden of Eden story
performances & installations

A Bailout for the Rest of Us: Recession Art Sale (September 17 - October 10, 2009)
organized by Elanit Kayne in association with Frank Shifreen
chashama 679 Window Space, 679 Third Avenue
recessionartsale@gmail.com
www.recessionartsale.com | www.cultureinside.com

chashama 679 Window Space, 679 Third Avenue

1 block east of Grand Central, corner of 43rd Street & 3rd Avenue; 4,5,6,7 and shuttle train to Grand Central | M101, M102, M103 to 42nd Street

A Bailout for the Rest of Us: Recession Art Sale

organized by Elanit Kayne in association with Frank Shifreen

September 17 - October 9, 2009


Open: Monday Sep 21, Oct.5: 11a-7p
Tuesday Sep 22, 29, Oct.6: 11a-7p
Wednesday Sep 23, 30, Oct.7: 11a-7p
Thursday Sep 24, Oct.1, 8: 11a-7p
Friday Sep 18, 25, Oct.2, 9: 11a-3p
Sunday Sep 27: 11a-3p


A Bailout for the Rest of Us: Recession Art Sale combines art and commerce to assist artists and out-of-work professionals. In a 5500 sq ft. gallery space, thirty artists and thirty out-of-work professionals will participate in Recession Art Sale, an art and commerce event in the center of Manhattan from September 17 – October 10, 2009.

Artists will include: Noah Baen, Matthew Beall, Gene de Bartolo, Michele Brody, Gulsen Calik, Peter Ciccariello, Thom Corn, Carla Cubit, Michelle Droll, Ektarina Existart, Elanit Kayne, KK Kozik, Lorenzo Pace, Gila Paris, Susu Pianchupattana, Yulia Pinkusevich, Thaddeus Radell, Robin Ross, Rafael Rodriguez, Barnaby Ruhe, Charles Seplowin, Frank Shifreen, and Tiffany Sum.

Contact 646-462-7755 for private appointments in the space
recessionartsale@gmail.com

Official Site of Recession Art Sale:
www.recessionartsale.com and www.cultureinside.com
details
Amidst a glass-walled space at 679 3rd Ave (at the corner of 43rd St.), Recession Art Sale will host a diverse group of artists and sellers, reflecting the wide economic spectrum of the recently unemployed. The objective is to create income, comment on current shifts in the market economy, and foster a sense of community amongst artists, sellers, and buyers. Unemployed individuals affected by the current economic recession will be engaged as sellers to market the works on exhibit.

Hosting the event is Anita Durst's chashama, which has worked successfully with conceptual artist Elanit Kayne on experiments in value and commissioned her to do this new project on the economy. In 2002, Kayne's Times Square installation, "All I Want for Christmas is Nothing: an Experiment in Value", considered sellers' and buyers' notions of the relative worth of objects.

A multi-channel outreach to sellers was conducted through the use of print and online advertising, job opportunity sites, and social media in order to attract an eclectic group of qualified applicants. While some sellers have a background in the arts (a former employee of the Whitney Museum, Art History graduates), other qualified sellers include former IT workers and teachers and will receive art consultation training. Positions are still available.

Kayne partners with Co-Producer Frank Shifreen, founder of the Gowanus Art Canal Project, to create the Recession Art Sale gallery for 30 top-selling international artists. Shifreen, the New York partner of www.cultureinside.com, an award-winning exhibition site currently available in French, German and English, is hosting the online gallery for the project. Marketing and management consultant and graduate of the Park School of Communication at Ithaca College, Sarah Vaynerman, joins the project as Director of Operations and Marketing.
about Recession Art Sale

Everyday Is Earth Day (September 16th - 28th, 2009)
a Back-to-School Exhibition presented by chashama and Earth Day New York
chashama Times Square Gallery, 112 West 44th Street
www.chashama.org/earthday
www.earthdayny.org

(between Broadway & Sixth Ave.
Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square.
Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Everyday Is Earth Day
a Back-to-School Exhibition presented by chashama and Earth Day New York

September 16th - 28th, 2009

FREE and open to the public

www.earthdayny.org

The exhibition is a multigenerational, multiethnic and multicultural dialog about the fragility of our Earth and the responsibilities we all have as its inhabitants. It will feature teach-ins and panel discussions that coalesce the concepts and ideas of environmental organizations, arts organizations, educators, students, youth groups and concerned citizens. We'll have plenty of info and such to help you live a greener, more sustainable life.

Come and join the discussion.

visit www.chashama.org/earthday for event & complete schedule info

"We do not inherit the Earth from our ancestors, we borrow it from our children."
~Native American Proverb
details
September 16:
6 - 9p Green your Office w/Dan Minor

September 17:
Informal announcement of TapIt events for Earth Day NY + offering petitions against gas drilling near NYC's water sources.

September 18:
12 - 1p Brown Bag Lunch Info Session about bottled water, local water, and TapIt.
20 minute presentation followed by Q & A.
6 - 10p Everyday is Earth Day Gala

September 23: Reconstruct Art / Purpose Lounge "Turning Waste into Artistic Visions"
6 - 9p A workshop to help people understand the art of turning recycled/found objects into creative works. Presentations, demonstrations and Q&A.

September 24: Screening of "Flow"
7 - 11p hosted by TapIt, followed by a Q&A session

September 25: Screening of "From the Hoods to the Woods"
8p with a special presentation by the director, Q&A and afterparty
Hoods to Woods trailers
http://vimeo.com/3245501
http://vimeo.com/3344290
personal work site http://www.guerillaartist.com

September 27: Grassroots Organizing Workshop
2 - 6p The New York Action Network will be offering a Grassroots Organizing training from 2pm to 5pm. The workshop will focus on organizing in New York City and the unique opportunities and challenges that come with it. We will cover issues of building a strategic campaign, connecting with your target audience, identifying strategic points of intervention, and the building blocks of successful direct action.

At 5pm there will be a slide show of local campaigns and direct actions presented by the activists who produced them, followed by refreshments and an opportunity to meet and talk to local organizers.

If you would like to participate please RSVP to NYActionnetwork@gmail.com with your name and how many people you're bringing.

September 28: Freeganism
8p An event especially for newcomers. Join us for a discussion on the basics of freeganism – why we reject the capitalist system and how we reject it. We'll discuss the wastes and abuses of our current society and why they happen, and explore some of the practical community alternatives we are trying to build. We'll talk about the well-known practice of dumpster diving and why it makes sense in our current situation, as well as the basics of how we go about recovering the massive amount of usable food and other goods that is wasted every day. After our discussion, we'll take a trash tour to explore the area's wasted resources. If you ever wanted to try dumpster diving but couldn't bring yourself to do it on your own, join us for this workshop and tour.

for more info: ask@freegan.info
schedule

PEEP-O-RAMA (September 12 - 30, 2009)
featuring works by chashama artists-in-residence
Note: No one under the age of 18 will be admitted without a parent or guardian.
chashama ak-57 Gallery, 830 12th Avenue @ 57th Street
& viewable by appointment through the 30th
Contact: celso@elcelso.com

PEEP-O-RAMA

chashama ak-57 Gallery

(between 57th & 58th St.; Subway: B/D/A/C/1 to 59th Street
Bus: M57 to 11th Ave., walk one block west)

September 12 – 30, 2009
1st viewing: 1 - 4p
Opening Reception: Saturday, September 12, 6-10p
& viewable by appointment through the 30th

FREE and open to the public.

Contact: celso@elcelso.com

EL CELSO is pleased to announce the opening of PEEP-O-RAMA, a group art show and installation at CHASHAMA's AK-57 Gallery at 830 12th Avenue, between 57th & 58th Streets in Manhattan, next to the West Side Highway in the historic ART KRAFT (Strauss) building. Note: No one under the age of 18 will be admitted without a parent or guardian.

PEEP-O-RAMA showcases the controversial works of Brent Birnbaum, Celso, John Chandler, Jillian Corbett, Ian Farrell, Ryan Frank, Suzanne Goldenberg, LA2, Jose Landoni, Pamela Lawton, Numyi Lee, Danny Licul, Linda Lee Nicholas, Dean Radinovsky, Maggie Simonelli, Miryana Todorova, James A. Willis, and special guests.

PEEP-O-RAMA features paintings, sculpture, and a full-scale site-specific installation by Celso, infinity and New York's most dynamic contemporary artists. The group show opens on Saturday, September 12 from noon-4PM with a reception from 6PM-10PM at the AK-57 Gallery at 830 12th Avenue. The exhibit will continue by appointment through Wednesday, September 30, 2009. The event is free and open to the public.
details

Dance Jamaica! (September 12, 2009)
a chashama presentation made in association with
the Greater Jamaica Development Corp and
the Jamaica Center for Arts and Learning
featuring ESOTA, Mariana Bekerman Dance Company, and JR Entertainment
Jamaica Performing Arts Center (JPAC), 153-10 Jamaica Avenue, Jamaica, NY
www.gjdc.org

E or J train to Jamaica Center (last stop); or F to Parsons Boulevard: walk down 153rd Street to Jamaica Avenue.

Hours: 12 - 3p
In the event of rain, the event will move indoors to the auditorium.

FREE and open to the public
chashama, in association with Greater Jamaica Development Corp (GJDC) and Jamaica Center for Arts and Learning (JCAL), is proud to once again present Dance Jamaica!, unexpected dance performances outside the Jamaica Performing Arts Center (JPAC).

Three dance companies that operate in the Queens area, ESOTA!, Mariana Bekerman Dance Company ("Black & White"), and JR Entertainment, have been selected to create outdoor performances for the lawn in front of the Jamaica Performing Arts Center in this second season. JPAC is located on one of Jamaica's busiest thoroughfares, and these public performances will delight the public as they go about their Saturday activities.

Greater Jamaica Development Corporation (GJDC) is a community-building organization that plans, promotes, coordinates and advances responsible development to revitalize Jamaica and strengthen the region. Marshaling the resources of the public, private, and not-for-profit sectors, GJDC's work expands economic opportunity and improves quality of life for the ethnically and economically diverse residents of Jamaica and for the region at large, which benefits from rational, well-planned, and sustainable metropolitan growth.

The Jamaica Performing Arts Center (JPAC), located on Jamaica Avenue and 153rd Street adjacent to a major subway and bus terminal, is a landmark Former Dutch Reformed Church building and open space that was renovated by the City of New York. The space will soon open for reuse as a 400-seat state of the art performing arts center to be operated by the Jamaica Center for Arts & Learning. Planned programming includes theatre productions, music concerts, film festivals, dance performances and arts education.
details
Soul Glo
choreographed by Adrienne Brown-Strother & David "Sincere" Aiken

The Pioneer
choreographed by Wendy Edge & Kerri Edge

Wade in the Water
choreographed by Alvin Ailey; staged by Kerri Edge

The Day is Past and Gone
choreographed by Kerri Edge

Four Swans
choreographed by Marius Petipa; staged by Kerri Edge

Girls Just Wanna Have Fun
choreographed by Derek Parson

Stand
choreographed by Kerri Edge

O Happy Day
choreographed by Kerri Edge

Motown Jazz
choreographed by Adrienne Brown-Strother

One
choreographed by Kerri Edge
ESOTA dance program

things which perish if not for the using (September 8 - 26, 2009)
by Hannah Craft
chashama Window Space, 266 West 37th Street
hannah.craft@gmail.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

things which perish if not for the using
by Hannah Craft

September 8 - 26

Opening & 2nd Receptions: September 17 & 19, 6 - 9p
Visible Monday through Friday, 12 - 6p
Open Tuesdays, Thursdays and Saturdays

Hannah Craft's things which perish if not for the using is a subtly new installation each day, an illustration of growth at street level. It is a depiction of specific moments that force the viewer into the realization he or she is not looking at the same piece seen yesterday. Utilizing taxidermy, strawberry plants and wheatgrass, this piece offers a new experience upon each passing. The artist's hand is removed at a certain point, allowing light and water to control the final aesthetics of the piece. things which perish if not for the using is an opportunity for people to contemplate how we coexist with plants and animals and to observe simple things most likely overlooked everyday, if ever even witnessed amongst the hustle of midtown Manhattan. The stems crawl over the deer. The fruit rots or gets eaten. The grass grows tall and wilts.

FREE and open to the public
details
Hannah Craft graduated from Ramapo College of New Jersey this past May after also studying at Emerson College in the Netherlands and Melbourne University in Australia. She has been furthering the concepts of her interactive, organic sculptures since receiving "Best in Show" at her juried thesis exhibition in Mahwah, NJ. Her work was also recently exhibited in the FIGMENT sculpture celebration on Governor's Island in June. Aside from actively making work in mediums as varied as iron, rope, eggshells, bronze and ice, Hannah keeps busy with her other endeavor, The Rabbit Hole Bakeshop, an organic cookie company started in 2007. She has also worked with Simon Gallery in Morristown, NJ, Rupert Ravens Contemporary in Newark, NJ and the Kresge and Pascal Galleries at Ramapo College. About the Artist

Miss Connections (September 2 - 6, 2009)
a live diorama by Zhenesse
chashama Window Space, 266 West 37th Street
www.zhenesse.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Miss Connections
A Living Diorama of the Desert of Interpersonal Connectivity and an Interactive Exploration of the Loneliness of Interpersonal Communication in the Fiercest Metropolitan City There Is.
by Zhenesse

September 2 - 6, 2009
Performance Times: 4p - 11p

From Zhenesse: "Missing Connections is a diorama themed around about lack of connection, false sense of connection, and loneliness. In a room covered in yellow pages the artist makes calls, is misunderstood, reaches out and wallows in the hollowness of disconnection. Starring me, my rabbit, my cell phone, and answering machine messages and other memes to be announced."

http://www.zhenesse.com

FREE and open to the public
details
Zhenesse Staniec Heinemann creates Living Dioramas and short character-driven video art in New York City in varied spaces such as chashama, John Connelly Presents, Collective:Unconscious, Interart Annex, and the Scope Art Fair NY. bio

bahia week expo (September 1 - 6, 2009)
created by Silvana Magda in association with The Brasilianas newspaper
chashama 217 Art Space, 217 East 42nd Street
bahiaweek@gmail.com
lavagemdarua46ny@aol.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

bahia week in New York City
created by Silvana Magda in association with The Brasilianas newspaper

September 1 - 6, 2009, 10a to 8p

exhibit, performances & presentations
FREE and open to the public

For more info: 917-528-8151 | bahiaweek@gmail.com
lavagemdarua46ny@aol.com

The idea of Bahia Week, now in its 1st year, is to exhibit and promote the rich and unique culture of the state of Bahia, which is the largest tourist destination in Brazil. Silvana Magda who is the general coordinator of Brazilian Day in New York boasts an exciting week of cultural activities such as expositions, live performances, workshops and lectures focussing on Bahia and its possibilities in the North American Market.

Participants will include: Johnny Lorenz, PhD, Professor at Montclair University, Claudia Green, PhD, Executive Director of Global Business, Carlos Borges, Journalist, & Walson Botelho, Anthropologist.
details
Exposition 10AM

ORIXAS - MÃE NATUREZA
"Orishas - Mother Nature" - In search of the spirit in the elements and nature ramifications, utilizing the Orixas of Candomblê from the Afro Brazilian culture as a base, which associates its Gods to the elements of nature and its impact and contributions in the community.

Painting by Galina
Galina's Aquarelas

Brazilian Folklore the Baiana Woman - Galina is a Brazilian artist who works with water colors and oils

Fernando Dasilva's Jewelry Collections
Mr. Dasilva is part of the "Beadalon" Design Team and after almost 9 years, his jewelry design work remains loyal to three basic elements: style, texture and color.

Special Presentation 5PM - 6PM
Music Performance by Kenia, Calebe Arruda, Marivaldo Santos, Jailton Macedo, Davi Vieira & Kiki da Bahia

Afro Brazilian Dance Presentation
Performance by Slim Mello, Danielli Lima & Cidinha Oliveira

Presentation 6PM - 6:30PM
THE MYSTERIES OF BAHIA - WHAT IS IT ABOUT BAHIA?
Guest speaker Carlos Borges Journalist

Show 6:30PM - 7:30PM
TRIBUTE TO DORIVAL CAYMMI A BAHIA DE TODOS OS SAMBAS/ BAHIA OF ALL SAMBAS
Performance by Jose Paulo and Band
Sept.1st: Official Opening
Workshop 4PM - 5PM
CAPOEIRA
Performance by Kiki da Bahia and Group Ginga

Presentation 5PM - 6PM
CAETANO VELOSO'S (A TROPICALIA DE CAETANO)
Guest Speaker Johnny Lorenz, PhD, associate Professor at Montclair State University

Show 6PM - 7PM
TRIBUTE TO TROPICALIA
Performance by Erich Bassi and Band

September 3, 2009
Presentation 5PM - 6PM
"MAKING A DIFFERENCE THROUGH SUSTAINABLE TOURISM MANAGEMENT"
Guest speaker: Claudia G. Green, Executive Director, Global Business Programs; Director of Hospitality and Tourism Management, Pace University

Show 6PM - 7PM
TRIBUTE TO JOÃO GILBERTO
Performance by Beatriz Malnic and Band
September 2 & 3
Presentation 5PM - 6PM
The relationship and parallel of the Afro Brazilian religious dance, Candomblê and contemporary dance.
Guest speaker Walson Botelho Anthropologist and founder of Ballet Folclórico Bahia

Afro Brazilian Dance demonstration
Performance by Slim Mello from Ballet Folclórico da Bahia

Workshop 6PM - 7PM
AFRO BRAZILIAN RHYTHMS IN MODERN EXPERIMENTAL MUSIC: MUSIC PERCUSSION
Guest artist Marivaldo Santos from the Broadway Musical STOMP OFF

Show 7PM - 8PM
TRIBUTE TO AXE MUSIC
Performance by Marivaldo Santos
Brazil Underground
September 4
LAVAGEM DA RUA 46/CLEANSING OF 46TH STREET

Parade followed by the music and dance festival. The Cleasing of 46th street in 2009, much bigger and highly acclaimed, will feature its first Grand Marshal, Carlinhos Brown.
PARADE: 10AM - 12 PM
FESTIVAL: 12PM - 6PM
PARADE ROUTE (MANHATTAN):
Start: 46th street and 6th Avenue
End: 46th street and Madison Avenue
Festival: 46th bet. Madison and 5th Avenue

Show - After Party
7PM - 12 MIDNIGHT
A NIGHT IN BAHIA
From João Gilberto Bossa Nova grooves to Olodum pulsating Samba Reggae, come celebrate the grand finale of The Bahia Week in New York with lots of music and Acarajé.

Performances by:
Beatriz Malnic (Bossa Nova) and Batala Band (Samba Reggae)

Place:
Sounds of Brazil (SoB'S) www.sobs.com
September 5 End of Exposition

chashama North Open Studios (August 29, 2009)
featuring works-in-progress by our resident artists in upstate NY
chashama North, Pine Plains, NY
with Emily Bolevice, Jason Covert, Glen Eden Einbinder, Alice Klugherz, Monisha Raja, Jen Rasinski
FREE and open to the public
emilybolevice.com
www.jasoncovert.com
www.artcodex.org/glen_einbinder/
www.jenone.org
www.elizastamps.com
more info

Please join us in the beautiful Hudson Valley for chashama OPEN STUDIOS

Saturday August 29, 2009
2-7p

chashama North
2600 Route 199
Pine Plains, NY 12567
tel. 518-398-1005

Directions:
Taconic Parkway to Route 199 (Pine Plains/Red Hook)
Head East towards Pine Plains
chashama North is 5.3 Miles down on the right.

Session 3 Resident artists:
Emily Bolevice: http://emilybolevice.com
Jason Covert: www.jasoncovert.com
Glen Eden Einbinder: www.artcodex.org/glen_einbinder/
Alice Klugherz
Monisha Raja
Jen Rasinski: www.jenone.org

organized by
Summer Proctor Carissa Carman: www.thewaterpod.org

2009 Summer Food coordinator Eliza Stamps: www.elizastamps.com
details
In its sixth year, chashama North continues to evolve as an opportunity for emerging artists. The program provides 3 summer sessions of live and work space for seven rotating artists-in-residence. The communal kitchen is stocked with fresh, local organic produce and whole grains. Cooperatively prepared daily meals with a focus on whole foods act as the anchor of the residency program. Opportunities to engage in local food production are being organized with local farms, allowing artists the opportunity to encourage the respect and interaction with the environment and agricultural history of the Hudson Valley About chashama North

Straight Talk (August 27 -September 30, 2009)
a presentation by chashama in association with the
Greater Jamaica Development Corporation
for the exhibition of new works by chashama artists-in-residence Babatunde Ajiboye, Cynthia J. Epps, Lawrence Joyner, William Mwazi, Flory Ramoreboli and Jeff Sims
chashama, 90-26 161st Street, Jamaica, Queens
Sponsored by Greater Jamaica Development Corporation and Harlem Brewing Company
www.mwazi.com
www.jeff-sims.com
www.gjdc.org
www.harlembrewingcompany.com

chashama Jamaica Studios, 90-26 161st Street, Jamaica, Queens

Between 90th Street and Jamaica Avenue, E to Jamaica Center, F to Parsons Boulevard

Jamaica Station on the LIRR.

By car: Take Long Island Expressway (I-495 E) to exit 22A-E to Grand Central Parkway East. Remain on Grand Central Parkway until exit 16 (164th St-Parsons Blvd.) Turn right onto Parsons Boulevard, left onto Jamaica Avenue, then left onto 161st Street. Our building is on the left side of the block.

Straight Talk
new works by chashama artists-in-residence Babatunde Ajiboye, Cynthia J. Epps, Lawrence Joyner, William Mwazi, Flory Ramoreboli and Jeff Sims

August 27 -September 30, 2009
Opening Reception: August 27, 6 - 8p
Hours: Mon-Fri, 11a-3p or by appointment

FREE and open to the public

Sponsored by Greater Jamaica Development Corporation and Harlem Brewing Company
details

bahia week in NYC (August 25 - September 7, 2009)
created by Silvana Magdas in association with The Brasilianas newspaper
chashama Times Square Gallery, 112 West 44th Street
bahiaweek@gmail.com
lavagemdarua46ny@aol.com

(between Broadway & Sixth Ave.
Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square.
Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

bahia week in New York City
created by Silvana Magdas in association with The Brasilianas newspaper

August 25 - September 7, 2009, 10a to 8p

exhibit is FREE and open to the public

For more info: 917-528-8151 | bahiaweek@gmail.com
lavagemdarua46ny@aol.com

The idea of Bahia Week, now in its 1st year, is to exhibit and promote the rich and unique culture of the state of Bahia, which is the largest tourist destination in Brazil. Silvana Magda who is the general coordinator of Brazilian Day in New York boasts an exciting week of cultural activities such as expositions, live performances, workshops and lectures focussing on Bahia and its possibilities in the North American Market.

This exhibit is in conjunction with a week of bahia week exhibits, presentations and performances at chashama 217, 217 East 42nd Street.
details
LAVAGEM DA RUA 46/CLEANSING OF 46TH STREET

Parade followed by the music and dance festival. The Cleasing of 46th street in 2009, much bigger and highly acclaimed, will feature its first Grand Marshal, Carlinhos Brown.
PARADE: 10AM - 12 PM
FESTIVAL: 12PM - 6PM
PARADE ROUTE (MANHATTAN):
Start: 46th street and 6th Avenue
End: 46th street and Madison Avenue
Festival: 46th bet. Madison and 5th Avenue

Show - After Party
7PM - 12 MIDNIGHT
A NIGHT IN BAHIA
From João Gilberto Bossa Nova grooves to Olodum pulsating Samba Reggae, come celebrate the grand finale of The Bahia Week in New York with lots of music and Acarajé.

Performances by:
Beatriz Malnic (Bossa Nova) and Batala Band (Samba Reggae)

Place:
Sounds of Brazil (SoB'S) www.sobs.com
September 5 End of Exposition

QUEERSEUM (August 20, 2009)
performance and collection of queer artifacts by Zhenesse
chashama 217, 217 East 42nd Street
me@zhenesse.com
www.zhenesse.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

QUEERSEUM
performance and collection of queer artifacts by Zhenesse

Thursday, August 20, 2009


Open: 1 to 11p

Suggested donation: $5/FREE with "queer artifact"

Tour the QUEERSEUM with your Docent and Lead Curator Zhenesse! As a part of 0227 Productions' ongoing mission to promote interactive durational performance and visual art (and all things queer) this interactive museum will feature the queerest of artifacts available in our culture. "There's a greater prevalence of queerness in the majority of people's everyday existence than they recognize," says Zhenesse. What we accept as normative may be wholly trangressive to the next person. Our actions, our obsessions, our daily rituals may, in fact, queer us. The artifacts in this collection bring into relief the obtuse, the awkward, the funny, the frivolous in object and images that queer us through our recognition of them.

0227 Productions invites YOU to bring one queer artifact to be catalogued and presented as part of an ongoing QUEERSEUM project. Admission is a suggested donation of $5 or FREE with the donation of a queer artifact.

As part of the QUEERSEUM's performance series, GraceLES will present "How to Drink a Rum and Coke: Mourning Ritual #1." At 7pm on August 20, Grace will throw the cap away on a handle of rum. Join Grace onstage for a silent lesson in how to mix, drink and enjoy. By the end of the bottle Grace will, at least, be drunk. Enjoy a free drink, and sign a cup for posterity!
details
0227 Productions believes art can empower and support community engagement and strives to present work which intentionally reaches across diverse demographics and draws the audience in to cross the boundaries which cause resistance to art. Its main aim is to offer live art experiences in the United States. 0227 Productions promotes and produces performances that are: Energetic; Comedic; Experimental; Deviant; Dark; Queer; Peripheral; Hyperbolic; Kinetic; Substantially subconscious; Alliterative; Solipsistic; Durational; Failed; Representational; and Occurring.

Zhenesse Staniec Heinemann creates live performative dioramas and short character-driven video art in New York City in varied spaces such as chashama, John Connelly Presents, Collective:Unconscious, Interart Annex, and the Scope Art Fair NY.

GraceLES was born in the South and reborn on Loisaida. Her fairy godmother is Jayne County. She hopes to get over whatever it is.
about 0227 Productions

The Nature of Urban Nature: Inner City Artists' Interpretives (August 16 - 31, 2009)
(FINAL EXHIBIT IN THIS SPACE)
A Group Show Curated by Roy Secord
chashama 2016, 2016 Adam Clayton Powell Boulevard
contact: SecordRW@aol.com

(7th Ave. between 120th St. and 121st St.; 2/3/B/D to 116th St; A/C/B/D to 125th Street station)

"The Nature of Urban Nature:
Inner City Artists' Interpretives"


A Group Show Curated by Roy Secord

August 16 - 31, 2009

Hours: Thursday-Sunday 12-6p or by appointment

Opening Reception: August 15, 2009 (Harlem Day) 6-9p

Man and the urban landscape are most often classified as being divorced from nature rather than being fully integrated.  Yet nature, the elements, and man continuously interact and attempt to find harmonious equilibrium in the inner city environment as fully as in the sparsely settled rural setting.  In this exhibition, artists Sandy Gellis, Roy Secord, Draga Susanj, Michael Sherman, and Monique Schubert pose and answer questions concerning nature and man's interaction in the dense urban landscape.

SecordRW@aol.com
details

Artist Friends in Support of Speaking in Rhythms Art Exhibit (August 15, 2009)
chashama Harlem Studios Gallery, 461 West 126th Street

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

Artist Friends in Support of Speaking in Rhythms Art Exhibit

August 15, 2009, 6-10p

Suggested Donation: $10

Art Exhibit
Literary Readings
Refreshments | Open Bar with suggested donation

"A Wing Tasting in Harlem", sponsored by Harlem Atomic Wings

Mixtape Giveaway to the 1st 50 people at the event

Contemporary and old school music spun by DJ Life
details
Artist Friends in Support of Speaking in Rhythms is a collaborative effort to raise money to support Syncopated Peru, a cultural exchange project that will expose approximately fifteen youth to Afro-Peruvian culture by traveling to Peru during the summer of 2010. Artists from various parts the world will present works that are reflective of the diversity of their experiences. This event not only creates an opportunity for them to network and to expose their artistic talents, but also supports the mission of a wonderful not-for-profit organization by contributing 15 percent of the proceeds from the sales of their art.

Other special features include readings of literary works by writers that will be featured in the Speaking in Rhythms Literary Journal scheduled to be published in the spring of 2010, and "A Wing Tasting in Harlem", sponsored by Harlem Atomic Wings. Attendees will lick their fingers in delight with mouth watering flavored wings such as Honey Mustard, BBQ, Jerk BBQ Teriyaki, and the traditional Buffalo Wings with various degrees of spiciness; also, to stimulate the taste buds, samples of Peruvian food and drinks will be served. Ever had skewered beef hearts marinated with tangy spices or a tasty beverage made from the base of purple corn? Well, at this exhibit, you can experience anticuchos and chicha morada, two of Peru's typical foods and drinks. The debut of a young DJ coming out of the Grant Houses-DJ Life will spin contemporary and old school music that will take us back to the here and now. Thinking in Sounds Production will give away a jamming mixtape to the first 50 people who arrive at the event.

Come join us in the spirit of collaboration, creativity, and good will to celebrate the talents of visual, spoken word, and music artists who are in support of Speaking in Rhythms Inc.
about the event
Speaking in Rhythms Inc. is a not-for-profit 501c(3) organization whose mission is to provide a comprehensive music program for youth that through the use of percussion instruments exposes students to the musical styles and genres of different cultures, instructs them in music theory and composition, and provides opportunities for them to perform their own compositions for the community. The program strives to give its members the musical knowledge, theory and discipline to enable them to fully realize their musical creativity and to increase their own sense of their cultural identity in the context of a global world. about Speaking in Rhythms Inc.

Nowhere In Manhattan (August 13 - 22, 2009)
by Matthew Jensen
chashama Times Square Gallery, 112 West 44th Street
info@jensen-projects.com
www.jensen-projects.com
www.nowhereinmanhattan.org

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Nowhere In Manhattan
A public exhibition of work by Matthew Jensen exploring the last pieces of nowhere remaining in the borough of Manhattan.

August 13 - 22, 2009
Opening Reception: Thursday, August 13th, 6-9 pm

Artist Talk: Wednesday, August 19th 7p

Gallery Hours: Tuesday-Sunday 1-7p or by appointment

This exhibition of work by Matthew Jensen represents a mid-point in the artist's exploration and documentation of the last pieces of nowhere remaining in the borough of Manhattan.

Contact: 202-276-0963 | info@jensen-projects.com
details
Nowhere In Manhattan is an ongoing project by New York City based artist Matthew Jensen. The intent of the work is to locate, explore, document, promote and protect the last parcels of nowhere remaining within the borough of Manhattan. For the scope of the project, "nowhere" is defined as a place that has been neglected and from this neglect has achieved the status of an organic non-place; a perfect combination of the built and natural. From these places one cannot say, "I am in a park" or "I am in the city" because neither appears to be true. Being in a location that lacks both identity and the presence of control offers a mental and visual release for New Yorkers, who may find it exhausting to live in the most identifiable city in the world.

For more visit www.nowhereinmanhattan.org
about

SPOOL (August 13 - 21, 2009)
drawing in space in five movements by street artist infinity
chashama Window Space, 266 West 37th Street

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

SPOOL

drawing in space in five movements by
infinity

Performance Time:
August 13, 14, 17, 19, 20, 21, 2009
POLLACK (overture) 1 - 1:30p
ZORN 1:30 - 2:45p
BARNEY 3:15 - 4:30p
CELSO 4:30 - 5:30p
ELLIS (epilogue) 5:30 - 6p

FREE and open to the public
details

A Survivor's Celebration (August 7, 2009)
an evening of Theater, Music & Comedy featuring Gary Corbin of Globescope Productions
chashama 217, 217 East 42nd Street
globescopewelcomesyou@gmail.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

Globescope Arts & Entertainment, Inc. in association with Eddy's Good & Plenty and House Of Romance presents

A Survivor's Celebration
an evening of Theater, Music & Comedy featuring Gary Corbin performing "Waiting for Oz" from "Four One-Legged Men"

A theatrical salute to survivors of war - and all of life's traumas - their loved ones and families.

Friday, August 7, 2009, 8p

Advance Suggested Donation: $20*
$25*
at the door (seating is limited)

RSVP & Purchase Tickets Now!!!!

globescopewelcomesyou@gmail.com or 212-929-4825

If you cannot attend please donate anyway to this worthy cause!

º also featuring Robert Anton - R & B Sensation
º Musical Theater Performances (Cast members of The Love Show)
º Comics
º Great Food & Socializing

*Will benefit Globescope Arts & Entertainment, Inc.'s upcoming productions, and programs that promote performers who are of under-represented cultures, disabled and senior citizens.
details

"Real Freedom May Look Controlled" (August 6 - 31, 2009)
an installation artwork by Meghan LeBorious
chashama 679 Window Space, 679 Third Avenue
www.meghanleborious.com
mleborious@earthlink.net
This project is supported in part by an award from the National Endowment for the Arts.

chashama 679 Window Space, 679 Third Avenue

1 block east of Grand Central, corner of 43rd Street & 3rd Avenue; 4,5,6,7 and shuttle train to Grand Central | M101, M102, M103 to 42nd Street

"Real Freedom May Look Controlled"

an installation artwork by Meghan LeBorious

August 6 - 31, 2009


Real Freedom May Look Controlled is an installation artwork made using cut black paper, light, and chandelier crystals. The scintillating display features images of anatomical hearts and accompanying veins and arteries, along with the phrase Real Freedom May Look Controlled. The images shimmer and refract with pinks, blues and purples. The artwork deals with the idea that carefully applied discipline can lead to great joy and a sense of being connected with the world.

This project is supported in part by an award from the National Endowment for the Arts.
details
Meghan LeBorious is a Brooklyn based multi-media artist. She works with sound, video, sculpture, installation, drawing and breathing drawings. She often draws on the history of western anatomical representation to examine contemporary beliefs about body and identity. She holds BFA (Museum School) and MFA (Queens College) degrees, and a BA (Tufts University) in Art History with a thesis in Feminist Medieval Art History. Bio

Metal-Heavy-Twisted (August 1 - 10, 2009)
an art show in Harlem curated by Linus Coraggio and Johnny V
chashama Harlem Studios Gallery, 461 West 126th Street

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

Metal-Heavy-Twisted
an art show in Harlem

Curated by Linus Coraggio and Johnny V
From the minds that brought you Metropolis Apocalypse – L.E.S. Riot Era: Artists 1988-2008.

August 1 - 10, 2009
Opening: Saturday, August 1, 6-10p
Hours: Wednesday - Sunday, 3-6p
"Open House" night: Thursday, August 6, 6-9p

Please call ahead to verify access to the exhibit by calling (212) 866-9556 or (646) 234-1757

The theme is Metal: heavy and twisted; represented in an astonishing array of styles by the likes of such masters as Hubert Kretzschmar, Terrenceo Hamond, Dr. Zian Saxon(ian), Dinah Toxic, Brett Kahler, Veronica Evanega, Steel Neal, Larz Westerwood, J J Veronis, Ken Hiratsuka, Lars Westvind, Gushon Calik, Rifka Milder, Lale Westvind, James Garvey, Kelly Irwin, Nick Kuskin, Phillip La Loche, Paolo Pelosini, and Linus Corregio.
details

LEGSHOW (July 31 - August 8, 2009)
A performance installation brought to you by THE MAYA PROJECT
chashama Window Space, 266 West 37th Street

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

"LEGSHOW"

A performance installation brought to you by
THE MAYA PROJECT

Performance Time:
Friday, July 31 - Saturday, August 8, 7p
Opening and closing night reception:, 7:30-8:30pm

FREE and open to the public
details
LEGSHOW is a live visual art performance installation that examines the political, economical and social roles of women in society. The presentation of the female form is shown in a representational and stereotypical manner by projecting different types of women on one pair of generic legs through different props and shoes. These varied opinions about feminine sexuality in our society will be portrayed in the piece by literally and figuratively turning the art form of burlesque upside down on its head. The performer (Sara Pauley) will perform burlesque routine inspired choreography while being upside down with her legs in the air and her face obstructed. Objectifying and focusing on one part of the female anatomy serves to express how far or little women have come when sex, money and advancement still play a part in our daily struggle for survival.

LEGSHOW will seek to open an internal dialogue with the audience by questioning their own personal concept of women's roles in society. By performing stereotypical female activities and upside down burlesque routines, the intent is to bring awareness towards the political and socio-economical challenges that women face; leaving us asking if we should feel shameful about our learned ideas of sexuality or risk the danger and resolution of embracing them.
about LEGSHOW
THE MAYA PROJECT seeks to illuminate the illusions of the everyday through site specific and environmental performance. Founded under the helm of performing artist Sara Pauley in 2001, this ever changing collection of designers and performers has produced Samuel Beckett's television play, Quad and the site specific diner performance of Lanford Wilson's Balm in Gilead for the Philadelphia Fringe Festival. As a former Catholic school girl, Pauley has overcome adversity of learned sexual shame to become a performer, a feminist, a fine arts model, an advocate of gay civil rights and also a former roommate of two dominatrixes. During these varied experiences, she encountered various opinions about the female body, from its artful power and determination to the overwhelming desire to conquer and degrade it through objectification. The creative team for LEGSHOW includes lighting, sound and set design by Andrew J. Merkel with costumes and choreography by Cherie A. Roberts. About the Artist

Shrine: What do you worship? (July 29 - August 9, 2009)
by Claire Elizabeth Barratt
chashama Times Square Gallery, 112 West 44th Street
shrine-cillavee.blogspot.com
www.cillavee.com | cillavee@gmail.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

July 29 - August 9, 2009

"SHRINE: What Do You Worship?" is an ART INSTALLATION & PERFORMANCE.

The artist is Claire Elizabeth Barratt - director of Cilla Vee Life Arts.

She will be LIVING in a small store front gallery space for twelve days!!!

July 29, 30 & 31 will be setting up installation.

August 1 - 8 will be performance.

August 9 will be the tear down.

SATURDAY AUGUST 8th - ALL NIGHT PEACE VIGIL

Please come & pray for peace in song, dance, music, words, drawing, painting - or any other method of praying that comes from your heart.
details
SHRINE: What Do You Worship? is a continuous performance installation piece wherein a solo performer inhabits a space for one week. During this time she continues to manipulate the installation, perform a variety of rituals and build a shrine (or altar) which audience members are then invited to augment.

Throughout this one-week period the performer does not leave the installation. Her every action, including those of bathing, eating and sleeping, is incorporated into her performance rituals.

Her persona often transitions between that of Deity and that of Supplicant.
Rituals are informed and influenced by the practices of various world religions and are original creations of the performer.

Rituals may include the use of: paint, written word, spoken word, musical instruments, singing / chanting, dance / movement, costume, natural materials, objects, candles, incense, water, food and drink.

The installation is comprised of large and small structures, natural materials, found objects and fabrics.

Incidental music may also be included, as both recorded music which is played on a CD player and operated by the performer and as live music performed by the artist and by guest musicians.
about the event

chashama North Open Studios (July 26, 2009)
featuring works-in-progress by our resident artists in upstate NY
chashama North, Pine Plains, NY

chashama North OPEN STUDIOS in the beautiful Hudson Valley
Sunday July 26, 2009
2-7p
AND
Saturday August 29, 2009
2-7p
chashama North
2600 Route 199
Pine Plains, NY 12567

Resident artists (2nd session): Michael Berens, Melanie Ida Chopko (http://www.thesetangledvines.blogspot.com/), Crystal Gregory (http://crystalgregory.org), Suyeon Na (http://suyeonna.com/), Eliza Stamps (http://www.elizastamps.com/), Seldon Yuan (http://www.seldonyuan.com/)
details
In its sixth year, chashama North continues to evolve as an opportunity for emerging artists. The program provides 3 summer sessions of live and work space for seven rotating artists-in-residence. The communal kitchen is stocked with fresh, local organic produce and whole grains. Cooperatively prepared daily meals with a focus on whole foods act as the anchor of the residency program. Opportunities to engage in local food production are being organized with local farms, allowing artists the opportunity to encourage the respect and interaction with the environment and agricultural history of the Hudson Valley About chashama North

TINY DANCE FILM SERIES (July 20 - 26, 2009)
by Choreographer Peter Kyle and Sound Artist Jimmy Garver
chashama Window Space, 266 West 37th Street
www.tinydancefilms.com

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

TINY DANCE FILM SERIES

by Choreographer Peter Kyle and Sound Artist Jimmy Garver

July 20-26, 2009
Opening Reception: Monday July 20, 6:00-11:00pm

Event Hours:
Tuesday-Friday, July 21 - 24, 12:00-2:00pm & 5:00-7:00pm

Saturday-Sunday, July 25 - 26, 1:00-5:00pm


A Brand New & Totally Unique mode in which to view the beloved TINY DANCE FILM SERIES has been dreamed up by its creators, Choreographer Peter Kyle and Sound Artist Jimmy Garver.

Come celebrate the latest incarnation of the Series with its creators and a gaggle of very special guests on Monday night, July 20th starting at 6:30pm in its new home: chashama's Window Space at 266 West 37th Street, just east of 8th Avenue.

Experience the Tiny Dance Film Series as you've never seen it before! Many Special Secrets await!

www.tinydancefilms.com
details

workshop production (July 15 & 16, 2009)
a workshop presentation of the play "In Fields Where They Lay", organized by Brad Raimondo
chashama 217, 217 East 42nd Street

"Blue" (July 13, 14 & 17, 2009)
an investigation of a primary color by Christie Newman
chashama 217 Window Space, 217 East 42nd Street
www.christienewman.net

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

"Blue"

by Christie Newman

Monday, July 13th, Tuesday, July 14th & Friday, July 17th

Hours: 5 - 7p

"Blue" delves into a fluid investigation of the color blue and the emotional and natural qualities it alludes to. Using the descriptions from Alexander Theroux's "The Primary Colors" as a point of motivation, this piece looks to explore the complex implications and connotations we connect to the color through a sculpturally focused movement piece.
details
Christie Newman is from California and Singapore, but has been living in New York for the past several years. She received her Master of Fine Arts degree in choreography from Temple University, and a dual Masters in Childhood Education and Special Education. Christie is an emerging choreographer, a performer, and an educator. She has been teaching dance, gymnastics, and yoga for past ten years, and is currently a dance educator at a public school in New York City. About the Artist

HEXAHEXAFLEXAGON (July 13 - 15, 2009)
a Fortune Telling Shoppe by Damaris Drummond
chashama Window Space, 266 West 37th Street
damarisland@gmail.com | damarisland.com
Vita Coco: vitacoco.com
Feather and Folly: myspace.com/featherandfolly
PROMO VIDEO:
vimeo.com/5477250 | youtube.com/watch?v=BAQ-7DvSPxI

chashama Window Space, 266 West 37th Street

between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

HEXAHEXAFLEXAGON

chashama is proud to present 3 days of otherworldly, predictive enlightenment.
by Damaris Drummond

SHOPPE HOURS:
Mon July 13-Wed July 15, 11a-6p
CLOSING PARTY: Wednesday, July 15th 7p-9p

Refreshments by Vita Coco (http://vitacoco.com)
Music by Feather and Folly (www.myspace.com/featherandfolly)

PROMO VIDEO:
vimeo.com/5477250
youtube.com/watch?v=BAQ-7DvSPxI

damarisland.com
details
Using only a single sheet of paper and ink, artist Damaris Drummond has devised a mathematical and metaphysical theorem utilizing ancient gypsy magic and epistemology. As a child you may have referred to this tool as a "cootie catcher," "scrunchie" or "chatterbox". Come experience the evolved version of those juvenile nicknames: hexahexaflexagon folded divination.

Through the course of a session, Drummond will read your very soul and cause a spiritual awakening.

Drummond is opening up a pop-up shoppe of elevated consciousness for three days only, at 266 West 37th Street, New York, NY. All of her hexahexaflexagons will be handmade within that very space and ceremoniously employed.

Fortune-telling sessions are free.
Hexahexaflexagons are for purchase.

Come in and be spiritually realigned.
Email to schedule an appointment.
Walk-ins accepted.
about the show
Damaris Drummond has been studying the art of fortune-telling since grade school. She has, in secrecy for the past twenty years, devoted herself to cracking the divine code of origami paper fortune-tellers. The clandestine key for unlocking syntactic consequence was revealed through years of examining spider web configurations, the underbellies of salamanders and the writings of James Frederick Ferrier. She is finally ready to share her findings with the world. About the Artist

"CAVE PAINTINGS" (July 10 - August 5, 2009)
a solo show by Elliot Sperber
chashama 2016, 2016 Adam Clayton Powell Boulevard
contact: elliot.sperber@gmail.com
Elliotsperber.com

(7th Ave. between 120th St. and 121st St.; 2/3/B/D to 116th St; A/C/B/D to 125th Street station)

"CAVE PAINTINGS"

a solo show by Elliot Sperber

July 10 - August 5, 2009

Hours: Tuesdays & Thursdays-Sundays, 1-7p and by appointment

Reception: July 10, 6-9p

Elliot Sperber's artwork combines arabesque abstraction with elaborate representation, delighting in the sumptuousness of painterly work for its own sake all the while camouflaging a multitude of creatures within his compositions. The paintings range in size from less than one square foot to 12 square feet. They are not only vividly colored but also densely populated with carnivalesque figures and bizarre presences among other things. The Janitor and other works are taken over by drolleries and phantasmagoria, as if a cave painter had gone amok and decided to redesign an illuminated manuscript. One can gaze and examine his paintings for hours and still be surprised by their exhaustive and fantastic details.

917-882-2178 / elliot.sperber@gmail.com / Elliotsperber.com
details
Born and raised in Los Angeles, Elliot Sperber has been living in New York since 2002. He has been painting for most of his life, and exhibiting his works since he was 15. After receiving his undergraduate degree in Art History and Fine Arts, he pursued political activism and graduate studies in philosophy, shifted focus and earned a juris doctor in 2005, concurrently traveling extensively and pursuing his passion for painting.

While one can detect multifarious influences in his work - Symbolism, Art Brut, and Surrealism notably - Sperber aligns himself with the "tradition"of cave painting, an approach and process of deciphering and depicting what is insinuated and patterned on the raw surface of the cave wall – and/or the cave wall's contemporary analogues – as introduced by distant ancestors. This prehistoric but novel idea takes on vibrant and whimsical directions on Sperber's contemporary canvases.
Biography
Currently, I am exploring what I consider to be a style and approach to painting – to image making and image discovering – that falls within the "tradition" of prehistoric cave painting. Among other things, it is thought that the cave painter's subject matter was inspired, or implied, or inferred by the texture and pattern of the surface that s/he was painting. A convexity might suggest the head of a bison or horse, and this specification would be "drawn" out. I approach subject matter similarly, albeit drawing from a more varied cultural reservoir.

Walter Benjamin has noted that the cultural and technological products of the world, the so-called artificial world, can be conceptualized as something not opposed to nature, but as a second nature. When painting, I begin with a relatively random mess of colors and values, creating an artificial cave wall on which I discover all sorts of entities from the various natures – images which, if the composition is successful, will be interacting among one another compositionally as well as thematically, inter alia.

In approaching that cave wall which is not simply canvas or wood but the limit of one's consciousness, my intention is to encroach further into what may be termed the all-pervading mystery. French theorist Alain Badiou defines Art as a means of approaching the Real (the Lacanian Real forever beyond reach), of finding symbols for the as yet un-symbolized beyond our comprehension. To a certain degree, this jibes with my conception of cave painting. Akin to a surrealism critical of its reifying tendencies, particularly Max Ernst's* oeuvre, the cave-painter explores the mystery, plunging into it as though diving into the sea of the mind, bringing back variously treasures, relics, or monsters. Other notable influences on my work include Hieronymous Bosch and painters of illuminated manuscripts such as Jean Pucelle and Kamal al-din Bihzad.

*"Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation." Max Ernst
Artist Statement

A Hero Among Us (July 9 - 26, 2009)
a presentation by chashama in association with the
Greater Jamaica Development Corporation
for the exhibition of artwork by chashama artist-in-residence William Mwazi
chashama, 90-26 161st Street, Jamaica, Queens
www.mwazi.com
www.gjdc.org

Between 90th Street and Jamaica Avenue, E to Jamaica Center, F to Parsons Boulevard

Jamaica Station on the LIRR.

By car: Take Long Island Expressway (I-495 E) to exit 22A-E to Grand Central Parkway E. Remain on Grand Central Parkway until exit 16 (164th St-Parsons Blvd.) Turn right onto Parsons Boulevard, left onto Jamaica Avenue, then left onto 161st Street.

William Mwazi Art Exhibit Opening Reception
presented by chashama in association with the Greater Jamaica Development Corporation.

Opening Reception, Thursday, July 9, 2009, 6 - 9p
chashama 161, 90-26 161st Street, Jamaica, Queens


Exhibit term: July 9 -26, 2009
Hours: Mon-Fri, 11a-3p; Sat-Sun, 5-7p & by appointment

Over the past two years, chashama has worked with the Greater Jamaica Development Corporation (GJDC) to find a suitable space to convert into a cultural hub. Our new spaces, located at 90-26 & 90-30 161st Street, provide us a wonderful opportunity to create up to 10 subsidized studios for local artists as well as street level galleries. This event gives local artists, businesses, service organizations and community liaisons another chance to see chashama's resources, in an informal setting in which we can meet and greet our new neighbors.

FREE and open to the public
details

The Work Office (July 3 – 26, 2009)
by Katarina Jerinic and Naomi Miller
chashama Times Square Gallery, 112 West 44th Street
office@theworkoffice.com
www.theworkoffice.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

July 3 - 26, 2009
Wednesdays: 4-8p
Thursdays: 1-8p
Fridays - Sundays: 12-8p


Payday parties held on July 10, 17 & 24 from 6p to 8p.

What is TWO?
The Work Office (TWO) is a multidisciplinary art project disguised as an employment agency. Informed by the Works Progress Administration (WPA) of the Great Depression in the 1930s, TWO is a gesture to "make work" for visual and performing artists, writers, and others by giving them simple, idea-based assignments to explore, document, and improve life in New York. From a temporary, publicly accessible storefront office, TWO's administrators will hire employees, exhibit work, and distribute Depression-era wages during weekly Payday Parties.

Visit www.theworkoffice.com for more information. Applications were accepted on a rolling basis through July 9th.

Questions? Call us at 212-901-0659 or write us at office@theworkoffice.com
details
TWO was born out of our appreciation for the WPA and recurring comparisons in current news media between that era and today. We are attracted to the idea of creating jobs– "making work" (WPA terminology)–for artists to "make work" (artist terminology). To our contemporary minds it's hard to believe that the federal government would remunerate artists for their work. TWO celebrates such irony and creates a community around it.

Doling out assignments to artists and paying them for their work is an idealized model, perhaps conceivable only in the more optimistic times of the early 20th Century. The WPA and Federal One Projects had their flaws. They became bogged down in bureaucracy, but interesting and important work was produced at the same time. We embrace the disparity between the original program's intentions and its execution. The project's acronym, TWO, is a nod to a second attempt at this ideal.
Why TWO?
Katarina Jerinic's mixed media, photography and ephemeral participant-based installations center on invented explorations of urban space. She was a participant in the Bronx Museum's Artist in the Marketplace program and has completed residencies at MacDowell Colony and the Experimental Television Center. She has an MFA from School of Visual Arts in Photography and Related Media (2002) and a BA from American University in American History (1995). Her work has been recently included in exhibitions at Rotunda Gallery, Brooklyn, NY; the Brooklyn Arts Council Gallery, Brooklyn, NY; the Bronx Museum of the Arts, Bronx, NY; the Fox Art Gallery, University of Pennsylvania, Philadelphia, PA; Gallery Aferro, Newark, NJ; the Center for Book Arts, New York, NY; the DUMBO Art Under the Bridge Festival, Brooklyn, NY and Mills Gallery at Boston Center for the Arts, Boston, MA. She currently lives and works in Brooklyn, NY.

Naomi Miller is a photography-based artist living and working in Brooklyn, NY. She received her BA in English and studio art at Clark University, Worcester, MA in 1996. In 2004 she graduated from the San Francisco Art Institute with an MFA in photography. Recent group exhibitions include the Creative Arts Workshop, New Haven, CT; WORKS/San Jose, San Jose, CA; Five Points Arthouse, San Francisco, CA; and Printed Matter, New York, NY. She is a regular contributor of text and images to the Satellite publication (a project of artist Jon Rubin). A blog about her self- designed residency—the Iron Maiden Tour & Residency, in which she visits friends around the country in order to make work—is accessible at http://naomiller.com.
TWO's Administrators

Scalp Lock (July 1st, 2009)
A live performance brought to you by Donna Ahmadi
chashama Window Space, 266 West 37th Street

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Scalp Lock

a live performance brought to you by Donna Ahmadi

Wednesday, July 1st, 2009
Performance times: 12:30, 3p & 5:30p

Scalp Lock is a live, mixed-modality performance including contemporary dance, traditional Native American concepts, puppetry, and structured improvisation. Shown for the first time at chashama, SCALP LOCK explores lines of social, spiritual, ethnic, and environmental connection through the metaphor of the Native American braid. Donna Ahmadi performs as the soloist, adorned with a round decorative porcupine and deer hair roach or headpiece and four 20 foot long braids, manipulated by 2-3 dancers. The braids, as extensions of Native American personhood and identity, explore the performance space, as if with a will of their own, expanding the dancer's kinesphere and intimately connecting all the dancers throughout the piece. The piece begins with dark, grounded images and movements, building toward more emotionally charged, and even chaotic, explorations of the circle of human life. Scalp Lock was generated from experience, remembrance, and storytelling was inspired by the life and teachings of Tarin Chaplin.
details
Donna Ahmadi received her B.F.A. in dance form SUNY Purchase in 2000, and has performed in recent years for Stephan Koplowitz, Alison Chase (Pilobolus), Andrew Marcus Performance, Brett Howard Company, Tarin Chaplin, and currently dances with Zach Morris and Tom Pearson of Third Rail Projects, Red Hawk Indian Arts Council, and Thunderbird American Indian Dancers. During 2003, Ahmadi taught for the Northern Rivers Conservatory of the Arts in Australia, where she founded Mantis Dance Theater, performing her site-specific and environmental choreography in northern New South Wales. Mantis Dance Theater is currently based in NYC where Ahmadi is working on projects addressing indigenous adoption, cultural hybridity, and the politics of place. Donna teaches for New York City Ballet Educational Department as a teaching artist in Brooklyn and Queens public schools. She has been an active Native American fancy shawl dancer for over 10 years and currently teaches at Lotus Music and Dance. about the artist

HellLab 6[66] presents:
Sonic Warriors United-Nocturnal Rhythm Tour 2009 (June 27, 2009)
Line up: [dj's] Denard Henry [Germany], Jana Clemen [Germany], Darryl Hell [NYC], Reade Truth [Austria/NYC],
[live perf] C-Dex-Live, Antfactor from N.Y.C, Zero Times Infinity [Boston]
chashama 217, 217 East 42nd Street
www.s6k.com/HL6

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

June 27, 2009, 10p - 7a
admission: $13 advance web tix $17 at the door complete

'With this Project we present the first Gathering of Sonic Warriors out of America and Europe.

From the Techno - Electro - EBM - Industrial Scene.

It has Been way to long since the structure of this scene has been cared for.

The time to reconnect the Fusion of Old School and New School:

Techno - Electro - EBM - Industrial Beats is

Now!

We're Fighting Against:

"Narrow Thinking, Intolerance and Ignorance"

Sonic Warriors United for a Better Electronic Scene.

"Nothing is more powerful, than an Idea whose time has come." Victor Hugo.

Denard Henry and Jana Clemen after some thought and consideration, have came up with a Project whose time has come. They have reactivated something that was almost forgotten, the Fusion of Techno, EBM, Electro and Industrial Dance Music. September 2007 was the start for this project and with much interest in this Project we are now filling dates in Germany, U.S.A and all of Europe. We Plan a Tour Once a Year to bring this concept to points of interest and looking for interesting Clubs, Bars and Open Air venues to host some events. For all Sonic Warriors United Events, we plan 2-3 S.W.U. Dj's , plus 1-2 S.W.U. Live Act's along with local support: Dj and or Live Act.'
details

Pirate Party Pig Roast 2009! (June 22, 2009)
a chashama summer fundraiser honoring Ben Rodriguez-Cubeñas, Program Director at Rockefeller Brothers Fund for his dedication to New York City's art and culture community.
Water Taxi Beach, 2 Borden Avenue, Long Island City
www.rbf.org
www.watertaxibeach.com
photos by Louis Caldarola
Flickr photos by Sid Chidiac
chashama Flickr photos

Where: Water Taxi Beach, 2 Borden Avenue. Long Island City, NY

When: Monday, June 22, 2009, 6:00 - 10p

chashama's Annual Pirate Party Pig Roast honored Ben Rodriguez-Cubeñas, Program Director at Rockefeller Brothers Fund for his dedication to New York City's art and culture community. Rodriguez-Cubeñas is an important advocate for New York City artists and arts groups. His keen understanding of the organizational needs of artistic pursuits and how to meet these needs through philanthropy have made him an "ambassador for the arts."
details

Juneteenth Spoken Word & Poetry Celebration (June 19, 2009)
Hosted by Mr. Ace
presented by Show Off Entertainment
chashama 217, 217 East 42nd Street
SHOWENT@GMAIL.COM
WWW.SHOWENT.COM
MYSPACE.COM/SHOWENT
YOUTUBE.COM/SHOWENT
TWITTER.COM/SHOWENT

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

Show Off Entertainment Presents:

Juneteenth Spoken Word & Poetry Celebration

Hosted by Mr. Ace

Friday, June 19, 2009

Doors open at 8p

Admission: $10

Performances by:
King Tut * P.O.E.T. * Mr. King * Mark Ross
Pins * Distinguish * Kapotheosis * Mrs. Busy Body
Rain * Ghost * Frank * Deb
and more...

WWW.SHOWENT.COM | SHOWENT@GMAIL.COM
details
Juneteenth is the name given by Africans in America to the date of June 19th. This day is significant as it is known as the anniversary of the June 19, 1865 announcing of the end of overt slavery in Galveston Texas by Union Major General Gordon Granger. Approximately two years after the January 1, 1863 effective date of the abolition of overt slavery via the Emancipation Proclamation.

Therefore June 19 is observed by African-Americans as the official date of the abolition of overt slavery and not the issue date of September 22, 1862 nor January 1, 1863 the legally effective date.

The Africans in Texas organized and purchased properties upon which to host their celebrations. The three locations in Texas are: Emancipation Park in Houston, Booket T. Washington Park in Mexia and Emancipation Park in Austin. The celebration of the date is more popular in southern states, with Texas officially establishing June 19 as Emancipation Day in 1981.

Show Off Entertainment has created an event to bring awareness to this historical day by presenting a Juneteenth Celebration feauring poets and musicians. Stay tuned for further details by using the following methods of contact:

WWW.SHOWENT.COM | SHOWENT@GMAIL.COM
MYSPACE.COM/SHOWENT
YOUTUBE.COM/SHOWENT
TWITTER.COM/SHOWENT
A SHORT HISTORY OF JUNETEENTH

PATRON SAINT (June 16 - 28, 2009)
An experiment with dolls made out of napkins and junk
by Juliana Francis-Kelly
chashama Window Space, 266 West 37th Street
PATRON SAINT is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by Lower Manhattan Cultural Council. Made possible in part by chashama.

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

An experiment with dolls made out of napkins and junk
by Juliana Francis-Kelly

June 16 - 28, 2009, weekdays, noon–2p
Final performance: Sunday, June 28th, noon – 5p

DO YOU NEED A PATRON SAINT?

I will make you one!

I am a doll maker and a performer. From June 16th – June 28th, I will install myself in the chashama gallery window at 266 West 37th Street weekdays noon – 2 PM, and I will build the first 50 SAINTS people tell me they need.

For the purposes of this exhibit, a Saint can be a preexisting Saint of any denomination, or it can be a Saint that does not yet exist, but perhaps should exist, i.e. "the Patron Saint of a New Job," "The Patron Saint of Painless Dentistry" or "My Really Great Next Door Neighbor."

To date, I have received 30 Saint requests from fliers and online bulletin boards. The requests run the gamut, from Saint Joan of Arc and Saint Francis of Assisi to "The Patron Saint of a Broken Heart" and "The Patron Saint of Shut the F**k Up and Be Where You're Supposed to Be."

All Saints will be made out of Marcal paper napkins and bits of candy wrappers, salvaged embroidery thread, etcetera - i.e.: stuff that isn’t worth much at all, if anything.

On the closing day of the exhibit, SUNDAY JUNE 28th, between Street, between NOON and 5 PM, anyone who requested a Saint is invited to stop by the gallery at 266 West 37th Street to pick up their Saint, free of charge.

PATRON SAINT is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by Lower Manhattan Cultural Council. Made possible in part by chashama.
details
Juliana Francis-Kelly is an OBIE Award winning theater artist and doll maker whose work has been produced and published in the US, Europe and Asia. She has been making dolls out of cloth, paper, and found objects since she was seven-years-old. Her dolls have turned up in theater, film, animations, on several wedding cakes, and one lives in the American Museum of Natural History’s educational wing. about the artist

"grand gesture" (June 16, 18 & 21, 2009)
Open Rehearsals by Malleable Dance Theater
chashama 217 Window Space, 217 East 42nd Street
www.malleabledancetheater.org

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

"grand gesture"

Open Rehearsals by Malleable Dance Theater

June 16 & 18, 5:30-9:30p

June 21st, 6:00-10:00p


grand gesture poses the question: what is true and false about love? The work will play out in short installments that explore the contrast between the expectations of what love is and the reality of it.

grand gesture is a multi-media work created through an ensemble-generated rehearsal process. It weaves together dance, text, sculpture, Slavic folk music, and homespun films to create a textural work suggesting a physical version of a poetry anthology.
details
grand gesture is a production of Malleable Dance Theater, under the artistic direction of Erin Malley. Malleable Dance Theater creates ensemble-generated, interdisciplinary work that constantly expands the artistry of the company, challenges expectations of what dance can be, and works to stir the hearts of the viewers through the progression of each work. About the Artist

WE ARE KAREN FINLEY (June 15 - 17, 2009)
Written and performed by Paula Hunter
chashama 217 Window Space, 217 East 42nd Street
www.paulahunterperformances.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

WE ARE KAREN FINLEY

Written and performed by Paula Hunter

June 15 & 17 @6pm and June 16 @noon


Based in Providence, RI, zany performance artist, choreographer, dancer Paula Hunter returns to the midtown windows where she first unveiled her hilarious piece known as, I AM KAREN FINLEY. Inspired by Karen Finley, who covered herself in chocolate during an infamous performance piece, Hunter along with two other dancers use all kinds of brightly packaged commercial food products to create an infinitely evolving dance work that begins with the Stepford Wife portrait of three brides in a window surrounded by Cheeze Whiz, Hershey's Syrup, and long loaves of factory-produced white bread. Hunter and her collaborators dance in robotic precision as they relish lathering their entire bodies, from her hair to toes, in foods that ring the average super store. By the end, the dance reigns as the dancers disappear underneath the transforming guise of processed foods.
details
PAULA HUNTER is a Providence-based performance artist/choreographer who began dancing in windows in downtown Providence in the 90's. Her work combines installation, movement, and text, producing a bittersweet swirl of quirkiness. She's been produced by all the major NY venues. Highlights include: Hunter was twice an Artist In Residence at Movement Research; she founded THE WORDS AND MOTION series at Dixon Place, was a member of one of the original WORKING AT THE KITCHEN groups. She's been produced at DTW as part of a SPLIT STREAM season and in the now defunct CARNIVAL series. She's been Guest Artist at Interlochen Arts Center and has performed throughout the U.S.. Her teaching background includes Brown, RISD, Hamilton College and other institutions. She is founder of the unique JUMP! Dance Company whose mission is to empower young artist to make their own choreographies. about Paula Hunter

461 group show (June 12 - 29, 2009)
works by chashama artists-in-residence from our 461 Harlem Studio Space, curated by Pat Arnao & Marina Tsesarskaya
chashama 217, 217 East 42nd Street
Opening reception: Monday, June 29, 6 - 9p

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

June 12 - 29, 2009

This exhibit brings to one space, 217 East 42nd Street, works of artists from another of our spaces, the Harlem studios at 461 West 126th Street. It is viewable during other events in the space and at random times during the weekdays.

Reception: Monday, June 29, 6-9p

Featuring works by Pat Arnao, Aleathia Brown, Marcela Carvalho, Elvira Clayton, Katherine Daniels, Elaine Defibaugh, Diane Davis, Flambeaux, Cheryl Flanagan, Vickie Fremont, Florencio Gelabert, Leslie Frank Hampton, Lisa Ingrams, Al Johnson, Fawad Khan, Sofia Maldonado, Dominic Mangila, Summer McClinton, Caleb Nussear, Ademola Olugebefola, Dionis Ortiz, Tara Parsons, Sandra Spannan, Christopher Trujillo, Marina Tsesarskaya, Richard Wager, Gina Fuentes Walker, Walford Williams
details

PHASE TRANSITION (June 11 - July 6, 2009)
by Caleb Nussear & Alexander Oleksyn
chashama 2016, 2016 Adam Clayton Powell Boulevard
calebkayin@gmail.com | www.mosslandia.com
aoleksyn@gmail.com

(7th Ave. between 120th St. and 121st St.; 2/3 to 116th Street; A/C/B/D to 125th Street station)


June 11 - July 6, 2009
Opening Reception, Thursday, June 11th, 6 – 9p
Closing Reception, Thursday, July 2nd, 7 – 9p
Viewing hours: Wednesday-Saturday 2-6p and by appointment

G5 chashama is pleased to present an exhibition of new work by New York based artists Caleb Nussear and Alexander Oleksyn, from June 9th through July 6th, 2009.

In this new group of works, Nussear looks at the process of planet building through a framework of formal abstraction. His interest lies in using both painting and installation to create panoramic, virtual landscape piles and filigreed, folded surfaces that reside in the slippery transitional spaces between 2 and 3 dimensions, 3 and 4 dimensions, and the impossible spaces of higher dimensional orders. Nussear works with ideas taken from contemporary theoretical physics and the Earth's own paleontological records to think a cosmology through physical material.

Oleksyn distills elements of the urban landscape and recontextualizes them to create paintings that question the possibility of reinterpreting the meaning conveyed by his abstract mark making. In his current work he develops groups of oscillating gestures in a range of colors and on variously shaped surfaces that use the codifications of street signage as a point of departure. Oleksyn strongly believes in creating work that does not surrender the primacy of the visual experience to conceptual demands but instead aims to strike a balance between idea and object.

contact: calebkayin@gmail.com or aoleksyn@gmail.com
details

Hair of Sand (June 11 - 14, 2009)
an environmental sculpture/performance by Terra Incognita
chashama Window Space, 266 West 37th Street
www.terraincognitatheater.org

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Hair of Sand

an environmental sculpture/performance by Terra Incognita

June 11 - 14, 2009
Performance hours:
6/11: 1p to 5p
6/12: Dolly/Donna 12:30-2:15p, Dolly/Natasha 2:30-5p
6/13: Donna/Dinne 2-5p
6/14: Donna/Dinne 1-3:15p


www.terraincognitatheater.org
details

ROY SECORD: CURRENT WORKS (June 7 - 28, 2009)
A selection of current large scale acrylic paintings on canvas.
chashama Harlem Studios Gallery, 461 West 126th Street
SecordRW@aol.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

June 7 - 28, 2009
Opening Reception: Sat, June 6, 7-10p
Gallery hours: Wed/Thu/Fri 12-4p, Sat/Sun 12-5p

A selection of current large scale acrylic paintings on canvas by Roy Secord will be on view at chashama Harlem Studios Gallery, 461 West 126th Street, New York, from June 6 through June 28, 2009.

Based on a tradition of mid 20th Century geometric abstraction modernism to utilization of contemporary abstractional trends, Secord creates large format abstract paintings on canvas (usually in series) which are design-oriented, ultra-modern, and precisionist-based. Utilization of geometric shape and structure (and their interrelationships), as well as lineation, are key to the creation of these nonrepresentational colorist compositions. These dynamic paintings deny the eye visual stasis with compositional mutations and draw upon ambiguous-or equivocal-pictorial space to disallow a finite interpretation. The eye dances. The feel of these modernist works vary from lyrical & tranquil meditative objects, to dynamic mesmerizers and colorful, powerhouse abstractions with contemporary punch.

FREE and open to the public.

contact: SecordRW@aol.com
details

The Purpose Lounge (June 5 – 28, 2009)
"A Legacy of Freedom"
presented by s6k Media, Reconstruct Art and BreakThrough Technologies
chashama Times Square Gallery, 112 West 44th Street
The Purpose Lounge at 112
www.s6k.com/purposelounge
contact: s6kmedia@gmail.com | 917.723.7281

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

June 5th - June 28th
opening party: June 5th, 6-9p | closing party: June 28th, 3-7p

inside exhibit open: Wednesday - Saturday 2-6p
from outside viewable w/sound: 24/7
special events: Thursday – Saturday 6-9p & Sunday 3-6p

www.s6k.com/purposelounge

Reconstruct Art, sektor 6 kommunikations and BreakThrough Technologies have partnered to create The Purpose Lounge, an empowering and exciting arts education program to train, mentor, and inspire people 18 to 35 years of age. By using visual arts studio sessions and training as a fulcrum to balance life mentoring and job skill preparation, The Purpose Lounge provides a positive alternative destination for people whom have traditionally been underserved with limited artistic resources and options. This program also goes beyond the traditional facility model to bring arts education and life mentoring directly to the places it's needed, such as, recreational centers, playgrounds, schools, common spaces in public housing, community events, correctional facilities and public/private spaces throughout the city. The Purpose Lounge model is to augment educational / community betterment programs, which are typically under-resourced and require assistance to realize their mission[s].

"A Legacy of Freedom" will address the issues, trials and tribulations of the struggles all peoples have gone through to define themselves as "free." By studying the battles of others, won and lost, one can create a different perspective at which to see themselves and their communities. It will feature a mixed-media exhibit, art clinics, speeches, Q&A sessions, video screenings, musical performances and special presentations.

Students and other participants will be asked to create an artwork based on a specific group's quest for freedom. The works will be graded for concept, research and presentation by a panel of judges. Prizes will be awarded on June 19th. Extra points will be awarded for those who choose to study a group other than the one they belong to.

If you would like to be involved or have The Purpose Lounge come to your school or outreach facility, please feel free to contact us:
s6kmedia@gmail.com | 917.723.7281
details
* Lawrence Joyner is the Founder and Executive Director of Reconstruct Art, Inc. a NYC non-profit that serves at-risk youth through the arts. Joyner was born in Harlem, New York where he studied at Center of Media Arts and apprenticed under noted artist-scholar Francis Palazzolo. He has exhibited throughout New York City. His pen and ink drawings and expressionistic collages are in private collections and institutions throughout the country. Mr. Joyner has developed a program where participants have expanded length sessions to develop, rework and discuss their art as well as their life development.

* As a new media technologist, Tyrone Thomas (President of BreakThrough Technologies and its web services division, BreakThrough MediaLabs) has built infrastructures for multiple dynamically published websites, implemented e-commerce solutions, and implemented audio/video streaming/conferencing systems. As a programmer for AT&T/Bell Labs and Salomon Brothers, Tyrone dealt with early network technologies and large distributed applications for monitoring T1 networks and financial trade capture systems. Directed by Mr. Thomas, our Tech Lab will provide mentoring and training to gain hands-on experience with for-profit & non-profit community/Internet based business solutions.

* Darryl Montgomery-Hell (founder of sektor 6 kommunikations/s6k.com) is a veteran multimedia artist, documentarian, artivist, independent journalist/archivist. He has over 25 years of experience in event production, strategic planning and event management. As Purpose Lounge concept developer, strategic coordinator, event producer, Mr. Hell produces a mixed-media community forum environment to inspire the discussion of life issues in order to reinforce personal growth. Within this framework, we provide a wide spectrum of volunteering opportunities to encourage community/social participation. By encouraging the participants to concern themselves with the issues of others, we emphasize the responsibilities each person has to the betterment of themselves and the society as a whole.
About the founders
The Purpose Lounge has an amazing array of orgs and individuals that will be collaborating on this project.

We would like to specially acknowledge;
- chashama
- Urban Assembly School of Music & Art [Brooklyn]
- ImageNation
- United for a Fair Economy
- Delirious Dance Company
- Dolores Witherspoon-Dickerson
- Art from the Heart
- Aleathia Brown
- Kevin Omni
- Mindswerve Studio
- Chakena Rena Conway
- John Villone
- Aixa Kendrick
acknowledgements

THINK THINK THINK WHY WHY WHY (June 3 - 8, 2009)
A Welcome Center brought to you by THINK THINK THINK WHY WHY WHY
chashama Window Space, 266 West 37th Street
thinkthinkthinkwhywhywhy.wordpress.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

THINK THINK THINK WHY WHY WHY
applies the zesty and strengthening spirit of "do-it-yourself" to a new frontier:
spirituality and religion.

THINK THINK THINK WHY WHY WHY's Founding Members are:

Jean Ann Douglass, Emily Schleiner, Kristin Trethewey

Hours: June 3 - 8, 10a–6p
Inaugural Reception Party: Thursday, June 4, 6–8p

The Welcome Center will prepare you for the next cycle: June 7, 2009.
If you’re looking for more, please join us.

For a full calendar of events visit
thinkthinkthinkwhywhywhy.wordpress.com

FREE and open to the public daily
details
THINK THINK THINK WHY WHY WHY intends to apply the zesty and strengthening spirit of "do-it-yourself" to a new frontier: spirituality and religion. The Founding Members have precisely designed an easy-to-use structure, into which participants insert thought-provoking tasks and personal charm, which will form a spiritual community without the usual traditions of religion. 266 West 37th St will be the site of their first welcome center, which will host multiple events and workshops.

THINK THINK THINK WHY WHY WHY feels that although internet-based social networking is valuable, even essential, for modern humans, this phenomenon must balance superficiality and competition with simple and reflective activities. TTTWWW believes it is important for people to get together in person so that they may experience the healing effects of human contact as they use and create a 'partial' online community.
about THINK3 WHY3

Insides Out (June 1 - July 21, 2009)
Paintings on mylar by Kate Fauvell
chashama 679 Window Space, 679 Third Avenue
www.katecfauvell.com

chashama 679 Window Space, 679 Third Avenue

1 block east of Grand Central, corner of 43rd Street & 3rd Avenue; 4,5,6,7 and shuttle train to Grand Central | M101, M102, M103 to 42nd Street

Insides Out

Paintings on mylar by Kate Fauvell

June 1 - July 21, 2009


Reception: Tuesday June 30th, 6:30-7:30 at the space, after which, drinks at The Blarney Stone, 710 3rd Avenue

chashama is proud to announce the inauguration of its latest Window venue, chashama 679, at 679 Third Avenue and 43rd Street with displays of paintings by artist-in-residence, Kate Fauvell. The paintings of Insides Out express what humans would look like with their insides exposed to the artist's eye.

The new space chashama 679 is our work-in-progress. Check back from time to time to discover what we do with it next!
details
What to many may appear as dirt and mess, I regard as my world. Dirty brushes, old rags, torn paper and crusty palettes are the beautiful that comprise the existence of my everyday. Paint drips flow like blood through my veins. I live and breathe black ink. As a result of my background in printmaking, I searched for ways to recreate the surface of smooth zinc and I found Mylar. I became addicted to this artificial surface using it to create endless numbers of figures.

My work explores the internal. I create what humans would look like with their insides exposed. Inside out we are all the same: beautiful, grotesque, honest and truthful. In love with the world created in my studio, the rawness of the marks and the mess making, I came to installation. So much of my work is the energy and life that exists in the process of creating it. I want the viewer to feel what I feel, to be taken in and absorbed into the space. The installations are crucial to letting the viewer into my world and perhaps, into themselves.
Artist Statement

CONVICT THERAPIST (June 1 - 5, 2009)
performed by The Arcade
chashama 217 Window Space, 217 East 42nd Street
The Arcade can be found on Facebook by searching "Arcade Theatre"

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

conceived and directed by Molly Goforth
performed by Eric Loscheider and Hilary Bettis

Something preying on your mind? Got a problem that your family won't understand? Do your friends invent reasons to get off the phone with you? Has the suicide hotline blocked your number? Got nowhere to run to, baby?

You need: CONVICT THERAPIST -- An improvisational performance art installation by The Arcade, sponsored by chashama.

What you get:
Up to five minutes of semi-private Fake Therapy with a Genuine Convict,* safely concealed behind a Real Glass Window!

The opportunity to Choose Your Convict's Crime!** | Our patented No Judgment Guarantee!*** | Convenient Midtown Location with Instant Service!

What you pay: NADA! ZIP! ZILCH! ZERO DOLLARS CASH MONEY!

Why wait? Bring your troubles to Convict Therapist June 1-5, at 12-2p & 4:30-6:30p. What have you got to lose?

Remember: You're only as sick as your secrets!

*The Convict Therapist is an actor, neither a convicted criminal nor a licensed therapist and is in no way qualified to advise you about anything, as he is both under-employed and under-insured as well as in therapy himself, plus he cannot bring himself to break up with his passive-agressive girlfriend of six years, even though she gave him Chlamydia twice.

**Clients must choose from list of pre-approved crimes so as not to freak out the Convict Therapist, who is, after all, not a professional and also very sensitive, especially right now because his Grandpa Gary and his miniature Schnauzer Squitters died within days of each other during the first week of June in 1996 and he's never really gotten over it.

***While no judgment will be verbally expressed, The Arcade cannot guarantee against the appearance of judgment.
details
Bio for Molly Goforth: Molly Goforth is a theatre artist: actor, playwright, director, and teacher. She holds an MFA in Acting from Rutgers University where she studied under William Esper. She was the first American to be invited to study in teacher training program of the Movement Faculty at The School of The Vakhtangov Theatre in Moscow, Russia. She currently teaches at Collaborative Arts Project 21 (NYU Tisch) and The New School for Drama MFA Acting Program. Her play Shelf--a comic drama set inside a refrigerator-- will be produced in the 2009 New York International Fringe Theatre Festival. Molly was short-listed for New Dramatists' 2007 class as well as the 2008 Sky Cooper Prize at Marin Theatre. She received an International Women's Day Grant from the International Centre for Women Playwrights in 2008. She has performed professionally as an actor for over fifteen years in theatre in the United States and abroad. Molly Goforth
Hilary Bettis is an actor, playwright, screenwriter and producer . She recently finished shooting her fist screenplay, entitled B-Hurst, which is currently in post-production. Hilary's play American Girls premiered in April of 2008 at the 45th Street Theatre. Monologues from American Girls will be published in Best Monologues of 2009 by Smith and Kraus. Hilary has been acting for over ten years in both LA and New York. She is the Walter E. Dakin Fellow for the 2009 Sewanee Writers' Conference.

Eric Loscheider is an actor, director, teacher, and fight choreographer. He teaches at William Esper Studio and Lee Strasberg Studio. Recent NYC credits include: Off Broadway: Cycling Past the Matterhorn (the Harold Clurman Theatre), Mao on Line One (Downtown Theater Company), Hot Season (Amphibian Productions). Eric received his MFA in Acting from the Mason Gross School of the Arts at Rutgers University. He is directing Romeo and Juliet for Curious Frog Theatre Company this summer.
Hilary and Eric
The Arcade was originally formed in 2004 under the name Gansfeld Theatre Company. The Arcade is dedicated to the spectacular in it's most literal sense: our goal is to create visual, aural, and/or emotional spectacles in which the audience is wholly implicated. The Arcade preserves the sanctity of theatre as an art form separate from television or film by creating performances that rely synergistically on the audience and are thus induplicable: each performance is a unique event, whether it's performance art, improvisation, or a traditional scripted play.

The Arcade values acting that is detailed, spontaneous, and wholly committed. We seek to create theatre that highlights the commonalities that bind people across the boundaries of age, gender, race, ethnicity, and class. Most importantly, being a company of inveterate theatre-goers, we seek to create theatre that, in our experience, in completey unique, that is: theatre that is NEVER, EVER BORING.
The Arcade

The Imperial Orgy (May 22, 2009)
presented by Arete Living Arts
chashama 217, 217 East 42nd Street
www.aretelivingarts.org

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

Friday, May 22, 2009

Doors open at 7p

Admission: $15

On May 22nd, Arete Living Arts presents an exhibition of work from the Satorism art movement. Satorism is art that inspires personal, political, or spiritual awakening. There will also be a multimedia performance by The Imperial Orgy art collective.

www.aretelivingarts.org
details

UN-Censored (May 21, 2009)
Films, speakers & performances from all over the world
Film Director: Rebecca Sommer
Music Director: Elaine Benavides
chashama 217, 217 East 42nd Street
contact: rebeccasommer@earthlink.net
elainekristin@hotmail.com
www.EARTHPEOPLES.ORG

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

UN-Censored
COMMODIFICATION OF THE SACRED: UN-Truths, Lies and False Solutions


Thursday, May 21, 2009

10a to 11a - Prayer, Ceremony and Song

11a to 12:30p - DISCUSSION GROUP: Indigenous Youth and Climate Justice
Observations of the Declaration of the Indigenous Peoples' Global Summit on Climate Change and the Road to Copenhagen

12:30p to 1p - Film Screening: "Indigenous Peoples' 2nd May Revolt at the PFII" (30min)
a documentary by Rebecca Sommer, featuring the protest of Indigenous Peoples at the conclusion of the 7th Session of the UNPFII. They were angered by the final report of the Experts of the PFII, which ignored their concerns about forest carbon offsets (REDD) and other mechanisms for addressing climater change.

1p to 3p - Discussion Group: False Solutions to Climate Change
Governments, UN agencies, businesses and corporations are supporting a number of measures that are seen as "cost effective" methods of fighting climate change. These include an international market for carbon trading, forest carbon offsets (REDD and CDM), clean coal technology and alternative fuels including nuclear energy and agrofuels. But many of these measures do not reduce carbon emissions now - or even guarantee carbon cuts in the future.

3p to 4:30p - Film Screening: "H2Oil" (75min)
a documentary of the stories of those attempting to defend water in Alberta, Canada against tar sands expansion - the largest industrial project in human history. Shannon Walsh, director of the film will introduce the film and be present after for questions.

4:35p to 5:50p - PRESENTATION: Privatization of the Sacred: Access and Benefit Sharing
Seeds, medicine, traditional knowledge - all tie in with the plans of the World Bank, the UN and multinational corporations to commodify the sacred.

6:00p to 6:45p - Film Screening: " A Silent Forest" (45min)
a documentary by Ed Schehl. The growing threat of genetically engineered trees.

contact: rebeccasommer@earthlink.net
10am - 6:45p - screenings & forums
7:30p to 7:45p
- Opening and Prayer: Tom Goldtooth and Barbara James Snyder
- Words by Western Shoshone Elder: Carrie Dann
- Indigenous Elders From The North: "Carbon Trading Not Ethical"

(a video produced by Rebecca Sommer)

7:55p - Sixto Masaquiza
Traditional Andean music performed on wind instruments

8:10p - Kinding Sindaw Dance Company: "Melayu Heritage"
Traditional Dance of the Southern Philippines. Potri Ranka Manis, Artistic Director.

8:30p - Dzul Dance Company: Combining ritual and modern dance from Mexico
Javier Dzul, Choreographer. Dancers: Javier Dzul, Ivanova Aguilar, Kyla Ernst Alper, Cornelius Brown, Robin Taylor Dzul and Nicole Lichau.

8:55p - "Spring of No Leaves"
Poetry on the impact of climate change on water, air and green life, by Candace Tarpley.

9:15 - Backworld Minimalist / Folk / Classical Improvisations
Emilio China (violin), Joseph Budenholzer (guitar), Micki Pellerano (keyboards)

9:40p - "Haiti / Congo" by Akansyei Kreyol Dance Group
Beatrice Jean and Kimberly's fierce strengthening-the-Earth dance, with Paul, joel and Jean Marie

10:00p - "Soundscape for the Universe: Expressions" by Native Lab
Lance White Magpie, Yovani Guayyaquil (flute), Lawrence Laughing (traditional vocals), Elaine Benavides (vocals, keyboards)

10:25p - Daygots: "Oneida Rap"
Modern hip-hop meets traditional Haudenausaunee

10:45p - Special Guest: Robby Romero, Native American Rock
UN Ambassador of Youth for the Environment

11:00p - "Abstract Vocal Human Expressionism"
Adam Matta (beatbox), Perry Robinson (clarinet)

contact: rebeccasommer@earthlink.net | elainekristin@hotmail.com
7:30 - 11:30p Music & Culture Jam

On*to*gen-e-sis* (May 20 - 31, 2009)
by Amanda Small
chashama Window Space, 266 West 37th Street
www.amandasmall.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

On*to*gen-e-sis*

*The biological unfolding of events revealing increased levels of complexity*


by Amanda Small

May 20 - 31, 2009, 11a-6p
Artist reception: Thursday, May 28th 6-9pm
Salon hours: TBD

"We dream of traveling through the world. But isn't the world within us? We little know the depths of our own minds. The mysterious road goes inwards" –Novalis, "The Sticky Sublime"

FREE and open to the public
details
On*to*gen-e-sis* is inspired by the unfolding of organic architecture. In this exhibit, Amanda Small creates a visual language to portray inter-cellular structures. The clay forms occur in multiples, intended to symbolize vast micro-macro landscapes. The human relationship with nature is vastly explored and exploited through technology that allows us to have intimate views of otherwise invisible worlds. Small signifies her ideas pertaining to a living web through metaphor, using sacred geometry, radials, and lattice patterns to speak to intrinsic patterning found within living structures.

Complex patterns of unfolding symmetry depict continuity in the organization of the elaborate cellular structures within each living organism. Correlations between patterns in nature, nature in art, and art in technology and the evolution of this interface reveals detailed patterns and resulted in a desire to establish connectivity between science and nature, and nature and art, and has become the seminal focus of Small's current body of work.

Clay is the catalyst for Small to create representational expressions of the sublime in nature; vastness in the minute, the infinite in a detail. Small's current work exists in fragile equipoise. Balanced between internal and external, it is her way of creating a world within a world, visually revealing the cosmos that surrounds us.

www.amandasmall.com
about the work

HAA/chashama Artist Empowerment Forum (May 18, 2009)
Subject: The Business and Strategic Legal Aspects of the Arts Industry
Presenters:
Darryl Hell [chashama co-founder & technical director, multimedia performer]
Havona Madama [Madama Griffitts O'Hara LLP]
Harlem Arts Alliance, 290 Malcolm X Blvd
www.harlemaa.org
www.madamagriffitts.com
www.s6k.com

290 Malcolm X Blvd (Lenox Avenue), 2/3/A/B/C/D to 125th Street, Bus: #100, 101, M60 to 125th

HAA/chashama Artist Empowerment Forum
Monday, May 18, 2009 - 6:30 to 8:30pm
Harlem Arts Alliance, 290 Malcolm X Blvd, 2nd floor

Presenters:
Darryl Hell [chashama co-founder & technical director, multimedia performer]
Havona Madama [Madama Griffitts O'Hara LLP]

Discussion topic:
The Business and Strategic Legal Aspects of the Arts Industry

About the forum:
In a time when artists require a large skillset to navigate having less grant money, fewer venues to present work, diminishing employment opportunities, and higher rents, it's imperative to have a strong foundation to develop an empowered artistic life. At chashama, we've worked with and assisted thousands of artists for more than 14 years, which has informed us greatly about artist needs. As empowered artists ourselves, we are passionate about the many aspects of artist development.

Harlem Arts Alliance and chashama are proud to present an exciting new series of multidisciplinary artist empowerment forums to discuss a wide spectrum of artist issues and also supply/share resources. Working together, we can enhance the vibrancy of an arts community that stands in the shadow of a rich artistic legacy.

"Mama exhorted her children at every opportunity to 'jump at de sun.'
We might not land on the sun, but at least we would get off the ground." -Zora Neal Hurston

For more forum info contact: darryl@chashama.org or 917-723-7281

To learn more about the Harlem Arts Alliance & chashama:
www.harlemaa.org -- www.chashama.org

Presenter websites:
Havona Madama - www.madamagriffitts.com
Darryl Hell - www.s6k.com / www.chashama.org
details

Bodies of Pyongyang (May 15, 2009)
a performance art installation by Yoonhye Park
chashama Window Space, 266 West 37th Street
bodiesofpyongyang.com
yoonhyepark.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Bodies of Pyongyang

a performance art installation by Yoonhye Park

Friday, May 15, 2009, 5-7p

Bodies of Pyongyang is a performance art installation where twenty girls wearing North Korean schoolgirl uniforms perform behind the glass walls at chashama Windows. The artist seeks to stimulate dialogue and awareness about the prevailing issues of women’s rights in North Korea.

http://bodiesofpyongyang.com/ | http://yoonhyepark.com/

FREE and open to the public
details
Most people know who Kim Jong-il is, the dictator of North Korea; however, women in North Korea are hidden and veiled in contemporary context. Bodies of Pyongyang is a live visual art performance installation-- twenty girls wear North Korean schoolgirl uniforms situated behind the glass walls of chashama Windows, located at 266 W 37th Street in Manhattan. These tightly packed schoolgirls will try to move within the confined area expressing their emotional pain and struggle. Red strings symbolizing their dual inner states of suppression and resistance entangle the girls, further restricting their freedom to move inside this already constricting and hermetic space.

These performances reference social and political themes explored by performance artists such as Marina Abramovic, Shirin Neshat and Vanessa Beecroft, who have also choreographed groups of performers to make powerful artistic statements. With Bodies of Pyongyang, a public intervention by the artist Yoonhye Park, the plight of women in North Korea, is forced into people’s daily lives. The chashama Windows program provides an accessible venue that will enable Bodies of Pyongyang to have maximum exposure to everyday onlookers. This is paramount to the artist’s interest in acknowledging and giving human presence to anonymous North Koreans who are not able to represent themselves outside of their own country. Yoonhye Park dresses the girls in high school uniforms to symbolize that youthful moment of rebellion and fearlessness that can alter with the onset of responsibility. With recent reports of young women protesters putting themselves at extreme risk, there exists an illustration of the steps people are willing to take in order to resist oppression. Through action Bodies of Pyongyang underscores these stories of a totalitarian regime, ending each performance with a dramatic gesture representing the illusion of freedom and hope that in present circumstances, is unlikely to become a reality.
About the Work
Yoonhye Park is based in New York and her work is informed by her own experiences as a migrant from South Korea. Through her artistic practice she seeks to capture the emotional, political and psychological responses inspired by the interrelationship of hope and failure. She explores cultural surroundings using her own body as a medium in order to create performative visual languages. Yoonhye is an interdisciplinary artist who uses performance, video, photography, drawing, and installation to manifest ideas concerning the personal and political. About the Artist
This work is made possible, in part, by the Franklin Furnace Fund, supported by Jerome Foundation and the Starry Night Fund of Tides Foundation.

This project is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by Lower Manhattan Cultural Council.
Acknowledgements

possibilities (May 12 - 30, 2009)
a show about painting curated by Rick Herron
chashama Harlem Studios Gallery, 461 West 126th Street
trrricky@gmail.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

a show about painting curated by Rick Herron

May 12-30, 2009
Opening Reception: Tuesday, May 12, 6-9p
Closing party: Sat, May 30, 8-10p
Gallery hours: M/T/W/F, 12-4p
Sat-Sun, 12-6p
and by appointment
FREE and open to the public.

Danny Coeyman
Eric Doeringer
Kate Fauvell
Daniel Turner

contact: trrricky@gmail.com
details
A collection of site specific, new and recent work from five emerging New York painters, possibilities is the result of the conditions affecting developing artists addressing the problem of paint and painting. Conceived, proposed, organized and hung in just two weeks by five artists without New York gallery representation and a first time curator, the exhibition itself serves as the documentation of a short, frenetic period of brainstorming, experimentation and new collaboration.

Much of the work in the show will be made just days and hours before the show opens, the exhibition serving as the catalyst for the creation of new forms and unexplored practices. During exhibition planning and installation, myriad decisions to be made about the show presented themselves by way of late night IM conversations, contractual agreements, financial hardship, geographic distance, the thrill of new lovers, the anguish of parting with old ones, and the boundless enthusiasm for an exciting opportunity. The artists in possibilities embrace limitations as opportunities and rely upon change and uncertainty to fuel their development.
the exhibit
Danny Coeyman has previously worked in portraiture and traditional means of drawing and painting. However, he will be working in a completely new direction for possibilities, making several works interested in the tactile and tensile qualities of paint itself. Using homespun cotton saturated in oil paints, Coeyman will weave abstract "canvases", the color embedded right into the material itself, obliterating the idea of surface, the "painting" becoming every bit of the cotton, front and back, inside and out, the visible and the obscured. The creation of the work contains elements of the personal and spiritual as Coeyman struggles to invent the techniques and processes he needs to realize his vision. Weaving paint soaked cotton balls by hand and building a crude homemade loom, Coeyman is interested in weaving not only paint, but also his own nature into the work he creates, imbuing work that may seem cerebral and esoteric with a warmth and soul that can be absent in minimal or process oriented painting. In addition, Coeyman will be using paint pours and paint stripping, directly on the surface of the gallery wall, to create site specific works about the viewer's awareness of the space and its material properties.

At 34, Eric Doeringer is both the oldest and most widely exhibited artist in possibilities. Perhaps best known for making cheap bootlegs of trendy contemporary artist's work and selling them on the streets, at art fairs and even the Whitney Biennial. Doeringer uses the conceptually based practice of bootlegging to continue art history's dialogue about authorship, authenticity, originality and art dealing/collecting. Recently, Doeringer has become interested in addressing the work of conceptual artists from the 60's and 70's like Daniel Buren, Sol LeWitt and Lawrence Weiner. Since these artists deal in ideas and not unique, precious objects, Doeringer's appropriation of these projects, which he calls "recreations", is a delicate matter fraught with more questions than answers. In addition to showing extant works addressing several issues and periods in painting, Doeringer will create a wall text piece based on a Lawrence Weiner project for the first time.
Coeyman / Doeringer
Kate Fauvell uses dripping, oozing paint, a luminescent palette and a wide range of materials to connect with her audience in a personal and viscerally focused practice. Fauvell turns the inside out, bringing bones, spines and organs to the surface. Faces drip, melt and peel away to expose her raw, emotional relationship to the people in her life, but also acknowledge a scientific curiosity and fascination with anatomy. Painting on thin sheets of Mylar and hung on light boxes used to read X-rays, Fauvell creates work that glows with the intensity of life that resides inside her figures. For possibilities, Fauvell has created several new works on a human scale that stand on the floor, giving viewers an immersive experience simultaneously inside the body of her subject and the artist's own imagination.

Using a minimal visual language, Daniel Turner's pieces are often made with repellent intoxicating materials such as antiseptics, kerosene, vinyl, soot, and liquid aluminum. Known to destroy huge bodies of work as performance or often making objects on site and then casting them aside afterward, Turner's work can serve as art history's memento mori. For possibilities, Turner will present new paintings made of toxic liquid materials wrapped between layers of folded vinyl. Achingly beautiful and expertly crafted, Turner takes the most vitriolic and caustic parts of life and traps them in a crystalline state, lending the object a sense of grace and granting the audience a comfortable distance. In addition to his vinyl paintings, Turner will create a new project on site during the installation.
Fauvell / Turner
Rick Herron is an artist and curator from Plattsburg, Missouri. As curator, he seeks to collaborate with contemporary artists to help them find new inspiration, energy and focus in their work. This is his first exhibition in that role. Rick Herron

Aleathia Brown: '89 - '09 (May 8 - June 2, 2009)
Celebrating 20 years of the Artist: May 1989 - May 2009
chashama 2016, 2016 Adam Clayton Powell Boulevard
aleathiab@msn.com

(7th Ave. between 120th St. and 121st St.; A/C/B/D to 125th Street station)

20 year celebration May 1989 - May 2009

Aleathia's Original Artworks Art Reception:
Friday, May 8, 2009 5:30 - 9pm

Mother's Day pampering and soothing art lounge:
Sunday, May 10, 2009 2 - 7pm

Art workshop Mondays: young people and adults making a difference using the environment home or outdoors to make art.
May 11, 18, & 25:
12:00 – 3:00pm Seniors
4:00 – 6:00pm Children (6-13) or Teens (14-17)
7:00 – 8:30pm Adults

Purpose Lounge celebrates Women in the Arts: "Freeing and Maintaining your Voice" (documenting and panel discussion with 4 women in 4 artistic disciplines - visual art [Aleathia], dance & music [Shanelle Jenkins], literary [Kayhan Irani]):
Thursday May 14, 2009, 6:00 – 8:30pm

Wine & Cheese with some noted African American leaders & thinkers in Black Culture: President Edison O. Jackson of Medgar Evers College, Professor Iselle Glover curator of the college, Andrew Jackson of Langston Hughs Library, and Howard Dodson of the Schomburg Library and you!
Tuesday May 26, 2009, 6:00 – 8:30pm

Going Out with a bang! A View Through Aleathia's World Live art with jazz & spoken word:
Friday, May 29, 2009 6 - 9pm

Closing night: Tuesday, June 2, 2009 6 - whenever

contact: aleathiab@msn.com
details

Desires (May 5 – 23, 2009)
Curated and organized by curcioprojects
chashama Times Square Gallery, 112 West 44th Street
curcioprojects@yahoo.com | www.curcioprojects.com

(between Broadway & Sixth Ave.
Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square.
Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Desires
organized by curcioprojects

May 6th – 23rd, 2009
Opening Reception: Tuesday, May 5th, 6-8p
Wednesday to Saturday, noon to 7pm and by appointment:
Robert Curcio; 646.220.2557 or 212.505.7196

curcioprojects@yahoo.com | www.curcioprojects.com

Desires features an eclectic group of artists playing with the viewer's expectations and anticipations of what desire could be.

With: Ricky Allman, Sandra Bermudez, Carla Gannis, Deana Lawson, Yeni Mao, Cara Phillips, Pierre St-Jacques, and Ginna Triplett.
details
Ricky Allman mixes the desire of religious fundamentalist for an apocalyptic utopia with a mystical landscape and demanding architecture all from his childhood in Utah. As a child he expected the end of the world at any minute, but now creates profound spiritual experiences giving image to his secret yearning to see and experience cataclysmic changes in nature and in the social consciousness.

It's all about the bling in Sandra Bermudez's Tiffany ring collection. Except these are counterfeit rings purchased off the street. An interesting twist of desire, a fake substitute for high-end luxury is transformed into a desirable real high-end luxury commodity – art.

Carla Gannis' Jezebel series combines the old-testament queen with Bette Davis as she stared in the 1938 movie. The climax of the movie is when Davis goes to the society ball, not in the traditional virginal white gown, but in a shockingly bright red dress. Home wrecker, femme fatale, hoochie, video vixen or Jezebel, it doesn't matter what she is called; female sexual power in the past was driven down but now is desired.
Allman | Bermudez | Gannis
Deana Lawson's work is grounded in the rituals of lived experience and portrays family and friends in her hometown of Rochester, NY. Ashanti has subtle psychological nuances and presents new representations of the black female that are more complex than what is represented in popular media.

Looking at Yeni Mao's stack of golden bananas in the sculpture Adventures on the Golden Mountain, puts a salacious smirk on your face as you think of all the sexual innuendo. However, Mao's sculpture is actually about the desire of Chinese immigrants coming to America who called California the Golden Mountain, a sly reference to banana republics and a mischievous homage to Andy Warhol.

The opulent rooms of Cara Phillips photographs from her Singular Beauty series appear to be the contemporary equivalent of Versailles, which they are. These are the consultation rooms and the before/after photography booths of cosmetic surgeons. The rooms are the ultra sleek and hyper cool temples of the ultimate consumer lifestyle’s desire for the young and the new.
Lawson | Mao | Phillips
Pierre St. Jacques' video Project for a Grey Dress in New York is loosely based on Alain Robbe-Grillet's novel "Project for a Revolution in New York". St. Jacques's video depicts a woman in her apartment who is getting ready to go out. Soon a man comes up the stairs, presumably to meet her but this is not certain. The viewer creates additional levels of desire watching the story evolve as they construct expectations that are as much part of the story as the main narrative thread is.

What does a woman desire to be in today's society? Ginna Triplett goes through her daily routine as a young woman, mother and artist, bombarded with images of sexy swimsuit models and pristine cartoon princesses? Does she want to be Wonder Woman and do/have it all or the happy carefree life of a little mermaid?
St. Jacques | Triplett
Robert Curcio of curcioprojects is an independent galleriest, arts entrepreneur, curator, and writer. April's project, SHIFTwork, featured Andre Stitt and Fritz Welch in a performance and installation at The Lab Gallery, NYC. Writing projects include a postscript in the catalog Balint Zasko | Works from the Bernardi Collection from the Museum of Contemporary Canadian Art, Toronto. www.curcioprojects.com

A special Thank You goes to Leah Oates for her initial insights and introductions to many of the artists.

For additional information or images, contact Robert Curcio at 646.220.2557 or curcioprojects@yahoo.com.
Robert Curcio

Form Laboratory (May 4 - 12, 2009)
by Les Joynes and Tom Bogaert
chashama Window Space, 266 West 37th Street
www.formlaboratory.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Form Laboratory

A visual art project brought to you by Les Joynes and Tom Bogaert

Performance hours: Mon-Sat, May 4 - 12, 2009, 12p-6p
Reception: May 7, 6-9p

We live in a sea of detritus – orphaned objects are all around us and each has a discoverable narrative. Objects cast off onto the street (trash, recyclables, litter) produce orphans of form. Their reading collapses and they become either invisible or part of the ambient formic noise of the street.

In this series of one and two day projects, Joynes and Bogaert collect objects based on an agreed “daily menu” (made of a certain material, color, form) and then reprocess them at the 266 W 37th Street venue, rediscovering or reinventing the narratives of these cast-off objects.

This project was conceived by Joynes in 2007 and is inspired by Claes Oldenburg’s object collecting in his Ray Gun Mfg. Co. originally exhibited in New York in 1962.

www.formlaboratory.com

FREE and open to the public
details
Les Joynes trained at Goldsmiths College, London exploring the formless, entropy and the creation / collapse of objects-reading. Recent exhibitions include: Middleworlds at Michael Steinberg Fine Art; Parallel Universes, Amotgard, Norway; and upcoming Painting Zombies at University of Minnesota. He was Artist Fellow at the Nordisk Kunstarsenter Norway in 2008 and the Bauhaus, Dessau Germany in 2009. Les Joynes
Tom Bogaert creates organic structures and alliances from found or constructed materials that reveal both a sense of process and narrative. His interventions are inspired by cultural fusions he experienced in his former career in Europe, Africa and Asia while working on human rights issues for Amnesty International and the UN High Commissioner for Refugees. Recent and past exhibitions include: Archaeology of Wonder at Real Art Ways - Hartford, CT; Canaries at the Art Parade by Deitch Projects and Creative Time, New York; and Amahoro at Jack the Pelican Presents - Brooklyn. Tom Bogaert

Open House Cocktail Party (April 29, 2009)
a presentation by chashama in association with the
Greater Jamaica Development Corporation and the
Queens Museum of Art
chashama Jamaica Studios, 90-26 161st Street, Jamaica, Queens
www.gjdc.org
www.queensmuseum.org
www.carnegie.org

Between 90th Street and Jamaica Avenue, E to Jamaica Center, F to Parsons Boulevard

Jamaica Station on the LIRR.

By car: Take Long Island Expressway (I-495 E) to exit 22A-E to Grand Central Parkway E. Remain on Grand Central Parkway until exit 16 (164th St-Parsons Blvd.) Turn right onto Parsons Boulevard, left onto Jamaica Avenue, then left onto 161st Street.

Open House Cocktail Party
a presentation by chashama in association with the Greater Jamaica Development Corporation and the Queens Museum of Art.
Wednesday, April 29, 2009, 5 - 8p

Appearances by the artists in their studios with their works: Lawrence Joyner, Cynthia Epps, William Mwazi, Babatunde Ajiboye, Jeffrey Sims, Hidemi Takagi-Bastien, and Lishan Chang (in our sister venue 90-30 161st Street).

Gallery exhibit organized by chashama artist-in-residence in Harlem, Christopher Trujillo with works of chashama artists from over the years.

Over the past two years, chashama has worked with the Greater Jamaica Development Corporation (GJDC) to find a suitable space to convert into a cultural hub. Our new spaces, located at 90-26 & 90-30 161st Street, provide us a wonderful opportunity to create up to 10 subsidized studios for local artists as well as street level galleries. Our Open House event gives local artists, businesses, service organizations and community liaisons a chance to see chashama's resources, in an informal setting in which we can meet and greet our new neighbors.

Also made possible in part by support from the Carnegie Corporation.

FREE and open to the public
details

Yard Sale: New Footfalls... (April 21 - 30, 2009)
A performance & visual art installation brought to you by THEATER TAS
chashama Window Space, 266 West 37th Street
www.tajnatanovic.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Yard Sale: New Footfalls...

A performance & visual art installation brought to you by THEATER TAS
Conceived and Directed by Kaca Celan
Cast, Music & Translation by Tajna Tanovic
Set Design by Shoba Seric

Installation Days: April 21-30, 2009
Performance Hours: 10pm each day

FREE and open to the public
details
The performance Yard Sale: New Footfalls... based on Kaca Celan's play New Footfalls (a remake of Samuel Beckett's Footfalls) is a symphony for two voices and one body put into one installation. It symbolizes the absurdity of "the repetition of fates" by means of two confronting monologues by the Mother and the Daughter shown in solemn moments of the ritual drama. These two have been thrust into the historic-cultural background, leaving the leading roles to the chronically absent "Father" and the suffering "Son". With this performance the relationship between mother and daughter is opened up like Pandora's box and reveals tireless ghosts showing that there is still enough metaphysics within the damned female biology.

New Footfalls, translated from the original German by Tajna Tanovic, presents the exiled Mother and Daughter who take over the identity not only of Beckett's heroines but also of his complicated postmodern artistic work, the open testament containing the theological, existential, political and psychoanalytical keys to understanding. The absurd situation of the "ghosts" in Beckett's play becomes the reality of the exile.... the artistic past taken over is the means to avoid the presence.
about the event
Kaca Celan is an award-winning writer and theater director from the former Yugoslavia and Germany. In Sarajevo she founded the theater Teatar Amfiteatar Sarajevo (TAS) and has continued its tradition in Germany. Since August 2007, Celan has been living and working in New York City and has reestablished Theater TAS. She is a member of the PEN American Center. Kaca Celan
Tajna Tanovic is an actress and singer-songwriter with 23 years of experience in the performing arts worldwide. Recent New York projects have included Canal Street Station, a radio theater piece by 31Down and several projects with Dalzell Productions. She is currently collaborating with Theater TAS in New York. Tajna Tanovic

Killing Time (April 17 - 30, 2009)
by chashama artist-in-residence Pat Arnao
chashama Harlem Studios Gallery, 461 West 126th Street
patriciaaarnao@gmail.com | http://patarnao.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

April 17 - 30, 2009
Hours: Fri 4pm - 7pm | Sat-Sun 1pm - 5pm
OPENING RECEPTION Fri April 17, 7-10pm
FREE and open to the public.
details
Pat Arnao's work is an ongoing examination of time passing, expanding and collapsing; dissecting the effects of the past upon the present. Her work is informed by literature, driven by urban landscapes, and concerned with personal and cultural histories. The paintings, constructions and videos investigate what we gather, what we leave behind and how history ultimately defines us.

"Furiously evocative" -New York Magazine, December 2008
"striking and indelibly urban" -Lucid Culture, December 2008
the exhibit

SIGNATURE NEW YORK (April 17 - 23, 2009)
Random works by Bradley Hart
presented as part of IMMIGRANT HERITAGE WEEK
chashama 217, 217 East 42nd Street
info@bradley-hart.com
www.bradley-hart.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

April 17-23, 2009

GALLERY HOURS Daily, 11a-7p

Launch Party: Friday April 17, 6-9p

Artist's Reception: Sunday April 19, 1-6pm

info@bradley-hart.com | www.bradley-hart.com
details
Bradley Hart was born November 21, 1972, in Toronto, Canada. At the age of 11 his parents took him out of school when his teacher told them that he would either be a master criminal or the next Prime Minister. His parents subsequently put Bradley in a private fine arts school. While ther, he was trained in 2-dimensional Renaissance drawing and formal coloring.

Bradley began painting in his early 20's. After attempts at figurative painting, feeling frustrated and confined by the 'rules' of figuration, he switched to abstracts. After discarding the techniques of his formal training, Bradley was able to find his own voice.

Following years of making art and dabbling in the film and music industries, he enrolled in the University of Toronto, earning a degree in visual arts, semiotics and cinema. At university, Bradley was able to explore art theory and concepts. At that time, Bradley's work centered on major themes of process, storytelling, authentic communication and its breakdown due to the technological devices of our time. He also began working in sculpture, installation and video art. Sculpture and installation have since become his main modes of expression.

Over the years, Bradley sold his work sporadically while working in the business world, spending time in Toronto, Miami and Vancouver. In the fall of 2008, he was inspired and compelled to work again as a full-time artist. Now, as he makes art in both Toronto and New York, Bradley's work is a mature exploration on the themes of process and identity.
biography

Reciprocity: Welcome to My Territory (April 16 - 17, 2009)
by Seung Ae Kim & Shani Peters
chashama 2016, 2016 Adam Clayton Powell Boulevard
info@shanipeters.com | seungaekim@gmail.com

(7th Ave. between 120th St. and 121st St.; A/C/B/D to 125th Street station)

Open to public: April 16th and 17th, 5pm to 9pm
contact: info@shanipeters.com or seungaekim@gmail.com

Reciprocity: Welcome to My Territory explores the complexities and simplicities of shared experience that exists within a relationship. Seung Ae Kim and Shani Peters are artists, women, Korean and Black American, respectively, and friends. Their collaborative project examines the historical, political and geographical circumstances that brought Kim and Peters to the same place and time while revealing the everyday parts of life that compose interpersonal relationships.

Their multipart installation centers around a constructed fence enclosure made of cut cardboard and a culturally referential fabrics and materials. Around and within the fence are similarly handmade mounds of "territory" made of packing materials and tape. At first glance this room filled with structures resembling land masses and barriers may call to mind combat zones and highly politicized concepts. However, when inspected further viewers will find imaginative collages of cultural imagery throughout the installation. From the tape mounds will protrude flags composed of images of food, culture and symbolic references. Viewers will see that the fence structure does, in fact, have a welcoming opening and inside more artificial land masses, these ones substantial enough to sit on, get comfortable and share some of there own personal experiences with friends. The surrounding walls will be filled with more installation details as well an edition of prints that further explore the contrast between historical/political realities and the lived, interpersonal experiences of culture, gender, and imagination.
details

The Pleasure Seekers (April 7 - 25, 2009)
curated by Dan Halm
chashama Times Square Gallery, 112 West 44th Street
danhalm@yahoo.com | www.danhalm.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

April 7 – 25, 2009
Opening Reception: Tuesday, April 7, 6-9pm

Hours: Wednesday - Saturday 12-6pm
danhalm@yahoo.com | www.danhalm.com

FREE and open to the public.

chashama is pleased to present The Pleasure Seekers, an exhibition of work based on the quest for carnal delights that ooze with both sexuality and vitality, curated by artist, curator and writer Dan Halm.

What is a pleasure seeker in 2009? In a culture embroiled in war and facing economic distress, one tends to look for a way to escape worry and pain, hence the birth of a pleasure seeker. Hunting out hedonistic desires –sexual freedom, drugs, alcohol and the pursuit of free love– allows one to enjoy life and rediscover hope.
details
In her video Dog (3+), Baishian Bai uses the simplicity of a childhood toy to spotlight sexual tension. A battery-operated dog performs unsuccessful back-flips, which lead to Bai blocking the so-called "naughty bits" with digital censor squares, which ingeniously sexualize the toy and its pursuit for sexual pleasure.

Michael Bilsborough draws bacchanalian bashes and mysterious misadventures in which men and women couple, compete and retreat. Initially thriving on libidinal laxity and appetitive abandon, these orgies soon crumble and we witness a mixed review of sex, reaching beyond sex as unconditional pleasure.

50/50 is a collaborative project between boyfriends Andrew Criss and Chad States that creates a "portrait" of a third lover whom both men have slept with to create a threesome. The survey answered between the two afterwards deals with the negotiations and misinterpretations that take place between the partners and the third party.

With Smoke Filtration Systems, Eric Doeringer is creating a series of sculptures that are also working marijuana water pipes. The mechanics of each pipe are thoroughly tested, but the actual sculptures are presented in a clean, unused condition. Because of their functional nature, they inhabit a space between fine art and design, between sculpture and drug paraphernalia.
exhibit details 1
Marianna Ellenberg's video S-U-U a F-U-U is a re-imaging of feminine desire in its cultural absence. It manages to capture her reaction to the "hypsterization of pornography in the New York art scene." Feathers float while our narrator guides us through this multi-colored world and instruction. The peep is free, but the pleasure isn't.

Karlos Carcamo presents a world where drug use and drinking are taken conceptually into fine art, while still remaining relevant to the culture of the streets.

With the series ballsacs, Patrick Giglio's fascination with intricacy, repetition, fiber, shiny things, and biomorphic forms are front and center. Their crocheted construction (a craft that is often associated with grandmothers) seems to insinuate a bygone gay male identity that has since become homogenized or castrated.

With his Cibachrome images of empty cocaine bags, George Harvey addresses his former daily habit. The images are not just photographs of empty bags; instead they are eerie evidence of a former habitual illicit use.
exhibit details 2
The buddy booth is a place where men live out their fantasies through fragmented intimate contact and voyeurism directly governed by the architecture of the space itself. Using the physical opening, or slot, between the viewing booths as his visual parameter, Cesar Chavez Lechowick spotlights the intimate interplay of men in this explicitly "performative" structure.

Photographing men that he meets through online communities in New York and Germany, Jesse Finley Reed manages to create a world where the men are interchangeable, yet remain completely individual.

In his Cruising series, Chad States wants his photographs to emulate the activity of cruising for sex in public locations; imperceptible until you know what to look for. It is in this split, between being invisible to the public; but visible to those also participating in the activity… that the photographs hold the staunch tension of the activity.
exhibit details 3

A MEETING OF LINES (April 6 - 14, 2009)
featuring the art of FLAMBEAUX & ABBY HERTZ
chashama Harlem Studios Gallery, 461 West 126th Street
flambeauxfire@hotmail.com | www.flambeauxfire.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

A MEETING OF LINES
a 2-person exhibition featuring the art of FLAMBEAUX & ABBY HERTZ

The strangely convergent union of lines in sculpture, patterns, paint, structures and symbols that happens when 2 people fuze.

The strangely convergent union of lines of thought, emotion, intent and expression that happens when 2 people bond.

Paintings, armor, headpieces, claws and hearts, beings and altars from the minds of 2 lovers.

April 6 - 14, 2009
CLOSING RECEPTION Tues April 14, 7p - 11p

FREE and open to the public.
details

Flops (April 4 & 5, 2009)
by Wingspan Arts
chashama, 217 East 42nd Street
www.wingspanarts.org

(1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train from Times Square)

Flops: Great Songs from Not-So-Great Shows
by Wingspan Arts

April 4th and 5th at 7:30PM
suggested donation: $10
reservations call: 212-586-2330

info@wingspanarts.org | www.wingspanarts.org

A brief cabaret, performed by Wingspan's Cabaret Troupe:
Tanvi Agrawal, Alice Bishop, Bea deBaere, Aneesa Folds, Chloe Hyman, Carlos Rodriguez, Alexa Santory

Director: Jessica Bashline
Musical Director: Michael Harren
details

Ghost Paintings (April 2 - 17, 2009)
by Janice L. Moore
chashama Window Space, 266 West 37th Street
www.janicelmoore.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

April 2-17, 2009
Viewing hours: Daily, 10a-6p

Maine artist Janice L. Moore exhibits her latest series, "Ghost Paintings", a walk by installation at chashama 266 west 37th Street, New York, New York, which can be seen from the street throughout the exhibit, April 2 through 17th. For any questions about the exhibit or the work call (917) 453-3792 or visit www.janicelmoore.com

FREE and open to the public
details
The Ghost Paintings are works that evolved from a painting I did of my Nana's laundry hanging on the line. The clothes took on an ethereal, fluid spirit. That visual triggered a compulsion to make these pieces based on my own emotional attachment to certain articles of clothing that I couldn't part with: the coat of a lost friend; the christening gown made by my mother; my husband's football jacket; my son's outgrown coat and shoes. My mother was a seamstress with a passion for fabric. As a child, I tried to emulate her through my obsession with paper dolls. My husband has worked in the clothing manufacturing industry for many years. These Ghost Paintings are the truest portraits I can make. artist statement
Janice L. Moore was born in Canada and grew up in Maine. She graduated from Waynflete School and Sarah Lawrence College, where she focussed on painting and photography. She continued her art education in France; first in Provence, then Paris. She spent the next ten years in New York City working at an art gallery, then as a graphics director in the fashion industry. In 1995 she left New York and began painting full time. She works from her studio in Freeport, Maine. biography

Alan & Me (March 28 - April 3, 2009)
portraits of Scottish actor Alan Cumming
by photographer Francis Hills
chashama Times Square Gallery, 112 West 44th Street
francis@francishills.com
www.francishills.com

Model For Collective Memory + Women's Work (March 28 - 31, 2009)
an installation by Eve + Bowie
chashama Window Space, 266 West 37th Street
eveandbowie.com

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Opening Party: Saturday, March 28, 7-9pm
Project hours: 3/29, 3/30, 3/31, 10a-6p

an installation by Eve + Bowie

FREE and open to the public | eveandbowie.com

Eve + Bowie is a collaborative team that lives and works in New York City and Providence, RI.

special thanks to shhhh-projects.com and wassaicproject.com for materials and support.
details
Model For Collective Memory is a series of ceramic objects containing hidden drawings of Eve + Bowie's abstracted memories. These dark pictorial representations painted on the insides of the vessels explore how we carry, protect, and share memories. The images are drawn from documentation of the artists' memories: medical records.

The pieces are encountered both as concealing their contents, representing our community's latent memories, and as open vessels, offering representations of our memories as though food at a table for consumption.

Participants are asked to consider their own memories and what they may / may not be hiding or protecting through consideration of these memory vessels.
details: Model
Complementing Model For Collective Memory is Women's Work, a series of handmade, handpainted aprons. Each apron depicts a wildly dark and oversized female reproductive system. The aprons are to be worn while doing women's work, as defined by the wearer. By wrapping these images around the body, the wearer is distilled to the female reproductive function.

Both the vessels of Model For Collective Memory and the aprons of Women's Work can be bought and taken home to continue these thoughts and actions outside of the gallery setting.
details: Women's Work

M4M (March 21-23 & 25-28, 2009)
by Quality Meats
chashama 217, 217 East 42nd Street
www.qualitymeats.org

(1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train from Times Square)

Quality Meats presents the world premiere of
M4M
A radical adaptation of Shakespeare's Measure for Measure

March 21, 22, 23, 25, 26 (Sat-Thur; NO TUES) at 8pm
March 27-28, Fri-Sat at 7pm & 9:30pm
Tickets: $12 at www.brownpapertickets.org
www.qualitymeats.org

Somewhere in a city, a man waits in an empty store. A woman arrives. He inspects her. Money exchanges hands. They begin. What starts hesitatingly, and then tumbles out to startling effect, is the text of Shakespeare's Measure for Measure.

In this 50 minute adaptation, strangers in a room act out a bizarre fantasy of power and desire while the line between the S&M play and the Shakespeare play rapidly dissolves. The audience, in close proximity, is witness to extremely private acts of domination and submission. The production takes Shakespeare's most unpredictable play, which wrestles with the ideas of power, sex, morality and substitution, and makes it strange and dangerous again.

details
Direction: Meiyin Wang

M4M, a site specific theatre piece developed through the NEA Residency@chashama 2008, will feature sound design by Mark Valadez, scenic design by Jian Jung and costume design by Migdalia Luz Barens Vera, and is produced by Quality Meats.

Featuring: Mary Jane Gibson and Ben Vershbow.
cast and crew
Quality Meats is a production company founded by two directors, Javierantonio Gonzalez (Puerto Rico) and Meiyin Wang (Singapore) who create their work in radical response to each other. Rooted in international collaboration, their repertory of work ranges from re-imagined classics to devised new pieces with an emphasis on ensemble creation and physical imagination. It celebrates the forceful collision of the stories and theatrical cultures of their diverse artists. Founded in 2005 by two graduates of the MFA Directing program of Columbia University, the company is made up of a porous collective of theatre artists, cooks, wanderers, circus folk and flamenco dancers who have thus far come from Australia, Japan, Korea, Malaysia, Puerto Rico, Canada, Singapore and the U.S. about Quality Meats

Studies for Portrait and Landscape (Across the Road) (March 19 - 20, 2009)
by Colin Gee
chashama Window Space, 266 West 37th Street
performance and supertitled video
colingee.com
For more information visit www.chocolatefactorytheater.org

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

March 19 - 20, 2009
Find out more at: colingee.com

The Studies for Portrait and Landscape (Across the Road) series develops moments/scenes extracted from an original screenplay. Each of these moments depicts a character confronting a critical choice, and represents a shift from the narrative tensions of the story to the psychological tensions of the character. The live performance version of the series involves live action performed in front locations projected onto a series of screens. The series being developed through the chashama residency are from the solo film/performance Across the Road, opening at The Chocolate Factory in June. Previous installments have been created in Amsterdam, Mexico City, Graz, Vienna, and London.

For more information on (Across the Road), visit: www.chocolatefactorytheater.org
details
Currently the founding Whitney Live Artist-in-Residence at the Whitney Museum of American Art, Colin Gee trained as an actor at the Jacques Lecoq School in Paris and creates original works for film, performance and opera. A clown for Cirque du Soleil from 2001-2004, he was commissioned by the Whitney Museum in 2008 to create and perform Objective Suspense in the exhibition "Alexander Calder: the Paris Years." Recently published in the Austrian art journal kursiv, his libretto for the opera Sleep, composed by Erin Gee, premiered at the Zurich Opera House in 2009.

Gee's 2006 film/performance Dakota was presented at PS 122, Diskurs'04 Giesen, Wexford Arts Center, 4020 Festival, and received the Best Male Performer award at the 2006 Dublin Fringe Festival. Other film projects have included Lady Heard Voices (2004) featuring Irene Hultman, and Stardust (2007), premiered at the Brooklyn Arts Council. Gee performed with the Irene Hultman Dance Company from 2000 – 2001, and was a member of The Flying Machine Theater Company from 1998 - 2001, with works including Petrushka at Carnegie Hall with the New York Youth Symphony Orchestra, and Utopians, Archipelago, and The Escapist at Soho Rep and Galapagos Arts Space, where the company was in residence.
about Colin

"Dancing in the Windows" (March 17 - 19, 2009)
by Dance Times Square
chashama Times Square Gallery, 112 West 44th Street
melanie@dancetimessquare.com
www.dancetimessquare.com

"Walk down West 44th street between Broadway and 6th Ave. and you’ll be pleasantly surprised. In an effort to raise spirits and bring smiles to the faces of us all during this time of economic uncertainty, the week of March 17-19, Dance Times Square will literally be dancing in the windows of chashama at 112 West 44th St. Dance Times Square would like to invite you to experience the joy that dancing or even watching dance can bring to us all. Visit us, come say hello, and forget about any troubles you may have… If even for just a moment’s time… It’ll be worth it." about the event

Golden Ages (March 13 - 14, 2009)
a stylized presentation of Cairo's golden age by Sherrine Azab
chashama Window Space, 266 West 37th Street

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Performances: Friday 3/13 @ 7:00, 7:30, 8:00, & 8:30pm (with a wine reception to follow 8:30 performance)
Saturday 3/14 @ 6:00, 6:30, & 7:00pm

Conceived and Directed by Sherrine Azab

Performers and Collaborators: Andrew Geske, Amanda Raleigh, Kirsten Hopkins, Bruise Kneece

Costume Designer: Allyson Velasquez
Lighting Designer: Marnie Cumings
Sound Designer: Mark Parenti
Assistant Director: Andrew Simon
details
By definition the phrase Golden Age means "a period of great happiness, prosperity, and achievement." In mythology it refers to "a time in the beginnings of Humanity which was perceived as an ideal state, or utopia, when mankind was pure and immortal". Mankind has adopted this phrase as a metaphor and a tool for identifying a high point in a movement or society. In regards to a society, it usually refers to an era when that particular society's artistic output is exceptionally high and/or when ground is being broken in art or technology. Then artists or scientists begin to explore, discover, and hone skills in their new medium. The identification of a Golden Age happens only after it has passed. This piece was inspired by a curiosity surrounding how art becomes generally perceived at successful. When do ground breaking innovations become mainstream?

This short piece sets out to examine in a new light a handful of golden ages both familiar and obscure including the Golden Age of Radio, Television, and Cairo. Aspects of these particular golden ages are layered on top of each other creating a performance symbiosis both nostalgic and contemporary. The look is highly visual utilizing style and music from certain golden eras while also incorporating the use of puppets and video.
about Golden Ages
Sherrine Azab is a Brooklyn based theater and teaching artist. Her New York directing credits include Perseus: the Original Superhero for the South Oxford Summer Youth Theatre Festival, The Islands for Clubbed Thumb's Pageant of the 50 States, The Great Calydonian Boar Hunt performed at the Kitchen as part of Target Margin Theater's Lab Series, followed by F*ck! War! at Here Arts Center for Target Margin Theater's Aristophanic lab series. She also had the privilege of serving as the assistant director for Target Margin Theater's 2006/2007 season. In Seattle she was Artistic Director of Strike Anywhere Productions and worked with such theaters as On the Boards, ACT Theatre, and Washington Ensemble Theatre. She holds a BFA in Original Works from Cornish College of the Arts and was a member of the 2008 Lincoln Center Director's Lab. This summer she will be traveling to Berlin to continue to build this piece exploring Golden Ages into a full length performance. about Sherrine

Recent Works (March 5 - 29, 2009)
by chashama artist-in-residence Caleb Nussear
chashama Harlem Studios Gallery, 461 West 126th Street
calebkayin@gmail.com
www.mosslandia.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

March 5 - 29th, 2009
Hours: Thursday - Sunday 2-6p
OPENING RECEPTION Thursday, March 19th, 6-9pm
FREE and open to the public.

chashama is pleased to announce an exhibition of recent work by New York based painter/installation artist Caleb Nussear. Nussear examines the natural landscape through a framework of formal abstraction. Nussear interweaves historical ideas from visual art and scientific thought: two realms that rarely seem to coexist. He is fascinated with the seemingly impossible higher dimensional spaces of contemporary theoretical physics’ string theory and supersymmetry, as much as with the paleontological earth-building described in the most ancient chapters of our planetary past. Nussear is constantly asking questions about the hidden structure and material of space; using abstract expressionism's gestural extravagances and the cool crystalline structures of the minimalists to think a cosmology through physical material.

The artist's working process is involved with creating painted and drawn surfaces that wrap around walls, are in corners, or are fallen to the floor. To that effect he uses both painting and installation to create panoramic, virtual landscape piles and filigreed, folded surfaces that reside in the slippery transitional spaces between 2 and 3 dimensions, 3 and 4 dimensions, and the impossible spaces of higher dimensional orders.
details

Darkness Descends (March 5 - 8, 2009)
curated by Christina Vassallo, produced by Cottelston Advisors
chashama 217, 217 East 42nd Street
www.cottelston.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

March 5, 10am-10pm; March 6 - 8, 10am-6pm

Reception: Thursday, March 5, 7-10pm with performances by Rishaug vs. Watz, Kjersti Vetterstad & Monica Winther

Artists: Thora Dolven Balke, Ole Martin Lund Bø, Halvor Bodin, Marianne Hurum, Anki King, Ingvild Langgård, Sverre Malling, Are Mokkelbost, Trine Lise Nedreaas, Rune Olsen, Alexander Rishaug, Elise Storsveen, Kjersti Vetterstad, Kira Wager, Marius Watz, Jana Winderen, Monica Winther, and Munan Øvrelid
details
DARKNESS DESCENDS: Norwegian Art Now delves into the uniquely Norwegian style of neo-romanticism in contemporary art. The exhibition will bring together a multi-generational group of visual, performance, sound, and video artists to explore a fascination with darkness that is inspired by mythology and a close relationship to nature. Curated by Christina Vassallo, the exhibition will take place during The Armory Show, March 5 - 8, 2009. DARKNESS DESCENDS is the fourth installment in a series of M*A*S*H shows produced by Cottelston Advisors in conjunction with major art fairs.

The sound art program of DARKNESS DESCENDS will be presented simultaneously at PULSE New York, Pier 40 / 353 West Side Highway @ West Houston Street, NYC. Christina Vassallo is an independent curator based in New York City.

Michael Sellinger created Cottelston Advisors to provide art advisory and exhibition production services. For more information, please contact: Michael Sellinger, msellinger@cottelston.com or go to www.cottelston.com.

Generous support for the exhibition has been provided by the Royal Norwegian Consulate General. Beverages provided by Christiania Vodka.
more about the event

40°PHI Benefit Performance! (February 28, 2009)
by and for Zhenesse
chashama 217, 217 East 42nd Street
zhenesse.com
myspace.com/zhenesse
40PHI: myspace.com/40pt
www.fracturedatlas.org

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

40°PHI Benefit Performance!
by and for Zhenesse

Saturday, February 28, 09, 6-10pm


refreshments, entertainment, art, auction, & dancing!

Limited seating so RSVP TODAY (and save!)
$15 with rsvp (rsvp @zhenesse.com) | $20 at the door

Can't come to the Benefit? DONATE $5 to show support (see below)!

P.S. It's also Zhen's 30th Birthday Party!
details
Become invested in 40°PHI!
Every $ counts!

Please make checks payable to "Fractured Atlas" with memo reading "40°PHI PT"
Mail to: Zhenesse Heinemann / 40°PHI PT
P.O. Box 7503
New York, NY 10150
or
for online donation visit: https://www.fracturedatlas.org/site/contribute/donate/1492

40°PHI Performance Tour is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of 40°PHI Performance Tour may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

For more information about Fractured Atlas contact:
Fractured Atlas 248 W. 38th Street, Suite 1202, New York NY 10001, 212-277-8020
http://www.fracturedatlas.org | support@fracturedatlas.org.
A copy of Fractured Atlas' latest annual report may be obtained upon request.
How to make a tax-deductible donation

Factotum (February 25th - March 3, 2009) by Erin McMonagle
chashama Window Space, 266 West 37th Street
beat-it-erin.blogspot.com/

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

February 25th - March 3, 2009, 9am - 5pm

Factotum explores the life of Marlene – the silent secretary in the Fassbinder film "The Bitter Tears of Petra von Kant" – after she ends her employment with Petra, and imagines Marlene opening her own office as a factotum for hire.

The performance will consist of Marlene (Erin McMonagle) completing a wide variety of contracted tasks (a general request for employment was sent out to a wide audience in order to receive diverse assignments) including typing, note-taking, bartending, silver polishing, making and serving coffee and tea, machine sewing, hand sewing, creating clothing sketches, cleaning, dancing, etc. Marlene will, as in the film, remain silent.
details
Erin McMonagle is a multi-media performance artist who has presented her work throughout New York City. She is a graduate of Sarah Lawrence College and currently works as the Development Manager at Weeksville Heritage Center. about Erin

"East to West" (February 20 - 22, 2009)
an Ujamaa Black Theater Festival under the direction of Titus Walker
chashama 217, 217 East 42nd Street
blkbroadway@yahoo.com

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train from Times Square

Titus Walker's Ujamaa Black Theater Festival "East to West"
217 East 42 Street to 300 West 43 Street

at 300 West 43 Street 6th floor:
Sat January 31, 2009 7:30pm For the Love of My Black Woman
Sat February 7, 2009 7:30pm For the Love of My Black Woman
Also a salute to Bernie Mac, James Brown, Isaac Hayes

at chashama 217:
Fri February 20, 2009 8:00pm
Tribute to James Brown

Sat February 21, 7:30pm FILM PREMIERE:
Tribute to Malcolm X
and the play, 'Tribute to Malcolm X', a play for our hero

Sun February 22, 5pm Matinee:
The Sun People, an African tale featuring African actor Alioune Sall, and more

TICKETS ADVANCE: $30 AT DOOR: $35
CALL 212-642-8261 OR 917-482-9673
For information call 212-642-8261
details

Playing with myselves (February 18 - March 11, 2009)
by chashama artist-in-residence Danny Licul
chashama Times Square Gallery, 112 West 44th Street
croooakt@aim.com
www.dannylicul.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

February 18 - March 11, 2009
Opening Reception: Wednesday, February 18th, 6-9pm

Hours: Tuesdays, Fridays and Saturdays noon-6pm
Wednesdays noon-8pm

and by appointment (347-387-1228) | croooakt@aim.com

FREE and open to the public.

chashama is pleased to announce the reopening of the 112 West 44th street gallery space with a solo exhibition featuring the work of New York artist, Danny Licul. No stranger to chashama, Licul will be presenting his newest collection Playing with myselves, with an opening reception on February 15.

Licul's work explores themes of fantasy and imagination. For this project, Licul was influenced by film noir. He sees each piece like a frame in a film; they are filled with action, having a before and after. He was also greatly influenced by the best Christmas gift he ever received – a highly coveted Millennium Falcon Star Wars figurine in 1979. The Millennium Falcon looks like any other Star Wars spacecraft, but within it's walls, lays powerful secrets. The craft was thought to be impregnable due to all of its modifications, however, despite all of its benefits, it was in fact prone to recalcitrance. Perhaps that loss of control and emergence of chaos is what influenced Licul's work the most. Later in life, the Millennium Falcon will no longer instill joy in Licul, but rather a very different feeling. The shape of the spacecraft resembles that of a deer tick, something he knows quite well after being diagnosed with Lyme Disease.

Licul was raised in a Croatian household in Whitestone, Queens. To produce his new series of work, he recreated a model of his family's living room from memory. Setting the scene with clay figures, and lighting the space from different angles, Licul created a tangible template to base his work off of. Working with oil on canvas and charcoal on paper, Licul composes worlds of vibrant color and sweeping motion. Covering the entire canvas with no blank space to spare, the work draws the viewer into a thrilling world. The paintings do not end at the edge of the frame but rather the viewer is encouraged to explore beyond what is seen. Some of the pieces included are more simple and straight forward, while others are more of a complex and abstract mystery. Either way, Licul captures your attention and drives you into a world of swirling, rich hues that you won't want to leave.

The black paintings, found object constructions, video and audio works are investigations of time passing, unfolding, expanding, and collapsing. They examine what we gather, what remains and what we leave behind. It's about the inherent struggle against nature and time, and how this defines us.
details
Licul received his BFA in 1999 from Queens College in New York. His work has been shown in chashama galleries, The Umbrella Arts Gallery, The Sara Meltzer Gallery, among others. He has also collaborated with artist Kristin Anderson. about Danny

The Purpose Lounge (February 10 - 28, 2009)
organized by s6k Media, Reconstruct Art and BreakThrough Technologies
made possible in part by chashama & WBAI 99.5 Radio
chashama Harlem Studios Gallery, 461 West 126th Street
Event contact: s6kmedia@gmail.com
www.bt-medialabs.com
www.wbai.org
www.s6k.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

February 10 - 28, 2009
ALL EVENTS WILL BEGIN @ 7PM SHARP | TUESDAYS & SATURDAYS

FREE and open to the public.

The Purpose Lounge, presented by

s6k Media, Reconstruct Art and BreakThrough Technologies
powered by chashama & WBAI 99.5 Radio

ALL EVENTS WILL BEGIN @ 7PM SHARP
TUESDAYS & SATURDAYS

‹tues, feb 10›
The Harlem Renaissance and the Current State of the Arts in Harlem

‹sat, feb 14›
Adam Clayton Powell Jr., Shirley Chisholm and the Legacy of Black Politics in America

‹tues, feb 17›
Revisiting Eyes on the Prize and the Continuing Struggle for Equality in America; Who Will Teach Us about Us?

‹sat, feb 21›
AIDS and Harlem: Which will Survive?

‹tues, feb 24›
Are We Afraid to Offend for the Right Reasons? Black Arts, Who Supports Them & Controversy

‹sat, feb 28›
"Like It Is" and a Discussion of Black Media (arts/culture & news)
details
Reconstruct Art, sektor 6 kommunikations and BreakThrough Technologies have partnered to create The Purpose Lounge, an empowering and exciting arts education program to train, mentor, and inspire people 18 to 35 years of age. By using visual arts studio sessions and training as a fulcrum to balance life mentoring and job skill preparation, The Purpose Lounge provides a positive alternative destination for people whom have traditionally been underserved with limited artistic resources and options. This program also goes beyond the traditional facility model to bring arts education and life mentoring directly to the places it's needed, such as, recreational centers, playgrounds, schools, common spaces in public housing, community events, correctional facilities and public/private spaces throughout the city.

Our debut series of events will feature documentary video screenings, speeches, mixed-media exhibits, interactive panel discussions and plenty of give-a-ways you'll want to have. This exciting month of events during February's Black History Month celebration is an introduction to our program that will launch in June 2009.

We combine artistic and social empowerment to help people think more critically about the creation of art, technology and the we planet live on. The Purpose Lounge creates an artistically framed dialog between artists and concerned citizens about the issues of the day with the goal of establishing a greater sense of societal ownership and involvement. In addition to our creative artistic focus, we enable and motivate people to use their skills to help others in the form of mentoring.
What We Are
Lead by Lawrence Joyner/Reconstruct Art (Harlem, NY), participants will have expanded length sessions to develop, rework and discuss their art. We will provide a variety of artistic tools to augment the participant's existing resources. Our eventual goal would be to provide 100% of the visual arts resources.

Our Tech Lab, directed by Tyrone Thomas/BreakThrough Technologies (Jersey City, NJ) , will provide training, mentoring and computers access for various artistic applications, business applications and Internet research on special projects and general office applications.

We will have group mentoring sessions, developed by Darryl Hell/sektor 6 kommunikations (Brooklyn, NY), where the entire group is inspired to discuss life issues in order to reinforce personal growth. Within this framework, we will also provide a wide spectrum of volunteering opportunities to encourage community participation. By encouraging the participants to spend time helping others, we emphasize the responsibilities each person has to the betterment of themselves and the society as a whole.
What We Do

CoLAB: Artist/Curator/Artist (February 9 -21, 2009) by CoLAB Cooperative
chashama Window Space, 266 West 37th Street

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Exhibition viewing hours (from street): February 9 – 21, 9AM–5:30PM
Salon Hours (meet the artists):
Sat Feb.14 & Sun Feb.15, 3–6PM
Sat Feb.21, 3–6PM


CoLAB Public Meeting, Topic: How should visual artists approach the practice of writing about themselves? --On Monday, February 16, 6–8PM, CoLAB will hold a sample writing workshop/Open Meeting, sharing their pedagogical approach, and offering a simpler way for artists to write about their own work and practice.
(Note: space is limited.)

FREE and open to the public
details
CoLAB's Exhibiting Members are:
Sarah Schmerler (writing, pedagogy); Cynthia Ruse (photos/sculptural installation), Annette Taconelli (performance and related sculptural objects), James Merrell + Erik Sanner (public art/intervention; multi-media installation), Chris Spinelli (video, drawing), Hanna Mandelbaum (painting), Joanne Pasila (concept-based photography), Shannon Brunette (film/video).
members
CoLAB was formed as a collective in 2007 by 9 artists who wanted to empower themselves to use the writing process to inform their practice as visual artists. They enlisted the skills of 1 art critic to guide them. CoLAB holds regular (private) meetings, and also communicates virtually via blog, editing and commenting on what each has written about their own, as well as each other's, work.

In late 2008, CoLAB's members decided to branch out into the realm of visual collaboration. In this, their first exhibition, CoLAB is creating a pedagogical work-in-progress. Their mandate in "Artist/Curator/Artist" is simply: Text comes first. They've chosen work by one another, based on what they've written about each other, rather than on their work's visual appearance.

CoLAB feels that curating in this way is an exciting and valuable experiment, providing its visual artists with a new "feedback loop." Normally, a professional curator would offer up an assessment of the "value" of an artwork for the public. In this case, CoLAB asks if artists can't find a different hermeneutic to their own practice--one based on self-reflection and their ability to communicate--rather than on the perceived formal, narrative or conceptual merit of the work they create.
about CoLab

underEXPOSED (February 6 - 28, 2009)
BLACK WOMEN PHOTOGRAPHERS IN AMERICA
curated by Ton'ya Leigh
presented by ReconstructArt
chashama Harlem Studios Gallery, 461 West 126th Street
underexposedshow@gmail.com
myspace.com/underexposed2008
reconstructart@gmail.com

(between Amsterdam & Morningside Aves
Trains: 1/A/C/B/D to 125th Street station
Bus: #100, 101, 104, M60, Bx6 to 125th & Amsterdam)

February 6 - 28th, 2009 | Hours Tuesday - Saturday, 5-8p
OPENING RECEPTION Friday, February 6, 6-9pm
FREE and open to the public.

A traveling photography exhibition dedicated to highlighting the works of Black women photographers in America. This exhibition showcases their vision of the world captured through the camera lens. The field of photography has not often exposed the work of these photographers. With this exhibition we aim to illuminate their world. "underEXPOSED" is sponsored by Reconstruct Art, a 501c3 nonprofit organization based in New York City.
details
ReconstructArt Mission Statement To positively motivate disenfranchised youth and to cultivate artistic strengths, by replenishing their intellect with challenging actions, breeding confidence while giving individuals a well-rounded understanding and knowledge of art in varying media. The assignment is to provide the exposure to art that will impact their expression whether verbally, physically, or emotionally. Reconstruct Art pledges to nurture the creative abilities of youth, to develop social skills and work ethics, which are essential tools for living effectively in a changing world. about ReconstructArt

Dark Space (February 4 - 14, 2009) co-created by Kate Brehm and Alexis Macnab
chashama 217, 217 East 42nd Street
www.imnotlost.net
http://infinitecoast.org
Made possible in part by a grant from the National Endowment for Arts: www.nea.gov

1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train to Grand Central | M15, M101, M102, M103 to 42nd Street

imnotlost & Infinite Coast and chashama PRESENT
Dark Space
Co-created by Kate Brehm and Alexis Macnab
Directed by Alexis Macnab
Designed by and Featuring Kate Brehm
at chashama 217, 217 East 42nd Street

Feb 4th OPENING NIGHT 7pm | BENEFIT PARTY 8:30-11:30pm
Feb 5th - 7th SHOWS 7pm & 9pm
Feb 8th SHOW 7pm
Feb 11th SHOW 7pm
Feb 12th - 14th SHOWS 7pm & 9pm
All show tickets $15 | benefit tickets $10 | benefit & show package $20

Not appropriate for children under 11.
details
1 1/2 blocks east of Grand Central, btwn 2nd & 3rd Aves; 4,5,6,7 and shuttle train from Times Square

Dark Space is the story of one woman’s personal metamorphosis told in lush puppet spectacle and theatrical installation. The audience is lead throughout chashama’s completely transformed 42nd Street storefront space to experience the story alongside its heroine. From the confines of her domestic setting, the woman dreams of winged freedom and struggles toward her final release. With breathtaking imagery and innovative staging, Dark Space explores that liminal place where everyone must shed his or her old self and sit, bodiless and indistinct, before moving forward to embrace a new identity.

Dark Space is the final presentation of the Performing Arts Residency @ chashama. The Performing Arts Residency @ chashama is a program granting four NYC-based contemporary performing arts companies 6 weeks of dedicated performance and rehearsal space in the same location. Made possible in part by a grant from the National Endowment for Arts.
about the show
KATE BREHM directs, designs, and performs adult puppetry and experimental theater. She runs the company imnotlost, online at www.imnotlost.net, which seeks to expand the public’s vision of what performing objects can be. She has taught puppetry internationally and trained in physical acting with Kari Margolis. She has performed for Basil Twist at Lincoln Center, the Los Angeles Philharmonic, Mabou Mines, the Houston and Atlanta Grand Operas, and on a national tour of Japan. Her original works include A Seemingly Unified Spectacle, Belly Dream Real, and Do You Copy?, a science-fiction puppet show which premieres this April. about Kate
ALEXIS MACNAB is a director and performer working in multi-media and visual theater. New York directing credits include Ralph & Isabel at Dixon Place’s Puppet BloK Series, Trigger Happy Jack at HERE Arts Center, and Letter From Rubbish Island at the Brick Theater. She is a member of The Flea Theater’s resident acting company and her credits include Thomas Bradshaw’s Dawn, and Peter Handke’s Offending the Audience, both directed by Jim Simpson. She performed for three years with the experimental dance-theater company Laboratory Theater, and has puppeteered for Kate Brehm, Tom Lee and Kevin Augustine. Full portfolio available at http://infinitecoast.org about Alexis

Tortured Sleep (January 24 - 31, 2009) by Brian Wondergem
(after Fuselli's 'The Nightmare')
chashama Window Space, 266 West 37th Street
www.brianwondergem.com

(Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.)

January 24th - 31st, 2009
Opening reception: January 24th, 4 - 8p
On view: 24th - 31st 9a - 6p

www.brianwondergem.com
details
Loosely based on Henry Fuseli's painting 'the Nightmare', Brian Wondergem's installation piece, 'Tortured Sleep' uses homemade fishing poles and various found items to insinuate a ghastly scene. The wooden poles hang on the walls and the lines extend down into found bedding. The various bait hooks into the blankets and provides for a setting where sleep would seem treacherous or at least extremely uncomfortable. This piece equates the unconscious dream state to the physical state of the body during sleep. The bedding and the dreamer have a symbiotic relationship. Here the artwork is an assemblage of found and childlike creations. The blankets are provided for the audience to imagine walking into their dreams. about the piece
Brian Wondergem was born in Johnson City, TN. He graduated with an M.F.A in Sculpture from Yale School of Art. He was the recipient of the Rebecca Taylor Porter Award for Sculpture, and recently received an Emerging Artist Fellowship at Socrates Sculpture Park.

He has exhibited in Los Angeles, Tennessee, Connecticut, Michigan, Newark, and New York City. He participated in the 2007 Emerging Artist Fellowship Show at Socrates Sculpture Park, and regularly exhibits around the New York Area.

He currently resides in Brooklyn.
about Brian Wondergem

Birth and Accumulations (January 19 - 30, 2009)
by chashama Artist-in-Residence Florencio Gelabert
chashama Harlem Studios Gallery, 461 West 126th Street
flogel61@yahoo.com
This project is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by the Lower Manhattan Cultural Council.
www.lmcc.net
NYC DCA

(between Amsterdam & Morningside Aves; 1/A/C/B/D to 125th Street station)

OPENING RECEPTION Monday January 19, 6-9pm
Open daily: 12pm - 5pm
FREE and open to the public.
details
Florencio Gelabert is presenting Birth and Accumulations, a project that has been awarded a 2008 Manhattan Community Arts Fund grant by the Lower Manhattan Cultural Council and New York City Department of Cultural Affairs. The exhibition opens on Jan. 19th at 6 p.m. at the Chashama Studios, located at 461 W 126th St., between Morningside and Amsterdam Avenues, in Harlem. The show will be on view daily through Jan. 30, 2009, from Noon to 5pm.

The works presented illustrate the diverse nature of Gelabert's oeuvre, from sculptures to video installation, in which he addresses themes such as man's relationship with nature and environmental conservation. The exhibition is comprised of three sculptures and a video – Accumulation I (2008-2009), Accumulation II (2008-2009), Ottoland (2008), and Birth (2009).

Accumulations I and II and Ottoland come from a recent series of works, with which the artist combines artificial elements extracted from the real world and his own creations. It is comprised of an imaginary landscape, made of plastic and other non-organic materials that simulate plant life, growing out of a broken wall. In Birth, Gelabert is interested in transcending traditional notions of sculpture by expanding its definition of three-dimensionality into a media video. It consists of a two-minute video loop showing a waterfall and landscape of his own creation with yellow flower petals falling and filling the screen.
the exhibit
Gelabert's work has been exhibited in museums, galleries and public places around the country, in Latin America and in Europe. His most recent works were presented last November at a personal show for the opening of new Patricia and Phillip Frost Art Museum, at Florida International University. His work is also included in several public collections: the Goldberg Collection at Nassau County Museum Roslyn Harbor, NY; MOCA, North Miami, FL; Everhart Museum, Philadelphia; the Bass Museum of Art, Miami Beach; the Museum of Fine Art in Santa Fe, New Mexico, Shack Collection in Miami, and The Cisneros Collection in Caracas, Venezuela.

Gelabert is a recognized Cuban-American sculptor of his generation graduated from the San Alejandro National School of Fine Arts and the Instituto Superior de Arte, in Havana, Cuba. He received his Master of Fine Arts degree from the University of Miami in 1998.
about Gelabert

MY EYES! (January 15th – February 7th, 2009)
artwork by Amber Boardman, Matt Broach, Danielle Durchslag, Ryan Frank, Joan Pamboukes, Dean Radinovsky, Erik Sanner, & Kevin Stahl
Last show curated by Ad Nauseum Lyceum at
chashama U W S Gallery, 950 Columbus Avenue
adnauseamlyceum@gmail.com | www.adnaus.org

betwixt West 106th & 107th Streets; B/C to 103rd or 110th Street stations

artwork by Amber Boardman, Matt Broach, Danielle Durchslag, Ryan Frank, Joan Pamboukes, Dean Radinovsky, Erik Sanner, & Kevin Stahl

January 15th – February 7th, 2009
Opening Reception: Thursday, January 15th, 6-8 pm

Gallery Hours:
Thursdays 1-5pm
Fridays 3-7pm
Saturdays and Sundays 1-5pm
and by appointment: adnauseamlyceum@gmail.com
details

Paradise Pictures (December 18, 2008 - January 03, 2009) by Richard Torchia
presented by The Montello Foundation at
chashama Window Space, 266 West 37th Street
www.montellofoundation.org

Between 7th and 8th Avenues, A/C/E/1/2/3 to 34th Street, N/R/Q/W/7 to Times Square; M16, M34 buses to 8th Ave, M10, M20 to 36th St.

Opening reception: Dec.18th, 6 - 8p
Hours: Monday - Friday 9a - 6p
Saturdays 12noon - 6p
closed December 25th and January 1st


The Montello Foundation is proud to present its inaugural show with the artist Richard Torchia at the chashama Window Space on West 37th St in the Garment District of New York. The Montello Foundation is an organization dedicated to supporting artists who foster our understanding of nature, its fragility, and our need to protect it. The Window Space provides an ideal location for this mission on a gritty block, far away from any nature and very populated.

By suggesting both a movie studio and what might appear as random, optical phenomena, Paradise Pictures frames the effects of urban tree shadows to explore the tensions between nature and culture that they demonstrate. Harnessing the combination of given conditions—winter weather, heat issuing from inside the exhibition space, and the scaffolding that currently shades the glass storefront of chashama's Window Space, the installation gives the live trees an opportunity to perform.
about the installation
The shadows of trees are among the most primitive examples of nature's capacity to create graphic images of itself. Unlike shadows cast by mountains, clouds, or heavenly bodies—which register to us more abstractly—the shadows of windblown trees are capable of impressive but comprehensible scale, dance-like movement, and intimate, detail. Henry David Thoreau, writing in his journal about the "rich tracery" of the shadows of elms he saw in the light of a half moon in 1851, was moved to comment that "men had got so much more than they bargained for, —not only trees to stand in the air, but to checker the ground with their shadows". Torchia is interested the ways in which such shadows, when thrown onto the flat planes of urban walls and streets, not only become more legible but also appear more ephemeral. Whether created by the sun or artificial light sources, when cropped and contextualized by city surfaces, the shadows of moving foliage take on the character of mediated, cinematic projections without losing their delicate and fugitive immediacy.

By suggesting both a movie studio and what might appear as random, optical phenomena, Paradise Pictures frames the effects of urban tree shadows to explore the tensions between nature and culture that they demonstrate. Harnessing the combination of given conditions—winter weather, heat issuing from inside the exhibition space, and the scaffolding that currently shades the glass storefront of chashama's Window Space, the installation gives the live trees an opportunity to perform.
about the concept
Paradise Pictures extends Torchia's ongoing work with the camera obscura and his interest in the instantaneous formation of images. The project is directly related to A Beam in the Bower, a permanent public video archive of tree shadows to be projected onto the shaded wall of the Hilton Garden Inn (Philadelphia) starting in the spring of 2009. A resident of Philadelphia since 1987, Torchia has been exhibited his work in solo projects at the Institute of Contemporary Art (University of Pennsylvania, Philadelphia, 1994), the Center for Creative Photography (Tuscon, Arizona, 1987), Historic Eastern State Penitentiary (Philadelphia, 1997-2001), the Gallery of Photography (Dublin, 2002) and Evergreen House, The Johns Hopkins University, (Baltimore, Maryland, 2006). His work was last seen in New York at Wave Hill (the Bronx) in the group exhibition "Thoreau Reconsidered". about Richard Torchia

Undone (December 18, 2008 - January 02, 2009)
an exhibit by chashama artist-in-residence Pat Arnao
chashama Times Square Gallery, 112 West 44th Street
Contact: 112w44th@gmail.com

(between Broadway & Sixth Ave. / Subway: 1,2,3,B,D,F,N,Q,R,V,W to 42nd St., 7 & shuttle to Times Square. Bus: M104, M42 to Sixth Ave., M5, M6, M7 to 43rd St.)

Opening Reception: Thursday, December 18th, 6-9pm
Closing Party: Friday, January 2nd, 4-7pm

Hours: Wednesday - Saturday 3:30-7pm
Or by appointment | Contact: 112w44th@gmail.com
(Closed December 24, 25, and 31 & January 1)

FREE and open to the public.

"The past isn't dead. It isn't even past". -William Faulkner

chashama is pleased to present Undone, an exhibition of paintings, videos and constructions by Pat Arnao.

Pat Arnao's work is driven by literary influences: in this case, Don DeLillo and William Faulkner. Both authors are consorts to personal and cultural histories, and examine the implications of the past upon the present. The work in this exhibition is based on the idea of history, and how the past defines the present.

The black paintings, found object constructions, video and audio works are investigations of time passing, unfolding, expanding, and collapsing. They examine what we gather, what remains and what we leave behind. It's about the inherent struggle against nature and time, and how this defines us.
details

 

 

 

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The Archives
For listings not found here, try the search function to locate listings of past events and exhibits.
curriculum vitae
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CHASHAMA EXHIBIT ARCHIVE:
Flickr exhibits Archive
Times Square 2000 - 2004:
135 W.42nd St. Gallery Archive Peep-O-Rama 121 W.42nd St. Gallery Archive TIXE 113 W.42nd St. Gallery Archive

WINDOWS ARCHIVE: Flickr Windows Archive
Times Square 2003-2004 135 & 125 W.42nd St.
Times Square 2000-2002 125, 129 & 135 W.42nd St.