Fuse

Fuse
by Louisa Dawson and Jamil Yamani

Exhibition dates: October 13 - 20, 2011
Hours: 12-5pm or by Appointment

Opening Night: October 13, 7pm-11pm

​Where: chashama LIC 26-15
"Moe's Garage"
26-15 Jackson Avenue
Long Island City, NY

from the ISCP's event description:
"These new works are about cultural identity and urban displacement. Dawson and Yamani connect elements of the everyday, which transform structures, objects and environments. The works are installed in an empty car mechanic workshop in Long Island City. This New York suburb is itself in transition from an industrial area to residential condominiums and gentrification. The works, exhibited in this repurposed space both reflect the surrounding changes and shift in perceptions of space and culture.

"Yamani’s work ‘Made in America’ is an embedded video sculpture that aims to encourage debate on what drives narratives of identity. The sculpture takes iconic Islamic designs and significant religious structures and integrates them with a classic American object, namely a Chevelle 1969 Malibu. It is an example of US car-making in a specific, possibly more mono-narrative era. The roof of the vehicle will have the iconic Islamic dome and four minarets built upon it, synthesizing the sculpture into a ‘mobile Mosque’. The work undermines notions of the ‘other’ through the use of familiar objects. The windows of the vehicle will serve as projection surfaces where each window will be individually mapped with its own discreet footage.

"Dawson’s work ‘New Arrivals’ is a 1m high diving board, but it has a boulder that bends the board to the floor. In this new work she creates static tension between the ungraceful boulder at the tip of the board with the sophisticated functions of the diving board that typically displays gymnastics and aerobatic performance into water. The diving board and the rock appear to be caught in the moment before it launches the boulder into the space. In Dawson’s sculptures, she incorporates evidence of changes in urban environments, the politics of public space, and the social inequalities of travel and mobility. She modifies industrial and domestic objects, such as rubbish skips, suitcases, ladders and tables, to juxtapose their form and function."

http://www.louisadawson.com/
http://jamilyamani.com/
 


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